Slovak National Theater 5 February 2022 - La traviata | GoComGo.com

La traviata

Slovak National Theater, New building, Bratislava, Slovakia
All photos (7)
Select date and time
Saturday 5 February 2022
7 PM

E-tickets: Print at home or at the box office of the event if so specified. You will find more information in your booking confirmation email.

You can only select the category, and not the exact seats.
If you order 2 or 3 tickets: your seats will be next to each other.
If you order 4 or more tickets: your seats will be next to each other, or, if this is not possible, we will provide a combination of groups of seats (at least in pairs, for example 2+2 or 2+3).

Important Info
Type: Opera
City: Bratislava, Slovakia
Starts at: 19:00
Acts: 3
Intervals: 2
Duration: 2h 40min

E-tickets: Print at home or at the box office of the event if so specified. You will find more information in your booking confirmation email.

You can only select the category, and not the exact seats.
If you order 2 or 3 tickets: your seats will be next to each other.
If you order 4 or more tickets: your seats will be next to each other, or, if this is not possible, we will provide a combination of groups of seats (at least in pairs, for example 2+2 or 2+3).

Overview

The novel The Lady of the Camellias by Alexandre Dumas (Son) strongly affected Giuseppe Verdi who always searched, for characters for his operas, for themes with dramatic plots and interesting. It is full of transparent and touching music, in which the world of the Italian bel canto blends splendidly intertwines with a strong emotional expression. The new production of the opera evergreen is being prepared by the SND Opera in a stellar solo cast under the baton of the conductor Robert Jindra, with an attractive stage concept by the Italian team led by Roberto Catalano.

History
Premiere of this production: 06 March 1853, Teatro La Fenice, Venice

La traviata is an opera in three acts by Giuseppe Verdi set to an Italian libretto by Francesco Maria Piave. It is based on La Dame aux camélias (1852), a play adapted from the novel by Alexandre Dumas fils. The opera was originally titled Violetta, after the main character. It was first performed on 6 March 1853 at the La Fenice opera house in Venice.

Synopsis

Set in and around Paris in about 1850.

Act I

Violetta Valéry, a Parisian courtesan, greets the guests at her salon. Among them are Flora Bervoix, the Marchese D’Obigny, Baron Douphol and Gastone, who introduces Violetta to a new admirer of hers, Alfredo Germont. The young Germont, who has been admiring her from afar, joins her in a drinking song. An orchestra strikes up in an adjacent room, inviting the guests to dance. As the guests make their way to the ballroom, Violetta, who is suffering from consumption, feels faint; she therefore sends the guests on ahead and retires to her boudoir to recover. Alfredo enters and, realising that they are alone, admits his love for her. She replies that love means nothing to her. She
is, however, touched by the young man’s sincerity and promises to meet him the following day.
When the guests have departed, she asks herself whether Alfredo is the man she could love. Despite
the strains of Alfredo’s love song drifting in from outside, she decides she prefers her freedom.

Act II

scene 1
A few months later: Alfredo and Violetta have set up house together in the country, outside Paris. Alfredo says how happy they are, but when Violetta’s maid Annina lets on that Violetta has been selling her belongings to pay for the house, he hastens into town to raise the money himself. Violetta comes in search of him and discovers an invitation from her friend Flora to a soirée that very night. Violetta has no intention of returning to her former life, but she is forced to reconsider
on encountering Alfredo’s father. He is very taken with Violetta and her civilised manners but orders her to renounce Alfredo: his son’s scandalous liaison with Violetta is threatening his daughter’s forthcoming marriage. Violetta considers his demand unreasonable, but before long Germont succeeds in persuading her. Alone and desolate, Violetta sends a reply to Flora accepting her invitation and sits down to write a farewell letter to Alfredo. His return takes her by surprise, and she can barely restrain herself as she passionately reminds him how much she loves him before
rushing out. As the maid brings him Violetta’s farewell letter, Germont returns to console his son and reminds him of life in their family home in Provence. Alfredo spots Flora’s invitation and suspects that Violetta has left him for another man. In a rage, he decides to confront her at the soirée.

scene 2
At the soirée, Flora hears from the Marchese that Violetta and Alfredo have parted. Flora asks the guests to make way for a visiting troupe of performing gypsies. They are followed by matadors and a song about Piquillo and his sweetheart. Alfredo rushes in and delivers some bitter comments about love and gambling. Violetta appears on the arm of Baron Douphol, who challenges Alfredo to a game of cards and loses a small fortune to him. As the guests go in to supper, Violetta asks to have a word with Alfredo in private. She is afraid the Baron will be enraged by his loss and urges Alfredo to leave. Alfredo misunderstands her and orders her to admit she loves the Baron. Disappointed by Alfredo’s reaction, Violetta lies and confesses that yes, she does. Alfredo calls the other guests to gather round in order to denounce his former beloved in public and throws the money he has won at her feet. Germont, arriving at that very moment, expresses his disapproval of his son’s behaviour. The guests likewise rebuke Alfredo and Douphol challenges him to a duel.

Act III

Violetta’s bedroom, six months later. Dr Grenvil tells Annina that her mistress has not long to live –
the consumption has taken its toll. Alone, Violetta rereads a letter from Germont saying that the Baron was only slightly wounded in his duel with Alfredo, that Alfredo has heard the truth and is
coming to beg her pardon. But Violetta realises it is too late. It is carnival time in Paris and, the sounds of the revellers having passed, Annina rushes in to announce Alfredo. The lovers ecstatically plan to leave Paris. Germont enters with the doctor just as Violetta rises from her bed with the last of her strength. Feeling a sudden rush of life, she sways and falls dead at her lover’s feet.

Venue Info

Slovak National Theater - Bratislava
Location   Pribinova 17

The Slovak National Theater is the oldest professional theatre in Slovakia, consisting of three ensembles: opera, ballet, and drama. Its history begins shortly after the establishment of the first Czechoslovak Republic in 1918. It is located in the capital, Bratislava. The theatre is currently based in two separate buildings: the historic Neo-Renaissance building at Gorkého 2 and the new SND building in the Old Town, opened on 14 April 2007, at Pribinova 17. Performances take place on most days of the year. The Slovak National Theatre has represented Slovak culture on its numerous tours abroad.

After the establishment of the Czechoslovak Republic, the idea of a professional Slovak theatre slowly began to materialize. In 1919, the SND Cooperative commissioned the establishment of the Slovak National Theatre (SNT). The cooperative concluded a contract with the director of the East Bohemian Company, Bedřich Jeřábek. It was his opera and drama ensemble that in 1920 began operating all three SND ensembles (drama, opera, ballet) in the building of the former municipal theatre.

The opera of the SNT began its activities on 1 March 1920 with the production of The Kiss by Czech composer Bedřich Smetana. A day later, the drama ensemble presented the play Mariša by brothers Alois and Vilém Mrštík. The ballet section of the theatre made its debut with a production of Coppélia by Léo Delibes on 19 May 1920. The first performance in the Slovak language also took place in May of that year, with renditions of the one-act plays Hriech and V službe by Jozef Gregor-Tajovský.

The majority of the theatre's original repertoire was performed in Czech because there were not enough Slovak plays, translations, actors, or singers. The first Slovak professional actors, Andrej Bagar, Janko Borodáč, Oľga Borodáčová, Jozef Kello, and Gašpar Arbét, formed the core of the SND promotional drama ensemble.

The SND ensembles originally played in three different buildings—the drama ensemble played in the Pavel Országh Hviezdoslav Theatre building on Laurinská Street and on the Small Stage of the Slovak National Theatre on Dostojevského rad. The opera and ballet were housed in a historic building on Hviezdoslav Square. On 14 April 2007, the SND moved to a new building on Pribinova Street no. 17, in which all three ensembles play under one roof. The space holds 1,700 seats. In addition to the new SND building, the theatre company also continues to use the historic building, where opera, ballet, and drama performances are still held.

Important Info
Type: Opera
City: Bratislava, Slovakia
Starts at: 19:00
Acts: 3
Intervals: 2
Duration: 2h 40min
Top of page