Teatro Filarmonico 2 April 2020 - Amleto | GoComGo.com

Amleto

Teatro Filarmonico, Verona, Italy
All photos (1)
Select date and time
8 PM
Request for Tickets
Important Info
Type: Opera
City: Verona, Italy
Starts at: 20:00
Acts: 4

E-tickets: Print at home or at the box office of the event if so specified. You will find more information in your booking confirmation email.

You can only select the category, and not the exact seats.
If you order 2 or 3 tickets: your seats will be next to each other.
If you order 4 or more tickets: your seats will be next to each other, or, if this is not possible, we will provide a combination of groups of seats (at least in pairs, for example 2+2 or 2+3).

Overview

Hamlet is part of the Preview Schools project: Friday 27 March at 16:00. The general test will be preceded by an in-depth conversation that will take place at 2.30 pm in the Sala Filarmonica, for which a reservation is required.

Hamlet is part of the Return to Theater project, dedicated to the world of school. Tuesday 31 March at 18:00 and Thursday 2 April at 19:00 the show will be presented in a brief meeting. At the end of the Prelude an aperitif will be offered to those present before attending the performance.

History
Premiere of this production: 30 May 1865, Teatro Carlo Felice, Genoa

Amleto is an opera in four acts by Franco Faccio set to a libretto by Arrigo Boito, based on Shakespeare's play Hamlet. It premiered on 30 May 1865 at the Teatro Carlo Felice in Genoa and was revised for a La Scala production given on 12 February 1871.

The collaboration and friendship between librettist and composer was to last throughout Faccio's lifetime. In addition (as musicologist William Ashbrook states): "Amleto marks an effort of two prominent members of the Scapigliatura (a late Romantic reform movement in northern Italy in the 1860s and 70s) to renew the tradition of Italian opera."

After the La Scala revival in 1871, the opera disappeared for almost 130 years. However, in recent years, copies of the score and libretto have reappeared and conductor Anthony Barrese created a critical edition which was presented in a fully staged version by Opera Southwest in Albuquerque, New Mexico, and by Baltimore Concert Opera in concert form in Baltimore, Maryland, in October 2014.

Synopsis

Act 1

Scene 1

The sudden death of the king and remarriage of his mother Queen Geltrude to his uncle Claudio has depressed Prince Amleto. Still mourning his father and in shock at his mother’s strange remarriage, Amleto refuses to take part in the coronation festivities at Elsinore Castle (Ah, si dissolva quest’abbietta carne). Ofelia reminds him of love’s eternal power (Dubita pur che brillino). Amleto’s friend Orazio and Marcello, a sentry, arrive, having seen the ghost of Amleto’s father walking the castle at night. The three decide to keep watch for the ghost.

Scene 2

Amleto, Orazio, and Marcello keep watch from a castle parapet. The ghost appears, indicating that he wishes to speak to Amleto alone (Tu dêi sapere ch’io son l’anima lesa). Revealing that his brother, Claudio, murdered him and took his crown, he implores Amleto to avenge him. Amleto swears revenge and compels his friends not to reveal what they have seen that night.

Act 2

Scene 1

In the castle, Lord Chamberlain Polonio, Ofelia’s father, tries to convince Claudio and Geltrude that Amleto’s melancholy is a symptom of his love for Ofelia. The three withdraw, and Amleto enters, meditating on suicide (Essere o non essere / "To be or not to be"). Ofelia enters and tries to return some tokens that he had given her. Feigning madness, Amleto demands that she renounce worldly love and enter a convent (Fatti monachella) and decries marriage. A group of travelling singers arrives and Amleto decides to have them stage a play depicting a regicide similar to his father’s, so he can observe Claudio’s reaction.

Scene 2

The court gathers for the play, and Amleto instructs Orazio and Marcello to watch Claudio closely. Amleto calls the play The Trap (la trappola), but assures everyone that there is nothing offensive in it. As the play progresses, Claudio becomes increasingly agitated (Regina nel core), while Geltrude admonishes his foolish behavior. At the play’s climax, Claudio runs from the room, horrified. Amleto revels in the success of his plan (Viva la trappola!)

Act 3

Scene 1

Alone in his chambers, Claudio is overcome by remorse (O nera colpa!). Amleto enters and is about to strike, but realizes that if he kills Claudio in prayer, Claudio will be sent to heaven. Desiring a more opportune moment, he withdraws. Claudio prays (O Padre nostro), but at the conclusion, he recants and exits.

Polonio enters with Geltrude, and urges her to calm Amleto. As Amleto approaches, Polonio hides behind a tapestry. Amleto and his mother argue and Amleto threatens her. Polonio cries for help. Believing Claudio is hiding behind the tapestry, Amleto stabs Polonio, realizing his error too late. In his delirium, Amleto rails against the king’s wickedness (O re ladrone). The ghost enters, ordering Amleto to focus on vengeance. Amleto begs the ghost for forgiveness (Celesti spirti! o lugubre). Geltrude, who does not see the ghost, believes that Amleto has gone mad.

Amleto withdraws, and Geltrude privately admits her guilt (Ah! che alfine all’empio scherno).

Scene 2

Laerte storms the castle, demanding justice for the murder of his father, Polonio. Claudio calms him, and the two watch in horror as Ofelia enters, now insane, imagining her father’s funeral (la bara involta). Claudio informs Laerte that Amleto killed Polonio; Laerte swears revenge, and both exit. Hearing the name "Amleto", Ofelia descends deeper into her madness (Bell’alberel dolente), eventually drowning herself in a brook.

Act 4

Scene 1

Two gravediggers are busy at work, preparing for a funeral (Oggi a me, domani a te). Amleto and Orazio enter and banter with one of the gravediggers. Hearing a crowd approach, they hide. A lengthy funeral procession enters, bearing Ofelia’s body. Laerte curses Amleto (Che Iddio scaraventi l’ardente saetta), who then reveals himself. Amleto and Laerte briefly fight. Amleto claims that he loved Ofelia (Io quella morta amai). Claudio urges Laerte to come away, referencing a secret plan to deal with Amleto.

Scene 2 (only extant in the original 1865 version)

A herald announces to the court that Amleto and Laerte will fence for sport (Illustri cortigiani e cavalieri). Laerte assures Claudio that the tip of his sword is poisoned. Amleto publicly apologizes to Laerte, claiming temporary insanity. Both men begin their duel and when Amleto gains a point, Claudio offers a toast, urging Amleto to drink from his cup (La coppa è colma). Busy with the duel, Amleto declines, while Geltrude murmurs to Claudio that she knows the cup is filled with poison. After Amleto gains another point, Claudio offers Amleto a drink again, but Geltrude seizes the cup, drinks, and faints. While Amleto is distracted, Laerte wounds him with the poisoned sword. Enraged, Amleto disarms his opponent, switches swords with Laerte, and wounds him. Laerte confesses that he is dying, a victim of his own undoing, and that Claudio’s cup was poisoned. Amleto stabs Claudio, before dying himself.

Venue Info

Teatro Filarmonico - Verona
Location   Via Roma 4

The Teatro Filarmonico is the main opera theater in Verona, Italy, and is one of the leading Opera Houses in Europe. The Teatro Filarmonico is property of the Accademia Filarmonica di Verona. Having been built in 1716, and later rebuilt after a fire of January 21, 1749, and again after the allied bombing of February 23, 1945.

Verona needed an opera house, so the Accademia Filarmonica di Verona decided in the early 18th century to build a theatre worthy and large. Work began in 1716 and lasted 13 years. Finally, inauguration was on the evening of January 6, 1732, with the pastoral drama La fida ninfa by Antonio Vivaldi, a libretto by Scipio Maffei. The opera season became famous, and the performances led society events. But on January 21, 1749, fire eventually spread in the theatre. Rebuilt, the theater was re-dedicated in 1754 with the opera Lucio Vero by Neapolitan composer Davide Perez. The opera had a limited success. Corsican in the 18th century, during the French invasion, a long series of celebrations were held in the theater, such as the Cantata per la Santa Alleanza ("Cantata for the Holy Alliance") of Gioachino Rossini. The theater hosted international singers, and among its repertoire appear the most famous works of Italian and foreign melodrama.

On the tragic night of February 23, 1945, the theater collapsed under the Anglo-American bombing. The Academy Philharmonic announced that it would try to rebuild the theatre exactly as it had been before. The proceedings lasted a long time: the theatre was inaugurated again in 1975, with the opera Falstaff by Antonio Salieri.

The theatre still hosts opera, ballets and concerts seasons. The operatic repertoire is one of the most famous for Italian operas and international (La sonnambula, The Barber of Seville, Tosca ...) and the works of non-repertoire (A day of the kingdom, Manon Lescaut of Auber, Loreley of Catalani ...).

Important Info
Type: Opera
City: Verona, Italy
Starts at: 20:00
Acts: 4
Top of page