Shanghai Oriental Art Center: Giselle. Performance by the Performance by the Moscow Classical Ballet Tickets | Event Dates & Schedule | GoComGo.com

Giselle. Performance by the Performance by the Moscow Classical Ballet Tickets

Shanghai Oriental Art Center, Shanghai, China
Giselle
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Available Dates: 5 Jan, 2025 (1 events)
Important Info
Type: Ballet
City: Shanghai, China

E-tickets: Print at home or at the box office of the event if so specified. You will find more information in your booking confirmation email.

You can only select the category, and not the exact seats.
If you order 2 or 3 tickets: your seats will be next to each other.
If you order 4 or more tickets: your seats will be next to each other, or, if this is not possible, we will provide a combination of groups of seats (at least in pairs, for example 2+2 or 2+3).

Cast
Performers
Choose the date to see the peformers
Creators
Composer: Adolphe Adam
Choreographer: Jean Coralli
Choreographer: Jules Perrot
Choreographer: Marius Petipa
Poet: Heinrich Heine
Librettist: Jules-Henri Vernoy de Saint-Georges
Librettist: Théophile Gautier
Overview

Dance to the New Year and enjoy the classics. 2025 New Year Ballet Feast of Moscow Classical Ballet.

From the purity of Swan Lake to the gorgeous virtuosity of La Bayadère to the deep affection of Giselle, the three classics have their own characteristics, but together they demonstrate the profound understanding and pursuit of excellence of the Russian Moscow Classical Ballet in ballet art. The three consecutive days of performances allow you to appreciate the diverse charm of ballet art and feel the romance and passion from Russia at one time.

The New Year's ballet feast of the Moscow Classical Ballet of Russia is not only an ultimate visual and auditory enjoyment, but also a baptism and sublimation of the soul. Let's meet at the theater and witness the glorious moment of ballet art together!

Since its founding in 1995 by dance master Safonova Irina, who served as artistic director, the Moscow Classical Ballet Theater has always been committed to the inheritance and development of the Russian classical ballet tradition. The current director Galina Salimova leads the company forward with her outstanding leadership. The members of the company are all from Russia's top dance schools, with superb skills and talents.

Over the years, the ballet company has been like a shining star, illuminating the growth path of countless new dance stars. Many graduates have shone on bigger stages and become the mainstay of major ballet theaters. With its excellent performance quality, the company quickly gained a foothold in the European market, won wide media attention and industry praise, and toured all over Europe, becoming a bridge connecting the ballet culture of the East and the West.

It is worth mentioning that every New Year, the company will carefully prepare up to six classic ballets and launch a grand tour in Europe, with more than 100 performances, bringing the audience a feast of both vision and soul. This is not only a tribute to traditional ballet art, but also a powerful impetus for the development of ballet art in the new era.

The Moscow Classical Ballet Theatre of Russia often performs the most popular ballets, including the three most famous Tchaikovsky ballets, Swan Lake, The Nutcracker, and Sleeping Beauty, as well as Giselle, Don Quixote, Coppelia, La Sylphide, La Bayadère, Romeo and Juliet, and La Sylphide. In 2024, they will tour China with six ballets, led by the troupe leader Galina Salimova, and will present the troupe's most popular ballets, Swan Lake, Giselle, Sleeping Beauty, La Bayadère, Romeo and Juliet, and La Sylphide.

The prolific opera and ballet composer Adolphe Adam composed the music. Jean Coralli and Jules Perrot created the original choreography. The role of Giselle was intended for Carlotta Grisi as her debut piece for the Paris public, and she was the only ballerina to dance it at the Paris Opera for many years. The traditional choreography that has been passed down to the present day derives primarily from the revivals staged by Marius Petipa during the late 19th and early 20th centuries for the Imperial Ballet in St. Petersburg. One of the world's most-often performed classical ballets, it is also one of its most challenging to dance.

History
Premiere of this production: 28 June 1841, Salle Le Peletier, Paris, France

Giselle is a romantic ballet in two acts. It was first performed by the Ballet du Théâtre de l'Académie Royale de Musique at the Salle Le Peletier in Paris, France on 28 June 1841, with Italian ballerina Carlotta Grisi as Giselle. The ballet was an unqualified triumph. Giselle became hugely popular and was staged at once across Europe, Russia, and the United States. The traditional choreography that has been passed down to the present day derives primarily from the revivals staged by Marius Petipa during the late 19th and early 20th centuries for the Imperial Ballet in St. Petersburg.

 

Synopsis

Act I

The ballet opens on a sunny autumnal morning in the Rhineland during the Middle Ages. The grape harvest is in progress. Duke Albrecht of Silesia, a young nobleman, has fallen in love with a shy, beautiful peasant girl, Giselle, despite being betrothed to Bathilde, the daughter of the Duke of Courland. Albrecht disguises himself as a humble villager called "Loys" in order to court the enchanting and innocent Giselle, who knows nothing of his true identity. With the help of his squire, Albrecht hides his fine attire, hunting horn, and sword before coaxing Giselle out of her house to romance her as the harvest festivities begin.

Hilarion, a local gamekeeper, is also in love with Giselle and is highly suspicious of the newcomer who has won Giselle's affections. He tries to convince the naive Giselle that her beau cannot be trusted, but she ignores his warnings. Giselle's mother, Berthe, is very protective of her daughter, as Giselle has a weak heart that leaves her in delicate health. She discourages a relationship between Giselle and Loys, thinking Hilarion would be a better match, and disapproves of Giselle's fondness for dancing, due to the strain on her heart.

A party of noblemen seeking refreshment following the rigors of the hunt arrive in the village, Albrecht's betrothed, Bathilde, among them. Albrecht hurries away, knowing he would be recognized and greeted by Bathilde, exposing him as a nobleman. The villagers welcome the party, offer them drinks, and perform several dances. Bathilde is charmed with Giselle's sweet and demure nature, not knowing of her relationship with Albrecht. Giselle is honored when the beautiful and regal stranger offers her a necklace as a gift before the group of nobles depart.

The villagers continue the harvest festivities, and Albrecht emerges again to dance with Giselle, who is named the Harvest Queen. Hilarion interrupts the festivities. He has discovered Albrecht's finely made sword and presents it as proof that the lovesick peasant boy is really a nobleman who is promised to another woman. Using Albrecht's hunting horn, Hilarion calls back the party of noblemen. Albrecht has no time to hide and has no choice but to greet Bathilde as his betrothed. All are shocked by the revelation, but none more than Giselle, who becomes inconsolable when faced with her lover's deception. Knowing that they can never be together, Giselle flies into a mad fit of grief in which all the tender moments she shared with "Loys" flash before her eyes. She begins to dance wildly and erratically, ultimately causing her weak heart to give out. She collapses before dying in Albrecht's arms. Hilarion and Albrecht turn on each other in rage before Albrecht flees the scene in misery. The curtain closes as Berthe weeps over her daughter's body.

In the original version, taken up again recently by a production of the ROB, Giselle stabs herself with Albrecht's sword, which explains why her body is laid to rest in the forest, in unhallowed ground, where the Wilis have the power to summon her. Most modern versions are sanitized and have edited out the suicide.

Act II

Late at night, Hilarion mourns at Giselle's forest grave, but is frightened away by the arrival of the Wilis, the ghostly spirits of maidens betrayed by their lovers. Many Wili were abandoned on their wedding days, and all died of broken hearts. The Wilis, led by their merciless queen Myrtha, dance and haunt the forest at night to exact their revenge on any man they encounter, regardless of who he may be, forcing their victims to dance until they die of exhaustion.

Myrtha and the Wilis rouse Giselle's spirit from her grave and induct her into their clan before disappearing into the forest. Albrecht arrives to lay flowers on Giselle's grave and he weeps with guilt over her death. Giselle's spirit appears and Albrecht begs her forgiveness. Giselle, her love undiminished unlike her vengeful sisters, gently forgives him. She disappears to join the rest of the Wilis and Albrecht desperately follows her.

Meanwhile, the Wilis have cornered a terrified Hilarion. They use their magic to force him to dance until he is nearly dead, and then drown him in a nearby lake. Then they spy Albrecht, and turn on him, sentencing him to death as well. He pleads to Myrtha for his life, but she coldly refuses. Giselle's pleas are also dismissed and Albrecht is forced to dance until sunrise. However, the power of Giselle's love counters the Wilis' magic and spares his life. The other spirits return to their graves at daybreak, but Giselle has broken through the chains of hatred and vengeance that control the Wilis, and is thus released from their powers and will haunt the forest no longer. After bidding a tender farewell to Albrecht, Giselle returns to her grave to rest in peace.

Venue Info

Shanghai Oriental Art Center - Shanghai
Location   425 Dingxiang Lu, near Century Blvd

The Shanghai Oriental Art Center is one of the leading performance and cultural facilities in Shanghai. The five interconnected hemispherical halls or "petals" are shaped to resemble a butterfly orchid from above. They comprise the Entrance Hall, the Concert Hall, the Opera Hall, the Performance Hall, and the Exhibition Hall. The high-tech ceiling changes color during the night to reflect the nature of the performances inside. Located off Century Avenue in Pudong, the SHOAC was opened with a New Year's Eve concert in 2004 and officially opened on July 1, 2005.

Various cultural and musical performances are held in the center, beginning from the 2005 Berlin Philharmonic Orchestra Shanghai Concert. It's a regular venue for concert performances and its popular "Chinese Traditional Opera Series" hosts performances by the China National Opera, the Shanghai Jingju Theatre Company and Shanghai Kunqu Company, and the Shanghai Yueju Opera Troupe. The OAC's Saturday Brunch Concerts claim audiences of over 100 000 every year.

The building was designed by French architect Paul Andreu and the Huadong Architectural Design & Research Institute. The façades are mainly laminated glass incorporating perforated metal sheets. The dark granite floors and multi-layered glass screen walls aim to create a softly diffused forest floor effect. The separate "petals" of the construction are hung with large distinctly colored pebbles to differentiate them. The backstage facilities include an Orchestra Rehearsal Hall, Choir Rehearsal Hall, Dance Rehearsal Hall, and Integrated Rehearsal Hall.

Concert Hall
The Concert Hall has 1953 seats, a computer-controlled elevating stage, and an 88-diapason 5-layer organ by Austria's Rieger Pipe Organ. It houses 2 VIP and 7 regular dressing rooms.

Opera Hall
The Opera Hall has 1015 seats, divided into three areas and designed to recreate the intimate experience of Italian opera houses. The orchestra pit is 120 m2 and able to accommodate up to 100 musicians. The central stage provides computer-controlled side, ice, and ballet platforms in addition to the main large-scale platform. It houses 2 VIP and 15 common dressing rooms.

Performance Hall
The Performance Hall has 333 seats and is modeled on semicircular Roman theaters. Its performance floor is golden Swiss pearwood. It has 4 dressing rooms.

Exhibition Hall
The Exhibition Hall is located on the second floor of its petal of the Oriental Art Center. It covers 250 m2 and has 9.8-meter  high walls.

Other facilities
The venue also features ancillary public facilities, including the 100-seat Paris Shanghai French restaurant open daily for lunch and dinner, the 530-square-meter (5,700 sq ft) Café Salon Etoile and an adjacent gift store, and 11 piano training classrooms. The Shanghai Gallery of Antique Music Boxes and Automata is located at the SHOAC, displaying over 200 antique music boxes and European automata, including the oldest extant music box in the world, constructed in 1796 by Antoine Favre-Salomon.

Important Info
Type: Ballet
City: Shanghai, China

E-tickets: Print at home or at the box office of the event if so specified. You will find more information in your booking confirmation email.

You can only select the category, and not the exact seats.
If you order 2 or 3 tickets: your seats will be next to each other.
If you order 4 or more tickets: your seats will be next to each other, or, if this is not possible, we will provide a combination of groups of seats (at least in pairs, for example 2+2 or 2+3).

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