The Australian Ballet present George Balanchine's three-act masterpiece.

The Australian Ballet will present one of George Balanchine’s most loved works, Jewels, as part of its 60th Anniversary Celebration season at Covent Garden.

George Balanchine's masterpiece Jewels is inspired by three unique periods in the history of ballet and in George Balanchine's life and career, journeying through the romanticism of France in Emeralds, New York City's jazz age in Rubies and the majesty of the imperial court in 19th-century Russia in Diamonds. In a twist on the traditional ballet form, this full-length work of three movements is not a story ballet, but a plotless, abstract work which distils the artform to pure movement and will demonstrate both the classical precision and stylistic versatility of The Australian Ballet’s dancers.  The individual movements of Jewels are scored by the strikingly distinct music of three composers: Gabriel Fauré, Igor Stravinsky and Pyotr Ilyich Tchaikovsky.

Created in 1967, Jewels will be first premiered by The Australian Ballet in 2023 in Sydney and Melbourne. The company is delighted to be bringing this beloved masterpiece to UK audiences as part of their 60th anniversary celebrations when it returns to Covent Garden for the first time in 35 years.

First performed on 13 April 1967 in New York, Jewels represents the first full-length “abstract ballet” by George Balanchine. The three parts of the ballet, „Emeralds“ (to music by Gabriel Fauré), „Rubies“ (to music by Igor Stravinsky) and „Diamonds“ (to music by Peter Ilich Tchaikovsky) are loosely connected by the idea of gems or jewels; a meeting with the jeweller Claude Arpels was a significant stimulus to Balanchine to create the work. Through the choice of the different composers, the ballet also forms a kind of geographical retrospective of the life of George Balanchine, who spent periods of time in France, the United States and Russia. Manuel Legris’ time as director is also closely connected with the work: after „Rubies“ (2010/2011) and „Diamonds“ (Pas de deux, 2017/2018), the complete work now appears on the programme as his period of office in Vienna draws to a close.

Jewels is a three-act ballet created for the New York City Ballet by co-founder and founding choreographer George Balanchine. It premièred on Thursday, 13 April 1967 at the New York State Theater, with sets designed by Peter Harvey and lighting by Ronald Bates.

Jewels has been called the first full-length abstract ballet. It has three related movements: Emeralds, Rubies, and Diamonds (usually separated by intermissions). It can also be seen as three separate ballets, linked by their jewel-colored costumes. Balanchine commented: "The ballet had nothing to do with jewels. The dancers are just dressed like jewels." Each of the three acts features the music of a different composer: Emeralds is set to the music of Gabriel Fauré, Rubies to the music of Igor Stravinsky and Diamonds to music by Pyotr Ilyich Tchaikovsky.

Costumes

The costumes were created by Balanchine's long-time collaborator Barbara Karinska, who created a distinct look for each different act: romantic, calf-length tulle skirts for Emeralds, fabric that flared at the hips of both men and women in Rubies, and the flat, classical tutu of the Imperial Russian Ballet for Diamonds. The costumes were such finely crafted pieces of art in their own right that some of them have been exhibited in museums and in theatre lobbies. Even Claude Arpels of Van Cleef & Arpels, who suggested the idea of a ballet based on gems to the choreographer, was impressed with her attention to finding the finest trim that would accurately represent the true glitter of genuine gemstones. Additionally, Karinska's painstaking work is credited with making the costumes last despite the sweat and strain of dancing in them. Her designs, needlework and choice in fabrics made them both durable and danceable, illustrating that the bodies inside the costumes were deserving of her utmost respect. When questioned about her attention to her almost extravagant detail she replied, "I sew for girls and boys who make my costumes dance; their bodies deserve my clothes."