Royal Opera House (Covent Garden) 10 August 2019 - Spartacus | GoComGo.com

Spartacus

Royal Opera House (Covent Garden), London, Great Britain
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Important Info
Type: Ballet
City: London, Great Britain
Starts at: 19:30
Acts: 3
Intervals: 2
Duration:

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Overview

The Bolshoi Ballet opens its Covent Garden season with Yuri Grigorovich’s sensational production of a Russian favourite.

The Bolshoi Ballet return to the Royal Opera House for another exciting three-week season of spectacular ballets presented by Victor Hochhauser, beginning with Yuri Grigorovich’s Spartacus.

This sensational staging, first performed in London in 1969, is a Bolshoi classic, displaying the energy and power of the company’s male dancers.

Spartacus leads his rebellion of gladiators and slaves against the rule of empire in ancient Rome – an epic uprising that brings marching battalions, mortal combat and heroic death scenes.

Performing Khachaturian’s thrilling music, the Orchestra of the Bolshoi Theatre accompany these performances.

Fifty years ago, the Bolshoi Theater hosted the premiere of the ballet Aram Khachaturian by the Soviet composer Spartak staged by Yuri Grigorovich. By that time, Igor Moiseev and Leonid Yakobson had already presented their stage incarnations of this score. However, it was “Spartak” of Grigorovich that became the hallmark of the theater and the Soviet ballet as a whole.

History
Premiere of this production: 27 December 1956, Kirov Theatre, Leningrad

Spartacus is a ballet by Aram Khachaturian (1903–1978). The work follows the exploits of Spartacus, the leader of the slave uprising against the Romans known as the Third Servile War, although the ballet's storyline takes considerable liberties with the historical record.

Synopsis

Act I 
Scene 1 - Invasion. 
The military machine of imperial Rome, led by Crassus, wages a cruel campaign of conquest, destroying everything in its path. Among the chained prisoners, who are doomed to slavery, are Spartacus and Phrygia. 

Spartacus’c Monologue. 
Spartacus is in despair. Born a free man, he is now a slave in chains.

Scene 2  - The Slave Market. 
Slave dealers separate the men and women prisoners for sale to rich Romans. Spartacus is parted from Phrygia. 

Phrygia’s Monologue. 
Phrygia is overcome with grief. She thinks with horror of the terrifying ordeals that lie ahead of her. 

Scene 3  - Orgy at Crassus’s Palace. 
Mimes and courtesans entertain the guests, making fun of Phrygia, Crassus’s new slave. Aegina draws Crassus into a frenzied, bacchanalian dance. Drunk with wine and passion, Crassus demands a spectacle. Two gladiators are to fight to death in helmets with closed visors, i.e., without seeing each other. The victor’s helmet is removed. It is Spartacus. 

Spartacus’c Monologue. 
Against his will, Spartacus has been forced to murder a fellow man. His despair develops into anger and protest. He will no longer tolerate captivity. He has but one choice of action — to win backhis freedom. 

Scene 4 - The Gladiators’ Barracks. 
Spartacus incites the gladiators to revolt. They swear an oath of loyalty to him and, of one accord, break out of the barracks to freedom.

Act II 
Scene 5  - The Appian Way. 
Having broken out of their captivity and finding themselves on Appian Way, surrounded by shepherds, Spartacus’s followers call the latter to join the uprising. Shepherds andpopulace proclaim Spartacus as their leader. 

Spartacus’s Monologue. 
The thought of Phrygia’s fate as a slave gives Spartacus no peace. He is haunted by memories of his loved one whom he thinks of day and night.

Scene 6 - Crasuss’s Villa. 
His search for Phrygia leads Spartacus to Crassus’s villa. The two lovers are overjoyed at their reunion. But, due to the arrival of a procession of patricians, led by Aegina, they are forced to hide. 

Aegina’s Monologue. 

Aegina has long dreamed of seducing and gaining power over Crassus. Her goal is to win him and there by gain legal admittance to the world of the Roman nobility. 

Scene 7 - Feast at Crasuss’s Villa. 
Crassus celebrates his victories. The patricians sing his praises. The festivities are cut short by an alarming piece of news: Spartacus and his min have all but surrounded the villa. The panic-stricken guests disperse. Crassus and Aegina are also forced to flee. Spartacus breaks into the villa.

Spartacus’s Monologue. 
Victory! It elates him and fills him with faith that the uprising will be successful. Victory! 

Scene 8 - Spartacus’s Victory. 
Spartacus’s men have taken Crassus prisoner and want to kill him, but Spartacus is not bent on revenge and suggests that they should engage in single-handed combat.Crassus accepts the challenge and suffers defeat: Spartacus knocks the sword out of his hand. Crassus makes ready demonstratively to meet his death, but Spartacus, with a gesture of contempt, lets him go. That all shall know of Crassus’s dishonor is punishment enough. The jubilant insurgents praise the victory of Spartacus. 

Act III 
Scene 9  - Crasuss Takes His Revenge. 
Crassus is tormented by his disgrace. Fanning his hurt pride, Aegina calls on him to take his revenge. There is only one way forward — death to the insurgents. Crassus summons his legions. Aegina sees him off to battle. 

Aegina’s Monologue. 
Spartacus is Aegina’s enemy too. The defeat of Crassus will be her downfall. Aegina devises a perfidious plan — she will sew dissension in Spartacus’sencampment. 

Scene 10  - Spartacus’s Encampment. 
Spartacus and Phrygia are happy to be together. But suddenly his military commanders bring the news that Crassus is on the move with a large army. Spartacus decides to give battle but, overcome by cowardice, some of his warriors desert their leader.

Scene 11 - Dissension. 
Aegina infiltrates the ranks of the traitors who, though they have abandoned Spartacus, might still be persuaded to go with him. Together with the courtesans she seduces the men with wine and erotic dances and, as a result, they put all caution to the winds. Having lured the traitors into a trap, Aegina hands them over to Crassus. 

Spartacus’s Monologue. 
Crassus is consumed by the wish for revenge. Spartacus shall pay with his death for the humiliation that he, Crassus, was forced to undergo. 

Scene 12 - The Last Battle. 
Spartacus’s forces are surrounded by the Roman legions. Spartacus’s devoted friends perish in unequal combat. Spartacus fights on fearlessly right up to the bitter end but, closing in on the wounded hero, the Roman soldiers crucify him on their spears.

Requiem. 
Phrygia retrieves Spartacus’s body from the battle field. She mourns her beloved, her grief is inconsolable. Raising her arms skywards, Phrygia appeals to the heavens that the memory of Spartacuslive forever...

Act I
The Roman consul Crassus returns to Rome from his latest conquests in a triumphal procession. Among his captives are the Thracian king Spartacus and his wife Phrygia. Spartacus laments his captivity and bids a bitter farewell to Phrygia, who is taken off to join Crassus’ harem of concubines. To entertain Crassus and his entourage, Spartacus is sent into the gladiatorial ring and is forced to kill a close friend. Horrified at his deed, Spartacus incites his fellow captives to rebellion.

Act II
The escaped captives celebrate their freedom. Meanwhile, Crassus entertains the Roman patricians with lavish entertainment. Spartacus and the other escaped captives disrupt the orgy and rescue the slave women, including Phrygia. Aegina insists that Crassus pursue the slave army immediately. The lovers celebrate their escape to the "Adagio of Spartacus and Phrygia".

Act III
Aegina discovers Spartacus’s camp and observes the lovers emerging from their tent the next morning. Aegina sends word to Crassus, who sends his army in pursuit. Internecine struggles break out among Spartacus’s forces. Finally, Crassus’s forces discover Spartacus and impale him upon their spears. Spartacus’s closest followers recover his body and carry it off while Phrygia mourns her loss.

Venue Info

Royal Opera House (Covent Garden) - London
Location   Bow St, Covent Garden

The Royal Opera House (ROH) is an opera house and major performing arts venue in London and Great Britain. It is the home of The Royal Opera, The Royal Ballet, and the Orchestra of the Royal Opera House.

The large building is often referred to as simply "Covent Garden", after a previous use of the site of the opera house's original construction in 1732. It is the home of The Royal Opera, The Royal Ballet, and the Orchestra of the Royal Opera House. Originally called the Theatre Royal, it served primarily as a playhouse for the first hundred years of its history. In 1734, the first ballet was presented. A year later, Handel's first season of operas began. Many of his operas and oratorios were specifically written for Covent Garden and had their premieres there.

The current building is the third theatre on the site following disastrous fires in 1808 and 1856. The façade, foyer, and auditorium date from 1858, but almost every other element of the present complex dates from an extensive reconstruction in the 1990s. The main auditorium seats 2,256 people, making it the third largest in London, and consists of four tiers of boxes and balconies and the amphitheatre gallery. The proscenium is 12.20 m wide and 14.80 m high. The main auditorium is a Grade I listed building.

The Royal Opera, under the direction of Antonio Pappano, is one of the world’s leading opera companies. Based in the iconic Covent Garden theatre, it is renowned both for its outstanding performances of traditional opera and for commissioning new works by today’s leading opera composers, such as Harrison Birtwistle, Mark-Anthony Turnage and Thomas Adès.

The Royal Ballet is one of the world’s greatest ballet companies. Under the directorship of Kevin O’Hare, the Company unites tradition and innovation in world-class performances at our Covent Garden home.

The Company’s extensive repertory embraces 19th-century classics, the singular legacy of works by Founder Choreographer Frederick Ashton and Principal Choreographer Kenneth MacMillan and a compelling new canon by Resident Choreographer Wayne McGregor and Artistic Associate Christopher Wheeldon.

The Orchestra performs in concerts of their own, including performances at the Royal Opera House with Antonio Pappano. They have also performed at venues worldwide including Symphony Hall (Birmingham), Cadogan Hall, the Vienna Konzerthaus and on tour with The Royal Opera.

Members of the Orchestra play an active role in events across the Royal Opera House, including working with the Learning and Participation teams. The Orchestra accompanies performances that are streamed all over the world, including through cinema screenings and broadcasts. They appear on many CDs and DVDs including Pappano’s acclaimed studio recording of Tristan und Isolde with Plácido Domingo and Nina Stemme.

The Orchestra of the Royal Opera House was founded in 1946 when the Royal Opera House reopened after World War II.

Important Info
Type: Ballet
City: London, Great Britain
Starts at: 19:30
Acts: 3
Intervals: 2
Duration:
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