Slovak National Theater 4 February 2022 - Swan Lake | GoComGo.com

Swan Lake

Slovak National Theater, New building, Bratislava, Slovakia
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Select date and time
Friday 4 February 2022
7 PM

E-tickets: Print at home or at the box office of the event if so specified. You will find more information in your booking confirmation email.

You can only select the category, and not the exact seats.
If you order 2 or 3 tickets: your seats will be next to each other.
If you order 4 or more tickets: your seats will be next to each other, or, if this is not possible, we will provide a combination of groups of seats (at least in pairs, for example 2+2 or 2+3).

Important Info
Type: Ballet
City: Bratislava, Slovakia
Starts at: 19:00
Acts: 3
Intervals: 2
Duration: 3h

E-tickets: Print at home or at the box office of the event if so specified. You will find more information in your booking confirmation email.

You can only select the category, and not the exact seats.
If you order 2 or 3 tickets: your seats will be next to each other.
If you order 4 or more tickets: your seats will be next to each other, or, if this is not possible, we will provide a combination of groups of seats (at least in pairs, for example 2+2 or 2+3).

Overview

The extraordinary work of Piotr Tchaikovsky, Marius Petipa, and Lev Ivanov is undoubtedly the most famous title in the ballet repertoire.

The romantic story of Prince Siegfried and the beautiful princess Odette, cursed to be a swan, is the cornerstone of the classical Russian ballet school. Swan Lake has been one of the most successful titles in world theatres for over one hundred and thirty years. Captivating music, powerful dramaturgical line with a romantic story of the struggle of love and evil present a lasting challenge for acclaimed choreographers. In terms of technical complexity, this piece is an aptitude test of every ballet ensemble.
 

The production also features pupils of The Eva Jaczová Dance Conservatory and the SND Opera Orchestra.

Although Swan Lake is presented in many different versions, most ballet companies base their stagings both choreographically and musically on the 1895 revival of Marius Petipa and Lev Ivanov, first staged for the Imperial Ballet on 15 January 1895, at the Mariinsky Theatre in St. Petersburg. For this revival, Tchaikovsky's score was revised by the St. Petersburg Imperial Theatre's chief conductor and composer Riccardo Drigo.

During the late 1880s and early 1890s, Petipa and Vsevolozhsky discussed with Tchaikovsky the possibility of reviving Swan Lake. However, Tchaikovsky died on 6 November 1893, just when plans to revive Swan Lake were beginning to come to fruition. It remains uncertain whether Tchaikovsky was prepared to revise the music for this revival. Whatever the case, as a result of Tchaikovsky's death, Drigo was forced to revise the score himself, after receiving approval from Tchaikovsky's younger brother, Modest. There are major differences between Drigo's and Tchaikovsky's Swan Lake score. Today, it is Riccardo Drigo's revision of Tchaikovsky's score, and not Tchaikovsky's original score of 1877, that most ballet companies use.

In February 1894, two memorial concerts planned by Vsevolozhsky were given in honor of Tchaikovsky. The production included the second act of Swan Lake, choreographed by Lev Ivanov, Second Balletmaster to the Imperial Ballet. Ivanov's choreography for the memorial concert was unanimously hailed as wonderful.

The revival of Swan Lake was planned for Pierina Legnani's benefit performance in the 1894–1895 season. The death of Tsar Alexander III on 1 November 1894 and the ensuing period of official mourning brought all ballet performances and rehearsals to a close for some time, and as a result all efforts could be concentrated on the pre-production of the full revival of Swan Lake. Ivanov and Petipa collaborated on the production, with Ivanov retaining his dances for the second act while choreographing the fourth, with Petipa staging the first and third acts.

Modest Tchaikovsky was called upon to make changes to the ballet's libretto, including the character of Odette changing from a fairy swan-maiden into a cursed mortal woman, the ballet's villain changing from Odette's stepmother to the magician von Rothbart, and the ballet's finale: instead of the lovers simply drowning at the hand of Odette's stepmother as in the original 1877 scenario, Odette commits suicide by drowning herself, with Prince Siegfried choosing to die as well, rather than live without her, and soon the lovers' spirits are reunited in an apotheosis. Aside from the revision of the libretto the ballet was changed from four acts to three—with act 2 becoming act 1, scene 2.

All was ready by the beginning of 1895 and the ballet had its première on Friday, 27 January. Pierina Legnani danced Odette/Odile, with Pavel Gerdt as Prince Siegfried, Alexei Bulgakov as Rothbart, and Alexander Oblakov as Benno. Most of the reviews in the St. Petersburg newspapers were positive.

History
Premiere of this production: 04 March 1877, Bolshoi Theatre, Moscow

Swan Lake is a ballet composed by Pyotr Ilyich Tchaikovsky in 1875–76. Despite its initial failure, it is now one of the most popular of all ballets. Swan Lake is the ballet which embodies the soul of Russian art. The combination of brilliant music and choreography creates a special kind of magic; what the great 20th century choreographer George Balanchine had in mind when he famously said, “One should call every ballet Swan Lake because then people would come.”

Synopsis

Swan Lake is generally presented in either four acts, four scenes (primarily outside Russia and Eastern Europe) or three acts, four scenes (primarily in Russia and Eastern Europe). The biggest difference of productions all over the world is that the ending, originally tragic, is now sometimes altered to a happy ending.

Prologue
Some productions include a prologue that shows how Odette first meets Rothbart, who turns Odette into a swan.

Act 1

A magnificent park before a palace

[Scène: Allegro giusto] Prince Siegfried is celebrating his birthday with his tutor, friends and peasants [Waltz]. The revelries are interrupted by Siegfried's mother, the Queen [Scène: Allegro moderato], who is concerned about her son's carefree lifestyle. She tells him that he must choose a bride at the royal ball the following evening (some productions include the presentation of some possible candidates). Siegfried is upset that he cannot marry for love. His friend Benno and the tutor try to lift his troubled mood. As evening falls [Sujet], Benno sees a flock of swans flying overhead and suggests they go on a hunt [Finale I]. Siegfried and his friends take their crossbows and set off in pursuit of the swans.

Act 2

A lakeside clearing in a forest by the ruins of a chapel. A moonlit night.

The "Valse des cygnes" from act 2 of the Ivanov/Petipa edition of Swan Lake
Siegfried has become separated from his friends. He arrives at the lakeside clearing, just as a flock of swans land [Scène. Moderato]. He aims his crossbow [Scène. Allegro moderato], but freezes when one of them transforms into a beautiful maiden, Odette [Scène. Moderato]. At first, she is terrified of Siegfried. When he promises not to harm her, she explains she and her companions are victims of a spell cast by the evil owl-like sorcerer Rothbart. By day they are turned into swans and only at night, by the side of the enchanted lake – created from the tears of Odette's mother – do they return to human form. The spell can only be broken if one who has never loved before swears to love Odette forever. Rothbart suddenly appears [Scène. Allegro vivo]. Siegfried threatens to kill him but Odette intercedes – if Rothbart dies before the spell is broken, it can never be undone.

As Rothbart disappears, the swan maidens fill the clearing [Scène: Allegro, Moderato assai quasi andante]. Siegfried breaks his crossbow, and sets about winning Odette's trust as the two fall in love. But as dawn arrives, the evil spell draws Odette and her companions back to the lake and they are turned into swans again.

Act 3

An opulent hall in the palace

Guests arrive at the palace for a costume ball. Six princesses are presented to the prince [Entrance of the Guests and Waltz], as candidates for marriage. Rothbart arrives in disguise [Scène: Allegro, Allegro giusto] with his daughter, Odile, who is transformed to look like Odette. Though the princesses try to attract the prince with their dances [Pas de six], Siegfried has eyes only for Odile. [Scène: Allegro, Tempo di valse, Allegro vivo] Odette appears (usually at the castle window) and attempts to warn Siegfried, but he does not see her. He then proclaims to the court that he will marry "Odette" (Odile) before Rothbart shows him a magical vision of Odette. Grief-stricken and realizing his mistake, Siegfried hurries back to the lake.

Act 4

By the lakeside

Odette is distraught. The swan-maidens try to comfort her. Siegfried returns to the lake and makes a passionate apology. She forgives him, but his betrayal cannot be undone. Rather than remain a swan forever, Odette chooses to die. Siegfried chooses to die with her and they leap into the lake. This breaks Rothbart's spell over the swan maidens, causing him to lose his power over them and he dies. In an apotheosis, the swan maidens watch as Siegfried and Odette ascend into the Heavens together, forever united in love.

Venue Info

Slovak National Theater - Bratislava
Location   Pribinova 17

The Slovak National Theater is the oldest professional theatre in Slovakia, consisting of three ensembles: opera, ballet, and drama. Its history begins shortly after the establishment of the first Czechoslovak Republic in 1918. It is located in the capital, Bratislava. The theatre is currently based in two separate buildings: the historic Neo-Renaissance building at Gorkého 2 and the new SND building in the Old Town, opened on 14 April 2007, at Pribinova 17. Performances take place on most days of the year. The Slovak National Theatre has represented Slovak culture on its numerous tours abroad.

After the establishment of the Czechoslovak Republic, the idea of a professional Slovak theatre slowly began to materialize. In 1919, the SND Cooperative commissioned the establishment of the Slovak National Theatre (SNT). The cooperative concluded a contract with the director of the East Bohemian Company, Bedřich Jeřábek. It was his opera and drama ensemble that in 1920 began operating all three SND ensembles (drama, opera, ballet) in the building of the former municipal theatre.

The opera of the SNT began its activities on 1 March 1920 with the production of The Kiss by Czech composer Bedřich Smetana. A day later, the drama ensemble presented the play Mariša by brothers Alois and Vilém Mrštík. The ballet section of the theatre made its debut with a production of Coppélia by Léo Delibes on 19 May 1920. The first performance in the Slovak language also took place in May of that year, with renditions of the one-act plays Hriech and V službe by Jozef Gregor-Tajovský.

The majority of the theatre's original repertoire was performed in Czech because there were not enough Slovak plays, translations, actors, or singers. The first Slovak professional actors, Andrej Bagar, Janko Borodáč, Oľga Borodáčová, Jozef Kello, and Gašpar Arbét, formed the core of the SND promotional drama ensemble.

The SND ensembles originally played in three different buildings—the drama ensemble played in the Pavel Országh Hviezdoslav Theatre building on Laurinská Street and on the Small Stage of the Slovak National Theatre on Dostojevského rad. The opera and ballet were housed in a historic building on Hviezdoslav Square. On 14 April 2007, the SND moved to a new building on Pribinova Street no. 17, in which all three ensembles play under one roof. The space holds 1,700 seats. In addition to the new SND building, the theatre company also continues to use the historic building, where opera, ballet, and drama performances are still held.

Important Info
Type: Ballet
City: Bratislava, Slovakia
Starts at: 19:00
Acts: 3
Intervals: 2
Duration: 3h
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