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Emanuel Ax Tickets

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Carnegie Hall , New York
6 Feb 2025, Thu
Composer: Adolphus Hailstork , Florence Price , Franz Schubert , James Lee III , Jessie Montgomery , Leonard Bernstein
Cast: Emanuel Ax , Anthony McGill
Classical Concert
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Carnegie Hall , New York
1 May 2025, Thu
Composer: Robert Schumann , Samuel Barber
Cast: Emanuel Ax
View Tickets from 92 US$
Classical Concert
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19 May 2025, Mon
Composer: Anton Webern , Antonín Dvořák , Wolfgang Amadeus Mozart
Cast: Emanuel Ax , Petr Popelka , .... + 1
View Tickets from 85 US$

Latest booking: 16 minutes ago

Classical Concert
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20 May 2025, Tue
Cast: Emanuel Ax , Petr Popelka , .... + 1
View Tickets from 99 US$

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About

Emanuel Ax is a Grammy-winning American classical pianist. He is a teacher on the faculty of the Juilliard School.

Born in Lvov, formerly part of Poland, EMANUEL AX moved to Winnipeg, Canada, with his family when he was a young boy. His studies at the Juilliard School were supported by the sponsorship of the Epstein Scholarship Program of the Boys Clubs of America, and he subsequently won the Young Concert Artists Award. Additionally, he attended Columbia University, where he majored in French. Ax made his New York debut in the Young Concert Artists Series and captured public attention in 1974, when he won the first Arthur Rubinstein International Piano Competition in Tel Aviv. In 1975, he won the Michaels Award of Young Concert Artists, followed four years later by the coveted Avery Fisher Prize. 

In partnership with colleagues Leonidas Kavakos and Yo-Yo Ma, he began the 2018/19 season with concerts in Vienna, Paris, and London featuring the trios of Brahms, recently recorded and released by Sony Classical. In the U.S., he returns to the orchestras in Cleveland, Chicago, New York, Philadelphia, San Francisco, Los Angeles, Minneapolis, Washington, Detroit, Pittsburgh, Nashville, and Portland (OR), and to Carnegie Hall for a recital to conclude the season. In Europe, he can be heard in Munich, Amsterdam, Berlin, Rome, Vienna, London, and on tour with the Budapest Festival Orchestra in Italy. 

Always a committed exponent of contemporary composers, with works written for him by John Adams, Christopher Rouse, Krzysztof Penderecki, Bright Sheng, and Melinda Wagner already in his repertoire, most recently he has added HK Gruber’s Piano Concerto and Samuel Adams’ “Impromptus.” 

He has been a Sony Classical exclusive recording artist since 1987, and recent releases include Mendelssohn Trios with Yo-Yo Ma and Itzhak Perlman, Strauss’ Enoch Arden narrated by Patrick Stewart, and discs of two-piano music by Brahms and Rachmaninoff with Yefim Bronfman. In 2015, Deutsche Grammophon released a duo recording with Perlman of sonatas by Fauré and Strauss, which the two artists presented on tour during the 2015/16 season. Ax has received Grammy® Awards for the second and third volumes of his cycle of Haydn’s piano sonatas. He has also made a series of Grammy-winning recordings with cellist Yo-Yo Ma of the Beethoven and Brahms sonatas for cello and piano. His other recordings include the concertos of Liszt and Schoenberg, three solo Brahms albums, an album of tangos by Astor Piazzolla, and the premiere recording of John Adams’ Century Rolls with the Cleveland Orchestra for Nonesuch. In the 2004/05 season, Ax also contributed to an International Emmy Award-winning BBC documentary commemorating the Holocaust that aired on the 60th anniversary of the liberation of Auschwitz. In 2013, Ax’s recording Variations received the Echo Klassik Award for Solo Recording of the Year (19th-century music/piano).

A frequent and committed partner for chamber music, he has worked regularly with such artists as Young Uck Kim, Cho-Liang Lin, Yo-Yo Ma, Edgar Meyer, Peter Serkin, Jaime Laredo, and the late Isaac Stern. 

Emanuel Ax resides in New York City with his wife, pianist Yoko Nozaki. They have two children together, Joseph and Sarah. He is a Fellow of the American Academy of Arts and Sciences and holds honorary doctorates of music from Skidmore College, Yale University, and Columbia University.

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