Teatro Ópera ON: Billy Elliot Tickets | Event Dates & Schedule | GoComGo.com

Billy Elliot Tickets

Teatro Ópera ON, Buenos Aires, Argentina
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Available Dates: 27 May - 7 Jun, 2026 (10 events)
Important Info
Type: Musical
City: Buenos Aires, Argentina

E-tickets: Print at home or at the box office of the event if so specified. You will find more information in your booking confirmation email.

You can only select the category, and not the exact seats.
If you order 2 or 3 tickets: your seats will be next to each other.
If you order 4 or more tickets: your seats will be next to each other, or, if this is not possible, we will provide a combination of groups of seats (at least in pairs, for example 2+2 or 2+3).

Cast
Performers
Choose the date to see the peformers
Creators
Composer: Elton John
Lyricist: Lee Hall
Overview

Billy Elliot at Teatro Ópera is a powerful musical that tells the inspiring story of a boy from a mining town who defies social expectations to follow his passion for dance, combining emotional storytelling, dynamic choreography, and unforgettable music on one of Buenos Aires’ iconic stages.

Billy Elliot
A boy with coal on his skin and fire in his heart who rewrote the destiny of a town.

Billy Elliot, the film that ignited an emotional revolution.

Released in 2000, Billy Elliot surprised the world by telling a story small in scale yet immense in emotional resonance: that of a boy from a mining town in northern England who discovers, against all expectations, that his destiny lies neither in the coal pits nor in the boxing ring… but in dance. With humor, vulnerability, and an immediate human truth, the film sparked a global conversation about what happens when talent is born where no one expects it.

Its impact did more than move audiences: it invited millions of viewers to see themselves reflected in that small, brutal mirror — the lives that seem “preassigned” by origin, tradition, or family expectation — and to ask an uncomfortable yet liberating question: what happens to dreams that do not fit the place where they were born? From that intimate gesture, Billy became universal.

History
Premiere of this production: 31 March 2005, Victoria Palace Theatre, London

Billy Elliot: The Musical is a coming-of-age stage musical based on the 2000 film of the same name. The music is by Elton John, and the book and lyrics are by Lee Hall, who wrote the film's screenplay. The plot revolves around Billy, a motherless British boy who begins taking ballet lessons.

Synopsis

Act I
In County Durham, the 1984–85 coal miners' strike is just beginning ("The Stars Look Down"). Motherless eleven-year-old Billy stays behind after his boxing class to give keys to Mrs. Wilkinson, who runs a ballet class. The class is all girls, but Billy is attracted to the grace of the dance ("Shine"). At first, Billy's interest in dance is easily concealed from his family, as the only person home at the time is his grandmother. She reveals to Billy the abuse she suffered at the hands of her late husband, but that she found great joy in dance ("Grandma's Song").

While his father Jackie, brother Tony and neighbours are on strike and clash with riot police, Billy secretly takes dance lessons ("Solidarity"). During the number, the violent reality of the strike is contrasted with the peaceful practise of ballet.

Eventually, Jackie discovers Billy in the ballet class and forbids him from attending the lessons. Mrs. Wilkinson, who recognizes Billy's potential, privately suggests that he should audition for the Royal Ballet School in London, offering free private lessons to prepare him for the audition. Billy is not sure what he wants to do, so he visits his best friend Michael for advice. He finds Michael wearing a dress. Michael persuades Billy to have fun with him by dressing up in woman's clothing, rejecting the restrictive inhibitions of their working class community ("Expressing Yourself").

For his first private ballet lesson, Billy brings things to inspire a special dance for the audition, including a letter from his mother ("Dear Billy (Mum's Letter)"). Through his lessons, he develops an impressive routine for his audition ("Born to Boogie"), as he forms a close bond with Mrs. Wilkinson. Her daughter, Debbie, tries to discourage Billy from auditioning because she has a crush on him. Meanwhile, Jackie and Tony are engaged in daily battles with riot police that often turn bloody. They struggle to support the family with very little in strike and union pay, a difficult task as the strike goes on for nearly a year.

When the day of the Royal Ballet School audition comes, the police come through the village, injuring Tony. Billy's family and some members of the community are gathered at the Elliot home, where Mrs. Wilkinson arrives when Billy fails to meet her to leave for the audition. She reveals that she has been teaching Billy in preparation for this audition, which upsets and angers Jackie and Tony. Tony tries to force Billy to dance on the table in front of everyone. Suddenly, the police approach and, as everyone escapes, Billy calls out to his father saying that his mother would have let him dance, to which Jackie says, "Your Mam's dead!". Billy goes into a rage ("Angry Dance"), and from that moment on, he stays away from anything related to ballet.

Act II
Six months later at the miner's annual Christmas show, the children put on a show disparaging Prime Minister Margaret Thatcher, who is seen as the antagonist by the coal miners ("Merry Christmas, Maggie Thatcher"). Billy's father gets drunk and sings an old folk song that elicits memories of his deceased wife and the usually stoic man leaves in tears ("Deep Into the Ground"). Left alone with Billy in the Community Centre, Michael reveals he has feelings for him, but Billy says that the fact that he likes ballet does not mean that he is gay. Michael gives him a kiss on the cheek. Michael tries to get Billy to show him some dancing, but Billy is sad and tells him to leave.

Michael departs, but leaves a music player running. Billy feels like dancing for the first time since the day of the aborted audition and dances while dreaming of being a grown-up dancer ("Swan Lake"). Unknown to Billy, his father arrives and watches him dance. Overcome with emotion, Jackie goes to Mrs. Wilkinson's house to discuss Billy's prospects as a dancer. She confirms Billy's talent, but is not sure whether or not he would get into the Royal Ballet School after missing the audition. Mrs. Wilkinson offers to help pay for the trip to London for the next audition, but Jackie refuses and leaves, questioning his working-class pride and the future mining has for his boys.

Jackie decides the only way to help Billy is to return to work. When Tony sees his father cross the picket line, he becomes infuriated and the two argue over what is more important: unity of the miners or helping Billy achieve his dream ("He Could Be A Star"). The argument comes to blows and Billy is hit accidentally. A miner chastises them for fighting and says that the important thing is looking after the child. One by one, the miners give money to help pay for the trip to the audition, but Billy still does not have enough for the bus fare to London. A strike-breaker arrives and offers him hundreds of pounds. An enraged Tony attempts to shun his donation, but no one else speaks up in his support. Now drained of hope, Tony dismally ponders whether there's a point for anything anymore, and runs off.

Billy and his father arrive at the Royal Ballet School for the audition. While Jackie waits outside, an upper-crust Londoner highlights the contrast between the Elliots and the families of the other applicants. Jackie meets a dancer with a thick Northern accent, who confesses that his father does not support his ballet career, but sharply advises Jackie to "get behind" his boy. Billy nervously finishes the audition with a feeling that he did not do well. As he packs his gear, he becomes overwhelmed and punches another dancer. The audition committee reminds Billy of the strict standards of the school and their zero-tolerance on violence. They have received an enthusiastic letter from Mrs. Wilkinson explaining Billy's background, situation and talent/potential; then ask him to describe what it feels like when he dances. Billy responds with a heartfelt declaration of his passion ("Electricity").

Back in Durham, the Elliots resume life, but times are tough and the miners are running a soup kitchen to ensure everyone is fed. Eventually, Billy receives a letter from the school and, overwhelmed and fearful, knowing that it heralds the end of the life he has known, informs his family that he was not accepted. Tony retrieves the letter from the waste bin and discovers that Billy had lied and actually was accepted - the family rejoice. At the same time, the miners' union has caved in; they lost the strike. Tony laments that miners are "dinosaurs", that by the time Billy returns home, all surrounding village's men will be jobless. Billy visits Mrs. Wilkinson at the dance class to thank her for everything she did to help him. Debbie is sad that Billy will be leaving.

Billy packs his things for the trip to the school and says goodbye to the soon-to-be-unemployed miners who are returning unhappily to work ("Once We Were Kings"). Billy says goodbye to his dead mother, who often visits him in his imagination ("Dear Billy (Billy's Reply)"). Billy breaks the fourth wall and begins to walk down the center aisle before Michael stops him to say goodbye. Billy drops his suitcase and runs onto the stage to give Michael a kiss on the cheek. Billy then walks back off stage, retrieves his suitcase and walks out toward his future alone.

The entire cast comes out on stage and calls Billy back to celebrate the bright future ahead of him ("Finale").

Venue Info

Teatro Ópera ON - Buenos Aires
Location   Av. Corrientes 860, C1043 Cdad. Autónoma de Buenos Aires, Аргентина

Teatro Ópera (Buenos Aires) is a historic Art Deco theater located on Avenida Corrientes, renowned for hosting operas, ballets, musicals, concerts, and major international touring productions in the heart of the city’s cultural district.

Teatro Ópera is one of Buenos Aires’ most iconic and historic theaters, located on Avenida Corrientes, the city’s renowned cultural and entertainment avenue. Opened in 1872 and later rebuilt in 1936 in an elegant Art Deco style, the theater has long been a central venue for the performing arts in Argentina.

Originally conceived as an opera house, Teatro Ópera gradually evolved into a multi-purpose performing arts venue, welcoming a wide range of productions including opera, ballet, symphonic concerts, musical theater, dance spectacles, and major international touring shows. Over the decades, it has hosted celebrated artists, prestigious companies, and large-scale productions from around the world.

The interior of the theater reflects its Art Deco heritage, combining architectural elegance with modern functionality. The auditorium offers excellent sightlines and acoustics, with seating distributed across the stalls (platea), boxes and pullman levels, and upper balconies, allowing the space to adapt to different performance formats. Its flexible stage and technical infrastructure make it particularly well suited for contemporary productions and touring companies.

Teatro Ópera is especially known for presenting international dance and theatrical spectacles, popular musicals, orchestral concerts, and culturally significant events that attract both local and international audiences. Its central location places it at the heart of Buenos Aires’ vibrant nightlife and theater scene, alongside historic cinemas, cafés, and performance halls.

Today, Teatro Ópera remains a vital cultural landmark, bridging tradition and modern entertainment. It continues to play an important role in the city’s artistic life, offering audiences a dynamic program that reflects both global performing arts trends and Buenos Aires’ long-standing passion for live theater.

Important Info
Type: Musical
City: Buenos Aires, Argentina

E-tickets: Print at home or at the box office of the event if so specified. You will find more information in your booking confirmation email.

You can only select the category, and not the exact seats.
If you order 2 or 3 tickets: your seats will be next to each other.
If you order 4 or more tickets: your seats will be next to each other, or, if this is not possible, we will provide a combination of groups of seats (at least in pairs, for example 2+2 or 2+3).

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