David and Jonathas

Royal Opera of Versailles (Palace of Versailles), Royal Opera, Paris, France

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8 PM

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Important Info

Type: Opera

City: Paris, France

Starts at: 20:00

Acts: 5

Intervals: 1

Duration: 2h 30min

Sung in: French

Titles in: French

Ticket delivery: E-Tickets

E-tickets: Print at home or at the box office of the event if so specified. You will find more information in your booking confirmation email.

Can I choose my seats?

Cast

Performers

Soprano: Caroline Arnaud (Jonathas)

Baritone: David Witczak (Saül)

Tenor: François-Olivier Jean (Une Pythonisse (Witch of Endor))

Conductor: Gaétan Jarry

Ensemble: Marguerite Louise

Tenor: Reinoud Van Mechelen (David)

Ballet company: Royal Opera of Versailles Ballet

Creators

Composer: Marc-Antoine Charpentier

Librettist: Father François Bretonneau

Director: Marshall Pynkoski

Overview

This is Charpentier’s masterpiece, and one of the miracles of Baroque opera!

Biblical tragedy in five acts with prologue, based on a libretto by Père Bretonneau, first performed in Paris in 1688.

Marc-Antoine Charpentier spent most of his career without being able to access opera, as Lully held the royal privilege for this form, however he was able to create a lyrical masterpiece under very special circumstances. In 1688, the Collège Louis Le Grand, in the Jesuit tradition of theatrical, musical and choreographic practice, performed his lyrical tragedy David et Jonathas, with acts interspersed between those of the play Saul. This musical work relates a well-known subject from the Old Testament, the strong friendship – the biblical love – of David and Jonathas, son of King Saul (the latter convinced of the betrayal of the young David, who took refuge in the Philistine’s camp after his banishment). The inevitable confrontation between their armies leads

The extraordinary inspiration of Charpentier’s music, the dramatic force of the libretto, and the intense emotion that radiates from the work, led to great success from the outset, as shown by several revivals in other Jesuit colleges. This production is a baroque dream: a performance of the sacred drama David and Jonathas in the Chapelle Royale of Versailles, with a magnificent set by Antoine and Roland Fontaine, costumes by Christian Lacroix, a baroque and vibrant staging by Marshall Pynkoski, choreography by Jeannette Lajeunesse Zingg, and the admirable musical vision of Gaetan Jarry leading exceptional soloists. This is the vibrant version of the fateful, fusional love between David and Jonathas…

History

Premiere of this production: 28 February 1688, Collège Louis-le-Grand, Paris

David et Jonathas (David and Jonathan) is an opera in five acts and a prologue by the French composer Marc-Antoine Charpentier, first performed at the Collège Louis-le-Grand, Paris, on 28 February 1688. The libretto, by Father François Bretonneau, is based on the Old Testament story of the friendship between David and Jonathan.

Synopsis

Prologue
Saul, King of Israel, visits the "Pythoness" (the Witch of Endor in the Bible) in disguise to learn the outcome of his forthcoming battle against the Philistines. The Pythoness raises the ghost of the prophet Samuel, who predicts that Saul will lose everything: his children, his friends, and his crown.

Act 1
David has been banished by the jealous Saul and has taken refuge with the Philistines. He returns to the Philistine camp from a victory. A chorus of warriors, shepherds, and captives he has freed sing his praises. David only wishes that, whatever may come, his best friend Jonathan (Saul's son) should be spared. The Philistine king tells David that a truce has been arranged between the Philistines and Saul to discuss whether there shall be peace or war.

Act 2
During the truce, David and Jonathan seek each other out. The Israelite general Joabel is jealous of David and challenges him to single combat, which David refuses. Joabel plots against him and decides to tell Saul that the proposed peace is merely a trick by David.

Act 3
Joabel easily persuades the jealous Saul that David is plotting his downfall. Saul accuses David of treason and he is forced to leave.

Act 4
Saul decides to fight the Philistines and destroy David. The two armies, stirred up by Joabel, are also eager for war. David reluctantly parts from Jonathan, promising he will do all he can to save him and his father.

Act 5
The battle is fought and Saul loses. Jonathan is mortally wounded and dies in David's arms. Saul falls on his own sword to evade capture. Achis tells David he is the new king of the Israelites but this is little consolation in his grief for Jonathan.

Venue Info

Royal Opera of Versailles (Palace of Versailles) - Paris
3 Place Léon Gambetta, Versailles

The Royal Opera of Versailles is the main theatre and opera house of the Palace of Versailles. The Royal Opera is one of the greatest works by the architect Ange-Jacques Gabriel. Inaugurated in 1770 during the reign of Louis XV, it was at the time the largest concert hall in Europe, and was also a great technical achievement and an impressive feat of decorative refinement. A theatre for monarchic and then republican life, it has hosted celebrations, shows and parliamentary debates.

Designed by Ange-Jacques Gabriel, it is also known as the Théâtre Gabriel. The interior decoration by Augustin Pajou is constructed almost entirely of wood, painted to resemble marble in a technique known as faux marble. The excellent acoustics of the opera house is at least partly due to its wooden interior.

The house is located at the northern extremity of the north wing of the palace. General public access to the theater is gained through the two-story vestibule. Some parts of the Opéra, such as the King's Loge and the King's Boudoir represent some of the earliest expressions of what would become known as the Louis XVI style.

Lully’s Persée — written in 1682, the year Louis XIV moved into the palace — inaugurated the Opéra on 16 May 1770 in celebration of the marriage of the dauphin — the future Louis XVI — to Marie Antoinette.

The Opéra Royal can serve either as a theater for opera, stage plays, or orchestral events, when it can accommodate an audience of 712 or as a ballroom when the floor of the orchestra level of the auditorium can be raised to the level of the stage. On these occasions, the Opéra can accommodate 1,200.