Teatro del Generalife tickets 19 June 2026 - Latvian National Ballet: Giselle | GoComGo.com

Latvian National Ballet: Giselle

Teatro del Generalife, Granada, Spain
All photos (19)
Select date and time
10:30 PM
From
US$ 98

E-tickets: Print at home or at the box office of the event if so specified. You will find more information in your booking confirmation email.

You can only select the category, and not the exact seats.
If you order 2 or 3 tickets: your seats will be next to each other.
If you order 4 or more tickets: your seats will be next to each other, or, if this is not possible, we will provide a combination of groups of seats (at least in pairs, for example 2+2 or 2+3).

Important Info
Type: Ballet
City: Granada, Spain
Starts at: 22:30
Acts: 2
Intervals: 1
Duration: 2h 20min

E-tickets: Print at home or at the box office of the event if so specified. You will find more information in your booking confirmation email.

You can only select the category, and not the exact seats.
If you order 2 or 3 tickets: your seats will be next to each other.
If you order 4 or more tickets: your seats will be next to each other, or, if this is not possible, we will provide a combination of groups of seats (at least in pairs, for example 2+2 or 2+3).

Cast
Performers
Ballet company: Latvian National Ballet
Creators
Composer: Adolphe Adam
Choreographer: Aivars Leimanis
Choreographer: Jean Coralli
Choreographer: Jules Perrot
Choreographer: Marius Petipa
Poet: Heinrich Heine
Librettist: Jules-Henri Vernoy de Saint-Georges
Librettist: Théophile Gautier
Festival

Granada Festival of Music and Dance 2026

The Granada Festival of Music and Dance 2026 invites audiences into a world where classical music, ballet, and the cultural spirit of Andalusia merge beneath the summer skies of southern Spain. Held from 11 June to 12 July 2026, the festival transforms Granada into one of Europe’s most atmospheric artistic destinations, where performances unfold in extraordinary venues including the Palace of Charles V within the Alhambra, historic courtyards, gardens, and open-air stages surrounded by the beauty of the Sierra Nevada.

Overview

The Great Romantic Ballet of the 19th Century Still Thrilling in the 21st

Giselle is one of the first large ballets of the romantic period, and one of the few works of that era to have survived to the present day. An idyllic country village is the setting for a naive girl’s first love and her betrayal, which is followed by madness, death, and a painfully beautiful world populated by the Wilis, female spirits who, jilted before their wedding day, rise from their graves at night and seek revenge upon men.

It is the perfect ballet, and that is why it remains alive on stages around the world, now celebrating no less than 185 years since its premiere at the Paris Opera. Giselle is earth and heaven, body and spirit, light and darkness. It is the great Romantic ballet, and its story of love, betrayal, social classes, and young women transformed into ghostly spirits continues to move audiences when its staging and performance are of the highest quality. The Latvian National Ballet lovingly maintains its production and masterful choreography, created by the geniuses Jean Coralli and Jules Perrot in Paris, to the music of Adolphe Adam, and revived by Marius Petipa in St. Petersburg. Under the supervision of director Aivars Leimanis, the production retains the poetic power of its celebrated second act, where the ghostly Wilis —clad in white tutús— compel men to dance until they collapse in a mist-filled forest.

The prolific opera and ballet composer Adolphe Adam composed the music. Jean Coralli and Jules Perrot created the original choreography. The role of Giselle was intended for Carlotta Grisi as her debut piece for the Paris public, and she was the only ballerina to dance it at the Paris Opera for many years. The traditional choreography that has been passed down to the present day derives primarily from the revivals staged by Marius Petipa during the late 19th and early 20th centuries for the Imperial Ballet in St. Petersburg. One of the world's most-often performed classical ballets, it is also one of its most challenging to dance.

History
Premiere of this production: 28 June 1841, Salle Le Peletier, Paris, France

Giselle is a romantic ballet in two acts. It was first performed by the Ballet du Théâtre de l'Académie Royale de Musique at the Salle Le Peletier in Paris, France on 28 June 1841, with Italian ballerina Carlotta Grisi as Giselle. The ballet was an unqualified triumph. Giselle became hugely popular and was staged at once across Europe, Russia, and the United States. The traditional choreography that has been passed down to the present day derives primarily from the revivals staged by Marius Petipa during the late 19th and early 20th centuries for the Imperial Ballet in St. Petersburg.

 

Synopsis

Act I

The ballet opens on a sunny autumnal morning in the Rhineland during the Middle Ages. The grape harvest is in progress. Duke Albrecht of Silesia, a young nobleman, has fallen in love with a shy, beautiful peasant girl, Giselle, despite being betrothed to Bathilde, the daughter of the Duke of Courland. Albrecht disguises himself as a humble villager called "Loys" in order to court the enchanting and innocent Giselle, who knows nothing of his true identity. With the help of his squire, Albrecht hides his fine attire, hunting horn, and sword before coaxing Giselle out of her house to romance her as the harvest festivities begin.

Hilarion, a local gamekeeper, is also in love with Giselle and is highly suspicious of the newcomer who has won Giselle's affections. He tries to convince the naive Giselle that her beau cannot be trusted, but she ignores his warnings. Giselle's mother, Berthe, is very protective of her daughter, as Giselle has a weak heart that leaves her in delicate health. She discourages a relationship between Giselle and Loys, thinking Hilarion would be a better match, and disapproves of Giselle's fondness for dancing, due to the strain on her heart.

A party of noblemen seeking refreshment following the rigors of the hunt arrive in the village, Albrecht's betrothed, Bathilde, among them. Albrecht hurries away, knowing he would be recognized and greeted by Bathilde, exposing him as a nobleman. The villagers welcome the party, offer them drinks, and perform several dances. Bathilde is charmed with Giselle's sweet and demure nature, not knowing of her relationship with Albrecht. Giselle is honored when the beautiful and regal stranger offers her a necklace as a gift before the group of nobles depart.

The villagers continue the harvest festivities, and Albrecht emerges again to dance with Giselle, who is named the Harvest Queen. Hilarion interrupts the festivities. He has discovered Albrecht's finely made sword and presents it as proof that the lovesick peasant boy is really a nobleman who is promised to another woman. Using Albrecht's hunting horn, Hilarion calls back the party of noblemen. Albrecht has no time to hide and has no choice but to greet Bathilde as his betrothed. All are shocked by the revelation, but none more than Giselle, who becomes inconsolable when faced with her lover's deception. Knowing that they can never be together, Giselle flies into a mad fit of grief in which all the tender moments she shared with "Loys" flash before her eyes. She begins to dance wildly and erratically, ultimately causing her weak heart to give out. She collapses before dying in Albrecht's arms. Hilarion and Albrecht turn on each other in rage before Albrecht flees the scene in misery. The curtain closes as Berthe weeps over her daughter's body.

In the original version, taken up again recently by a production of the ROB, Giselle stabs herself with Albrecht's sword, which explains why her body is laid to rest in the forest, in unhallowed ground, where the Wilis have the power to summon her. Most modern versions are sanitized and have edited out the suicide.

Act II

Late at night, Hilarion mourns at Giselle's forest grave, but is frightened away by the arrival of the Wilis, the ghostly spirits of maidens betrayed by their lovers. Many Wili were abandoned on their wedding days, and all died of broken hearts. The Wilis, led by their merciless queen Myrtha, dance and haunt the forest at night to exact their revenge on any man they encounter, regardless of who he may be, forcing their victims to dance until they die of exhaustion.

Myrtha and the Wilis rouse Giselle's spirit from her grave and induct her into their clan before disappearing into the forest. Albrecht arrives to lay flowers on Giselle's grave and he weeps with guilt over her death. Giselle's spirit appears and Albrecht begs her forgiveness. Giselle, her love undiminished unlike her vengeful sisters, gently forgives him. She disappears to join the rest of the Wilis and Albrecht desperately follows her.

Meanwhile, the Wilis have cornered a terrified Hilarion. They use their magic to force him to dance until he is nearly dead, and then drown him in a nearby lake. Then they spy Albrecht, and turn on him, sentencing him to death as well. He pleads to Myrtha for his life, but she coldly refuses. Giselle's pleas are also dismissed and Albrecht is forced to dance until sunrise. However, the power of Giselle's love counters the Wilis' magic and spares his life. The other spirits return to their graves at daybreak, but Giselle has broken through the chains of hatred and vengeance that control the Wilis, and is thus released from their powers and will haunt the forest no longer. After bidding a tender farewell to Albrecht, Giselle returns to her grave to rest in peace.

Venue Info

Teatro del Generalife - Granada
Location   P.º del Generalife, 1B

An open-air theater for dance and music in the orchards and pleasure estate of the sultans.

Conceived as a privileged stage for dance performances, the Generalife's open-air theater owes its existence to the Granada Festival itself, as its inauguration took place in 1953 with an evening of Spanish dance that also opened the Festival's second edition. An orchard, garden, estate, and even a pleasure palace for the sultans as early as the 14th century, this harmonious blend of nature and architecture that is the Generalife embodies refinement and wisdom, as evidenced by inscriptions such as the following: "Be composed, speak with knowledge, be sparing in your words, and leave in peace." The current theater in the Generalife gardens is the result of a renovation of the original that took place between 2003 and 2005. Its reopening took place during the 54th Granada Festival with a double show that brought together three of the most international names in Spanish culture of the last century: Manuel de Falla, Federico García Lorca and Salvador Dalí.

Important Info
Type: Ballet
City: Granada, Spain
Starts at: 22:30
Acts: 2
Intervals: 1
Duration: 2h 20min
Top of page