Teatro Filarmonico 23 February 2020 - L`Italiana in Algeri | GoComGo.com

L`Italiana in Algeri

Teatro Filarmonico, Verona, Italy
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Sunday 23 February 2020
3:30 PM
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Important Info
Type: Opera
City: Verona, Italy
Starts at: 15:30
Acts: 2
Duration:

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Overview

Playful drama for music in two acts by Gioachino Rossini.

The Italian in Algiers is part of the Preview Schools project: Friday 21 February at 16:00. The general test will be preceded by an in-depth conversation that will take place at 2.30 pm in the Sala Filarmonica, for which a reservation is required.

The Italian in Algiers is part of the Return to Theater project, dedicated to the world of schools. Tuesday 25 February at 18:00 and Thursday 27 February at 19:00 the show will be presented in a brief meeting. At the end of the Prelude an aperitif will be offered to those present before attending the performance.

History
Premiere of this production: 22 May 1813, Teatro San Benedetto, Venice

L'Italiana in Algeri (The Italian Girl in Algiers) is an operatic dramma giocoso in two acts by Gioachino Rossini to an Italian libretto by Angelo Anelli, based on his earlier text set by Luigi Mosca. It premiered at the Teatro San Benedetto in Venice on 22 May 1813. The music is characteristic of Rossini's style, remarkable for its fusion of sustained, manic energy with elegant, pristine melodies.

Synopsis

Place: Algiers
Time: The past

Act 1

The palace of the Bey of Algiers

Elvira accompanied by her slave Zulma regrets the loss of the love of her husband, the Turkish Bey Mustafà. Left alone with Haly (since the Italian 'h' is silent, this corresponds to the name Ali, more familiar in the English-speaking world), Captain of the Corsairs, Mustafà reveals his plan to marry Elvira off to Lindoro, his Italian slave. The Bey is bored with his submissive harem, desiring a new challenge to his virility: he wants an Italian girl, and Haly must find one! Lindoro enters alone and sings about Isabella, his true love (Languir per una bella). Mustafà comes in to explain Lindoro's impending marriage. The enthusiastic Bey describes the attractions of the match, while Lindoro struggles to refuse (Se inclinassi a prender moglie).

The seashore

A ship has been wrecked in a storm. Its passengers include Isabella, in search of Lindoro, and Taddeo, her travelling companion and would-be lover. Isabella enters with a sorrowful cavatina Cruda sorte! Amor tiranno!, however she is not afraid (Già so per pratica) and will master the situation. Haly and his men take them prisoner. She passes off Taddeo as her uncle. Haly is delighted to learn she is an Italian – exactly what the Bey wanted! Left to consider their fate, Isabella is irritated by Taddeo's jealousy of Lindoro (Ai capricci della sorte), but they resolve to join forces.

The palace

Back in the palace, Lindoro and Elvira do not wish to marry, but Mustafà offers Lindoro passage on a ship returning to Italy if he takes Elvira. Lindoro agrees, admitting a vague possibility of marrying her in Italy. Haly enters with news of the arrival of the Italian beauty. Mustafà is elated (Già d'insolito ardore nel petto agitare).

Surrounded by eunuchs (Viva, viva il flagel delle donne), Mustafà receives Isabella in a grand hall. He is enchanted, though she is rather amused by his appearance (Oh! Che muso, che figura!). At that moment, Lindoro, Elvira and Zulma arrive to say goodbye to Mustafà (Pria di dividerci da voi, Signore). Lindoro and Isabella are astonished to come face to face. Recovering herself, Isabella asks about Elvira, learning she is Mustafà's ex-wife, to be remarried to Lindoro! The act ends with an ensemble of confusion (Confusi e stupidi).

Act 2

In the palace

Elvira and Zulma (who have remained in Algiers after all) note Isabella's skill with men. Mustafà reveals his strategy for seducing Isabella: he installs Lindoro as Isabella's servant and his informer, and Taddeo will also be induced to help. Elvira and Zulma must tell Isabella he is coming to take coffee with her.

Isabella and Lindoro are alone. He explains that he had no intention of marrying Elvira. They agree to escape together and Lindoro sings of his happiness (Ah come il cor di giubilo). Mustafà enters with a reluctant Taddeo, acclaimed by the Turks as "Lord Kaimakan" (Viva il grande Kaimakan). He dislikes interceding with Isabella for the Bey, but is frightened to refuse (Ho un gran peso sulla testa).

In her apartment

Isabella is dressing in Turkish style. Zulma and Elvira deliver Mustafà's message: he is coming for coffee. Isabella orders three cups. Elvira should wait in a side room. As Mustafà approaches, Isabella sings a romantic cavatina, Per lui che adoro - she will receive him. Mustafà tells Taddeo to leave when he sneezes (Ti presento di mia man). Isabella greets Mustafà warmly and he sneezes, but Taddeo ignores the signal. Isabella calls for coffee and then – to Mustafà's horror and amazement – invites Elvira to join them.

Elsewhere in the palace

Haly sings in praise of the women of Italy (Le femmine d'Italia). The Italians enter, and Taddeo reveals to a surprised Lindoro that he is not her uncle but her lover (he himself is unaware of the other man's true identity). Lindoro tells Mustafà that Isabella will declare him her adored pappataci (literally a "silent eater": a man unable to resist the opposite sex). This, as Lindoro explains (Pappataci! Che mai sento!), is an Italian custom and a great honour, as the pappataci enjoy an idyllic life dedicated to eating, drinking and sleeping. Zulma and Haly speculate about Isabella's real intentions and the quantity of alcohol ordered for the ceremony.

Isabella's apartment

She addresses the Italian slaves who will be pappataci in the ceremony - she will lead them to freedom (Pensa alla patria). The ceremony begins (Dei pappataci s'avanza il coro); Mustafà is delighted with his new honour and changes into appropriate costume. Isabella explains his obligations. He must swear an oath of eating, drinking, and keeping silent, repeating the words after Taddeo. Following that his oath is tested, under provocation by Isabella and Lindoro.

A European ship lies alongside the palace: time to escape! Taddeo finally realizes who Lindoro is, but decides to go along with them anyway. Elvira, Zulma and Haly find the Bey still acting as a mad pappataci. Suddenly recovering his sanity, Mustafà calls his troops but they are all drunk. The Italians bid farewell and Mustafà begs Elvira's forgiveness. No more Italian girls for him!

Venue Info

Teatro Filarmonico - Verona
Location   Via Roma 4

The Teatro Filarmonico is the main opera theater in Verona, Italy, and is one of the leading Opera Houses in Europe. The Teatro Filarmonico is property of the Accademia Filarmonica di Verona. Having been built in 1716, and later rebuilt after a fire of January 21, 1749, and again after the allied bombing of February 23, 1945.

Verona needed an opera house, so the Accademia Filarmonica di Verona decided in the early 18th century to build a theatre worthy and large. Work began in 1716 and lasted 13 years. Finally, inauguration was on the evening of January 6, 1732, with the pastoral drama La fida ninfa by Antonio Vivaldi, a libretto by Scipio Maffei. The opera season became famous, and the performances led society events. But on January 21, 1749, fire eventually spread in the theatre. Rebuilt, the theater was re-dedicated in 1754 with the opera Lucio Vero by Neapolitan composer Davide Perez. The opera had a limited success. Corsican in the 18th century, during the French invasion, a long series of celebrations were held in the theater, such as the Cantata per la Santa Alleanza ("Cantata for the Holy Alliance") of Gioachino Rossini. The theater hosted international singers, and among its repertoire appear the most famous works of Italian and foreign melodrama.

On the tragic night of February 23, 1945, the theater collapsed under the Anglo-American bombing. The Academy Philharmonic announced that it would try to rebuild the theatre exactly as it had been before. The proceedings lasted a long time: the theatre was inaugurated again in 1975, with the opera Falstaff by Antonio Salieri.

The theatre still hosts opera, ballets and concerts seasons. The operatic repertoire is one of the most famous for Italian operas and international (La sonnambula, The Barber of Seville, Tosca ...) and the works of non-repertoire (A day of the kingdom, Manon Lescaut of Auber, Loreley of Catalani ...).

Important Info
Type: Opera
City: Verona, Italy
Starts at: 15:30
Acts: 2
Duration:
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