Camelot (Vivian Beaumont Theater) 24 June 2023 - Camelot | GoComGo.com

Camelot

Camelot (Vivian Beaumont Theater), New York, USA
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Important Info
Type: Musical
City: New York, USA
Starts at: 14:00

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Overview

The seeds of this production of CAMELOT were sown about five years ago. That was when Producing Artistic Director André Bishop asked the Resident Director Bartlett Sher, during the celebrated run of My Fair Lady, if he would consider delving into another Lerner & Loewe classic for the annual gala that year. That CAMELOT was a one-night-only smashing success. The very next morning everyone began asking if revive it for a full run. With some reworking plus a bit of a pandemic delay, the time has finally come for the glorious new production this spring at the Beaumont!

This CAMELOT is a fresh take on the classic tale. It has a book by Aaron Sorkin, based on the original by Alan Jay Lerner, with the warm support of the Lerner & Loewe estates. Among his many accolades, Aaron is the Academy Award- and Emmy Award-winning writer of The Social Network, The Trial of the Chicago 7, A Few Good Men, “The West Wing,” and Broadway’s recent To Kill A Mockingbird, also directed by Bartlett Sher.

But while the book is new, the most beloved elements of the story are intact: the romantic triangle between Arthur, Guenevere and Lancelot; the quest to establish democracy and justice over chaos; the bittersweet wish for the world to be as it once was. And, the gorgeous score is still there including “If Ever I Would Leave You,” “The Lusty Month of May” and the title song “Camelot,” to be played by a 30-piece orchestra using the original orchestrations.

Leading the cast of 27 are three extraordinary actors:

Andrew Burnap, who won the 2021 Tony Award for Best Actor in The Inheritance, is the spirited, young King Arthur. Phillipa Soo, best known for originating the role of Eliza in Hamilton, and most recently seen as Cinderella in the Encores! revival of Into The Woods, and Sarah Brown in the Kennedy Center’s Guys and Dolls will be the smart and powerful Guenevere. Jordan Donica, who was the wonderful Freddy Eynsford-Hill in My Fair Lady, returns as the conflicted knight, Lancelot.

History
Premiere of this production: 03 December 1960, Majestic Theatre, Broadway

Camelot is a 1960 musical by Alan Jay Lerner (book and lyrics) and Frederick Loewe (music). It is based on the King Arthur legend as adapted from T. H. White's 1958 novel The Once and Future King. The original production, directed by Moss Hart with orchestrations by Robert Russell Bennett and Philip J. Lang, ran on Broadway for 873 performances, winning four Tony Awards.

Synopsis

The action starts at the end; Arthur demands that Merlin take him back to the beginning...

Act I
King Arthur is nervous about his upcoming arranged marriage and is hiding in a tree. Merlin the Magician, his wise tutor, calls Arthur down to warn the young king that he must learn to think for himself. Merlin, who lives backward in time and remembers the future as well as the past, knows he will soon be separated from Arthur. Merlin persuades Arthur to climb down and chides him for his unkingly behavior. Arthur then left alone, ponders both his subjects and his own feelings about the intended nuptials ("I Wonder What the King is Doing Tonight?"). Arthur hears someone coming and scampers up the tree again. Guinevere, Arthur's intended bride, comes to the woods. She does not like the idea of being Queen, preferring to live an ordinary life- at least, an ordinary rich life- ("Simple Joys of Maidenhood"). She stumbles into Arthur, who initially calls himself "Wart" (his childhood nickname), and then, hearing of her reluctance to marry, tells her of the joys of life in Camelot ("Camelot"). It is love at first sight, and they almost kiss but are interrupted when Arthur's attendants come upon the two of them. He is revealed as the King. He tells Guenevere the story of how he pulled the sword from the stone and became king, and she finally agrees to marry him. The wizard Merlin is amused by this development, but his joy turns to sorrow as his memories of the future begin to fade. He realizes that Nimue, a beautiful water nymph, has come to draw him into her cave for an eternal sleep ("Follow Me"). He begs Nimue for answers, as he has forgotten if he has warned Arthur about two important individuals, Lancelot and Mordred. His memories fade permanently, though, and he is led away.

Five years later, Arthur sits with Guinevere in his study, debating about what to do. He explains that he wishes to create a new kind of knight — one that does not pillage and fight but tries to uphold honor and justice. He is eventually inspired, with Guinevere's help, to establish the Round Table with the motto "might for right." Within a few months, Arthur's idea leads to the Knights of the Round Table being renowned all over England, and their fame even spreads to France. A young, pretentious and over-religious Frenchman from Joyous Garde named Lancelot du Lac has heard of the Round Table and is determined to come to Camelot and join Arthur's knights, confident that he is perfect for the post ("C'est Moi"). King Pellinore, an elderly man who was a friend of Arthur's family, also comes to Camelot to witness Arthur's greatness for himself. He inadvertantly wanders into the May Day festivities organized by Guinevere ("The Lusty Month of May"). On learning who he is, Guinevere orders a guestroom to be prepared, and has one of the knights escort him to the castle. Pellinore becomes part of the family- he is still present at the play's conclusion, many years later. As Pellinore departs, King Arthur arrives with Lancelot, and introduces him to the company. Guinevere is put off by Lancelot's boastful manner and her attempts to draw him into conversation seem only intended to prove him wrong about his apparently unrealistic claims about his own prowess. The knights and ladies of the court watch in amusement. Guinevere incites three of the knights — Sir Dinadan, Sir Sagramore and the burly Sir Lionel — to challenge Lancelot to a joust ("Then You May Take Me to the Fair"). Arthur (who, unlike everybody else, is friendly with Lancelot) is dismayed by this, and is at a loss to understand a woman's ways — though he cannot be angry with Guinevere ("How to Handle a Woman").

In the jousting match Lancelot easily defeats all three knights. He wounds Sir Lionel, who fights him last, so badly that the crowd thinks he is dead. But the dismay of the crowd turns to awe as Lancelot's distraught cries for Sir Lionel to live seemingly resurrect a dead man. Whether the miracle is actual or not, all the court believes in it and all the knights and ladies bow or curtsey to Lancelot to do homage to him as he passes by. Guinevere also curtsies to him, he kneels before her, their eyes lock and they seem to both see something in one another's eyes that neither saw there before. Arthur sees them seeing one another. In the scenes that follow, Guinevere is torn between her new love for Lancelot and her love and loyalty for Arthur, and wishes Lancelot would leave Camelot ("Before I Gaze at You Again"). By some unfortunate twist of fate, Lancelot, in spite of his boasts that he is immune to pleasures of the flesh, is also madly in love with Guinevere and is similarly torn by the conflict between this love and his devotion to Arthur. Arthur makes Lancelot a Knight of the Round Table. As it happens, the shrewd King Arthur guesses that Lancelot and Guinevere have feelings for each other, but hopes it will blow over, as he does not wish to upset the tranquility of Camelot. He soliloquizes to his sword Excalibur, that they will rise to the challenges they will all face, together.

Act II
Many years later, Guinevere and Lancelot are still tormented by their unfulfilled love. She tries to get rid of him, but Lancelot will not leave her ("If Ever I Would Leave You"). They both believe that Arthur is not aware of it. Nevertheless, she remains faithful to Arthur, and helps him in carrying out the affairs of State.

Mordred, Arthur's illegitimate son, comes to Camelot to dishonor the King and tries to gain the throne for himself. Arthur puts him in charge of the knights’ training program, not knowing that Mordred is there to destroy the Round Table in revenge against Arthur for abandoning him, and detests the idea of being a Knight ("The Seven Deadly Virtues"). Arthur begins to feel the strain of ruling England, and both he and Guinevere wonder what commoners do without any such responsibilities ("What Do The Simple Folk Do?").

Mordred, meanwhile, has devised a plan to ruin Arthur and his kingdom permanently. He enters an enchanted glade where his aunt, the sorceress Morgan le Fay, dwells in an invisible castle. Morgan has a sweet tooth, and though she likes Arthur, Mordred manages to bribe her with a large supply of sweetmeats, to build one of her invisible walls around Arthur for one night, so that when he goes on his hunting trip the next day, he will not be able to get back to the castle ("The Persuasion"). Meanwhile, Mordred incites the Knights to remember their former days of fighting and pillaging and turns them against Arthur ("Fie On Goodness!").

With Arthur gone, Lancelot, unable to stop himself, visits Guinevere in her chambers, as Mordred fully suspected he would. They kiss passionately ("I Loved You Once in Silence"). However, Lancelot and Guinevere affair and Mordred's machinations come to a head when Mordred and some of the Knights of the Round Table interrupt, accuse Lancelot of treason, and try to take him prisoner. Lancelot fights them off and escapes, but Guinevere is arrested, tried, found guilty of treason by reason of her infidelity, and sentenced to be burned at the stake ("Guinevere"). At the execution, Arthur watches from a distance as Mordred taunts him for his failures; he is torn between upholding his law and doing his duty as a king, or sparing Guinevere, whom he still loves in spite of everything. At the last moment, Lancelot arrives with an army, rescues Guinevere and takes her off with him to France. But in the process, Lancelot has been forced to kill some of the other knights, leaving the survivors vowing revenge.

For the sake of his own honor and that of Camelot, Arthur must now wage war against Lancelot. Mordred has taken up his own army against Arthur, back in England. The war takes a terrible toll on Camelot, as more than half of the Knights of the Round Table are killed. Before the final battle, Arthur meets Lancelot and Guinevere. Lancelot and Guinevere relationship has floundered, doubtless because of their guilty consciences. Guinevere has become a nun, and the Round Table is now broken. They offer to face up to justice in England, but Arthur will not see Guinevere burned or Lancelot beheaded. He forgives them both, and they depart separately. That night in camp, Arthur meets a young stowaway named Tom of Warwick (likely Sir Thomas Malory), who has come to join the Round Table. His speech reminds Arthur of the idealism and hope that he had as a young king, and inspires him. Arthur knights Tom, and sends him back to England to grow up there, that he might pass on to future generations the ideals of chivalry and Camelot ("Camelot" (reprise)).

Venue Info

Camelot (Vivian Beaumont Theater) - New York
Location   150 West 65th Street

The Vivian Beaumont Theater is a Broadway theater in the Lincoln Center complex at 150 West 65th Street on the Upper West Side of Manhattan in New York City. Operated by the nonprofit Lincoln Center Theater (LCT), the Beaumont is the only Broadway theater outside the Theater District near Times Square. In 2023's spring, Vivian Beaumont Theater will bring the world of Lerner & Loewe’s Camelot to vibrant life once again with a new version of the classic tale.

The Vivian Beaumont Theater opened to the public on October 21, 1965. Designed by the renowned architect Eero Saarinen and named for Vivian Beaumont Allen, a prominent New York philanthropist, the Beaumont was originally the home of the now-defunct Repertory Theater of Lincoln Center, which closed in 1973 after nine seasons (two of which were presented in a temporary theater erected in Washington Square Park). From 1973 to 1977, Joseph Papp's New York Shakespeare Festival was in residence at the Beaumont. From 1978 through 1985, the Beaumont was mostly rented to outside producers or was not used at all; a new resident company was formed in 1979, but it only presented one Beaumont season in 1980-81.

In 1985, the building's current management -- Lincoln Center Theater -- was established. Former New York Mayor John V. Lindsay assembled a new board of directors and signed Gregory Mosher as Director and Bernard Gersten as Executive Producer. In 1991, Linda LeRoy Janklow and Andre Bishop succeeded Messrs. Lindsay and Mosher as Chairman and Artistic Director. Lincoln Center Theater has not only outlasted all the prior managements combined, but it has become America's largest not-for-profit theater, producing a year-round program of plays and musicals at the Beaumont and at various other theaters around New York City.

The theater has hosted several popular productions since the late 1980s, including Anything Goes, Contact, The Light in the Piazza, South Pacific, The King and I, and My Fair Lady.

Important Info
Type: Musical
City: New York, USA
Starts at: 14:00
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