Slovak National Theater 29 January 2022 - Beyond Sin | GoComGo.com

Beyond Sin

Slovak National Theater, New building, Bratislava, Slovakia
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Saturday 29 January 2022
7 PM
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Important Info
Type: Modern Ballet
City: Bratislava, Slovakia
Starts at: 19:00
Acts: 2
Intervals: 1
Duration: 2h

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Overview

The captivating choreography enhanced by the three musical giants – Wagner, Mussorgsky, and Rachmaninov, impressive set and interpretative challenge offer a promise of an unusual experience.

The production Beyond Sin from the repertoire of the internationally acclaimed Eifman Ballet is the first study of Eifman’s work in Slovakia. In the spirit of the work of the contemporary choreographic genius Boris Eifman, it is a psychological ballet, an attempt to create a dance equivalent to Dostoevsky’s The Brothers Karamazov. The novel served as the master for the production of destructive passions and God’s eternal struggle with the devil. Through a choreographic immersion into the souls of the main characters, we follow the storylines of the novel. Its leitmotif is: “If God does not exist, then all things are in accordance with the law.” The author paraphrases the idea from the present perspective: “God does exist and yet, all things happen in accordance with the law.” The captivating choreography, amplified by the three musical titans Wagner, Mussorgsky, and Rachmaninov, the evocative plot, and interpretive complexity promise an extraordinary spectator experience.

History
Premiere of this production: 29 April 2013
Synopsis

Act I

For all the multitude of differences that divide them, Dmitri, Ivan, and Alyosha are linked to each other by invisible threads: for the ‘stinking, sinful’ blood of their father, Fyodor Pavlovich Karamazov, runs in their veins. The monk Alyosha tries in vain to soften the impact of passions that have got out of hand. He is an observer of the bitter rivalry between his father and brother Dmitri for the favors of Grushenka, of his father's constant drunken orgies, of his willingness to entangle everyone in a sin of lust.

A series of scandals is replaced by rare moments of peace, in that the brothers’ hearts are filled with the shrill images of the mother, but then feud is erupted with renewed force. But not only is Alyosha incapable of helping his nearest and dearest, he too discovers within himself to an increasing degree the despicable traits of ‘Karamazovshchina’.

The whole family is drawn into the battle for Grushenka between Fyodor Pavlovich and Dmitri. Fyodor Pavlovich is killed... and Dmitri is accused of his father's murder.

Act II

Ivan and Alyosha argue endlessly about the meaning of existence and about the human soul. Their argument assumes material form in the figures of the Grand Inquisitor and of Christ, who has come back to the sinful world, in the legend composed by Ivan. The Inquisitor-Ivan asserts that only tyranny can give people ‘weak creatures such as they have been created, peaceful, humble happiness.’ But Christ-Alyosha wishes to free people of their fear and to provide them with ‘a free heart so that they may determine what is good and what is evil.’

Grushenka is covered by the sacrificial impulse and desire for complete purification, she comes to the prison to Dmitri. Innocently convicted, he is hardly going through a separation from his beloved.

Ivan is lacerated by pangs of conscience: he accuses himself of having harbored a wish to kill his father. Reality and fantasy become confused in his mind…

Ivan and Alyosha come to visit Dmitri. Here, in the prison bars, the brothers cognize kinship.

Dmitri has dreams about the wedding with Grushenka, but it’s impossible to take her in his arms – the ruthless awakening comes.

Alyosha is unable to watch human suffering and, driven by love for his fellow men, he frees the convicts incarcerated in ‘The House of the Dead’. Their heads reeling from the belief that ‘all things are lawful’ to them, the convicts destroy everything on their path.

The family comes to a dreadful end: Fyodor Pavlovich is murdered, Dmitri is in jail, Ivan goes off his head, Alyosha is made responsible for the fate of numerous innocent victims... But, however far a sinful man may fall, he may be saved if he repents for his sins.

Venue Info

Slovak National Theater - Bratislava
Location   Pribinova 17

The Slovak National Theater is the oldest professional theatre in Slovakia, consisting of three ensembles: opera, ballet, and drama. Its history begins shortly after the establishment of the first Czechoslovak Republic in 1918. It is located in the capital, Bratislava. The theatre is currently based in two separate buildings: the historic Neo-Renaissance building at Gorkého 2 and the new SND building in the Old Town, opened on 14 April 2007, at Pribinova 17. Performances take place on most days of the year. The Slovak National Theatre has represented Slovak culture on its numerous tours abroad.

After the establishment of the Czechoslovak Republic, the idea of a professional Slovak theatre slowly began to materialize. In 1919, the SND Cooperative commissioned the establishment of the Slovak National Theatre (SNT). The cooperative concluded a contract with the director of the East Bohemian Company, Bedřich Jeřábek. It was his opera and drama ensemble that in 1920 began operating all three SND ensembles (drama, opera, ballet) in the building of the former municipal theatre.

The opera of the SNT began its activities on 1 March 1920 with the production of The Kiss by Czech composer Bedřich Smetana. A day later, the drama ensemble presented the play Mariša by brothers Alois and Vilém Mrštík. The ballet section of the theatre made its debut with a production of Coppélia by Léo Delibes on 19 May 1920. The first performance in the Slovak language also took place in May of that year, with renditions of the one-act plays Hriech and V službe by Jozef Gregor-Tajovský.

The majority of the theatre's original repertoire was performed in Czech because there were not enough Slovak plays, translations, actors, or singers. The first Slovak professional actors, Andrej Bagar, Janko Borodáč, Oľga Borodáčová, Jozef Kello, and Gašpar Arbét, formed the core of the SND promotional drama ensemble.

The SND ensembles originally played in three different buildings—the drama ensemble played in the Pavel Országh Hviezdoslav Theatre building on Laurinská Street and on the Small Stage of the Slovak National Theatre on Dostojevského rad. The opera and ballet were housed in a historic building on Hviezdoslav Square. On 14 April 2007, the SND moved to a new building on Pribinova Street no. 17, in which all three ensembles play under one roof. The space holds 1,700 seats. In addition to the new SND building, the theatre company also continues to use the historic building, where opera, ballet, and drama performances are still held.

Important Info
Type: Modern Ballet
City: Bratislava, Slovakia
Starts at: 19:00
Acts: 2
Intervals: 1
Duration: 2h
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