Zurich Opera House 24 May 2024 - Siegfried | GoComGo.com

Siegfried

Zurich Opera House, Zurich, Switzerland
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5:30 PM

E-tickets: Print at home or at the box office of the event if so specified. You will find more information in your booking confirmation email.

You can only select the category, and not the exact seats.
If you order 2 or 3 tickets: your seats will be next to each other.
If you order 4 or more tickets: your seats will be next to each other, or, if this is not possible, we will provide a combination of groups of seats (at least in pairs, for example 2+2 or 2+3).

Important Info
Type: Opera
City: Zurich, Switzerland
Starts at: 17:30
Intervals: 2
Duration: 5h 30min
Sung in: German
Titles in: German,English

E-tickets: Print at home or at the box office of the event if so specified. You will find more information in your booking confirmation email.

You can only select the category, and not the exact seats.
If you order 2 or 3 tickets: your seats will be next to each other.
If you order 4 or more tickets: your seats will be next to each other, or, if this is not possible, we will provide a combination of groups of seats (at least in pairs, for example 2+2 or 2+3).

Overview

Second Day of the Scenic Festival "Der Ring des Nibelungen", Libretto by Richard Wagner.

The fall 2023 premiere of Götterdämmerung brings its completion – the new Zurich Ring des Nibelungen under the musical direction of General Music Director Gianandrea Noseda in a production by Intendant and Stage Director Andreas Homoki. And in spring 2024 we will present all four parts of Richard Wagner’s grand Weltdeutungsmythos – as a cycle in a short chronological presentation of the four works, as intended by the composer. Back to the origin is one of the leitmotifs of Andreas Homoki’s overall concept for this monumental work, which tells of nothing less than the creation and demise of a world. At the same time, the Ring des Nibelungen is also a family story about Wotan, the father of the gods, and his struggle to keep and break treaties, about freedom and lack thereof, and his desperate efforts to stop the downfall he himself is responsible for. Andreas Homoki’s production brings the characters of the Ring, the gods, humans and mythical creatures, very close to us and makes the motivations and relationships of the characters to each other comprehensible in precise character drawing. The cyclical performance of the complete Ring now makes it possible to follow these extremely complex scenic and musical developments, the densely woven web of musical and narrative motifs over the course of all four evenings. This is particularly exciting not least because in our new production the characters in all four parts are embodied by the same singers – Tomasz Konieczny is Wotan, Camilla Nylund Brünnhilde, Christopher Purves Alberich, Wolfgang Ablinger Sperrhacke Mime and Klaus Florian Vogt Siegfried.

History
Premiere of this production: 16 August 1876, Bayreuth Festspielhaus

Siegfried is the third of the four music dramas that constitute Der Ring des Nibelungen (The Ring of the Nibelung), by Richard Wagner. It premiered at the Bayreuth Festspielhaus on 16 August 1876, as part of the first complete performance of The Ring cycle.

Synopsis

Act 1

Scene 1
A cave in rocks in the forest. An orchestral introduction includes references to leitmotifs including themes relating to the original hoard plundered by the Nibelung Alberich, and one in B-flat minor associated with the Nibelungs themselves. As the curtain rises, Alberich's brother, the dwarf Mime, is forging a sword. Mime is plotting to obtain the ring of power originally created by his brother Alberich. He has raised the human boy Siegfried as a foster child, to kill Fafner, who obtained the ring and other treasures in the opera Das Rheingold and has since transformed himself from a giant to a dragon. Mime needs a sword for Siegfried to use, but the youth has contemptuously broken every sword Mime has made. Siegfried returns from his wanderings in the forest with a wild bear in tow, and immediately breaks the new sword. After a whining speech by Mime about ingratitude, and how Mime has brought him up from a mewling infant ("Als zullendes Kind"), Siegfried senses why he keeps coming back to Mime although he despises him: he wants to know his parentage. Mime is forced to explain that he encountered Siegfried's mother, Sieglinde when she was in labor; she died giving birth to Siegfried. He shows Siegfried the broken pieces of the sword Nothung, which she had left in his custody. Siegfried orders him to reforge the sword; Mime, however, is unable to accomplish this. Siegfried departs, leaving Mime in despair.

Scene 2
An old man (Wotan in disguise) arrives at the door and introduces himself as the Wanderer. In return for the hospitality due a guest, he wagers his head on answering any three questions Mime may ask. The dwarf asks the Wanderer to name the races that live beneath the ground, on the earth, and in the skies. These are the Nibelung, the Giants, and the Gods, as the Wanderer answers correctly. The Wanderer then induces Mime to wager his own head on three further riddles: the race most beloved of Wotan, but most harshly treated; the name of the sword that can destroy Fafner; and the person who can repair the sword. Mime answers the first two questions: the Wälsungs (Siegmund and Sieglinde whose tale is told in the opera Die Walküre) and the sword Nothung. Mime has no problem with the first two questions, but cannot answer the last one. Wotan spares Mime, telling him that only "he who does not know fear" can reforge Nothung, and leaves Mime's head forfeit to that person.

Scene 3
Mime despairs as he imagines the ferocity of the dragon Fafner, while "the orchestra paints a dazzling picture of flickering lights and roaring flames". Siegfried returns and is annoyed by Mime's lack of progress. Mime realizes that Siegfried is "the one who does not know fear" and that unless he can instill fear in him, Siegfried will kill him as the Wanderer foretold. He tells Siegfried that fear is an essential craft; Siegfried is eager to learn it, and Mime promises to teach him by taking him to Fafner. Since Mime was unable to forge Nothung, Siegfried decides to do it himself. He succeeds by shredding the metal, melting it, and casting it anew. In the meantime, Mime brews a poisoned drink to offer Siegfried after the youth has defeated the dragon. After he finishes forging the sword, Siegfried demonstrates its strength by chopping the anvil in half with it.

Act 2

Scene 1
Deep in the forest. The Wanderer arrives at the entrance to Fafner's cave, where Alberich is keeping vigil. The two enemies recognize each other. Alberich boasts of his plans to regain the ring and rule the world. Wotan states that he does not intend to interfere, only to observe. He even offers to awaken the dragon so that Alberich can bargain with him. Alberich warns the dragon that a hero is coming to kill him, and offers to prevent the fight in exchange for the ring. Fafner dismisses the threat, declines Alberich's offer, and returns to sleep. Wotan leaves and Alberich withdraws, muttering threats.

Scene 2
At daybreak, Siegfried and Mime arrive. After assuring Siegfried that the dragon will teach him what fear is, Mime withdraws. As Siegfried waits for the dragon to appear, he hears a woodbird singing. He attempts to mimic the bird's song using a reed pipe, but is unsuccessful. He then plays a tune on his horn, which brings Fafner out of his cave. After a short exchange, they fight; Siegfried stabs Fafner in the heart with Nothung. In his last moments, Fafner learns Siegfried's name, and tells him to beware of treachery. When Siegfried withdraws his sword from Fafner's body, his hands are burned by the dragon's blood and he puts his finger in his mouth. On tasting the blood, he finds that he can understand the woodbird's song. Following its instructions, he takes the ring and the magic helmet Tarnhelm from Fafner's hoard.

Scene 3
Outside the cave, Alberich and Mime quarrel over the treasure. Alberich hides as Siegfried comes out of the cave. Siegfried complains to Mime that he has still not learned the meaning of fear. Mime offers him the poisoned drink; however, the magic power of the dragon's blood allows Siegfried to read Mime's treacherous thoughts, and he stabs him to death. He throws Mime's body into the treasure cave and places Fafner's body in the cave entrance to block it. The woodbird now sings of a woman sleeping on a rock surrounded by magic fire. Siegfried, wondering if he can learn fear from this woman, follows the bird towards the rock.

Act 3

Scene 1
At the foot of Brünnhilde's rock. The Wanderer summons Erda, the earth goddess. Erda, appearing confused, is unable to offer any advice. Wotan informs her that he no longer fears the end of the gods; indeed, it is his desire. His heritage will be left to Siegfried the Wälsung, and Brünnhilde (Erda's and Wotan's child), who will "work the deed that redeems the World." Dismissed, Erda sinks back into the earth.

Scene 2
Siegfried arrives, and the Wanderer questions the youth. Siegfried, who does not recognize his grandfather, answers insolently and starts down the path toward Brünnhilde's rock. The Wanderer blocks his path, but Siegfried mocks him, laughing at his floppy hat and his missing eye, and breaks his spear (the symbol of Wotan's authority) with a blow from Nothung. Wotan calmly gathers up the pieces and vanishes.

Scene 3
Siegfried passes through the ring of fire, emerging on Brünnhilde's rock. At first, he thinks the sleeping armored figure is a man. However, when he removes the armor, he finds a woman beneath. At the sight of the first woman he has ever seen, Siegfried at last experiences fear. In desperation, he kisses Brünnhilde, waking her from her magic sleep. Hesitant at first, Brünnhilde is won over by Siegfried's love, and renounces the world of the gods. Together, they hail "light-bringing love, and laughing death."

Venue Info

Zurich Opera House - Zurich
Location   Sechseläutenplatz 1

Zürich Opera House is a main opera house in Zürich and Switzerland. Located at the Sechseläutenplatz, it has been the home of the Zürich Opera since 1891, and also houses the Bernhard-Theater Zürich. It is also home to the Zürich Ballet. The Opera House also holds concerts by its Philharmonia orchestra, matinees, Lieder evenings and events for children. The Zürich Opera Ball is organised every year in March, and is usually attended by prominent names.

The first permanent theatre, the Aktientheater, was built in 1834 and it became the focus of Richard Wagner’s activities during his period of exile from Germany.

The Aktientheater burnt down in 1890. The new Stadttheater Zürich (municipal theatre) was built by the Viennese architects Fellner & Helmer, who changed their previous design for the theatre in Wiesbaden only slightly. It was opened in 1891. It was the city's main performance space for drama, opera, and musical events until 1925, when it was renamed Opernhaus Zürich and a separate theatre for plays was built: The Bernhard Theater opened in 1941, in May 1981 the Esplanada building was demolished, and the present adjoint building opened on 27/28 December 1984 after three years of transition in the Kaufhaus building nearby Schanzengraben.

By the 1970s, the opera house was badly in need of major renovations; when some considered it not worth restoring, a new theatre was proposed for the site. However, between 1982 and 1984, rebuilding took place but not without huge local opposition which was expressed in street riots. The rebuilt theatre was inaugurated with Wagner’s Die Meistersinger von Nürnberg and the world première of Rudolf Kelterborn’s Chekhov opera Der Kirschgarten.

As restored, the theatre is an ornate building with a neo-classical façade of white and grey stone adorned with busts of Weber, Wagner, and Mozart. Additionally, busts of Schiller, Shakespeare, and Goethe are to be found. The auditorium is built in the neo-rococo style and seats approximately 1200 people. During the refurbishment, the issue of sightlines was not adequately addressed. As a result, the theatre has a high number of seats with a limited view, or no view, of the stage. This is unusual in international comparison, where sightlines in historic opera houses have been typically enhanced over time.

Corporate archives and historical library collections are held at the music department of the Predigerkirche Zürich.

The Zürich Opera House is also home of the International Opera Studio (in German: Internationales Opernstudio IOS) which is a educational program for young singers and pianists. The studio was created in 1961 and has renowned artists currently teaching such as Brigitte Fassbaender, Hedwig Fassbender, Andreas Homocki, Rosemary Joshua, Adrian Kelly, Fabio Luisi, Jetske Mijnssen, Ann Murray, Eytan Pessen or Edith Wiens.

Important Info
Type: Opera
City: Zurich, Switzerland
Starts at: 17:30
Intervals: 2
Duration: 5h 30min
Sung in: German
Titles in: German,English
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