Opéra de Nice 17 April 2021 - Don Quixote | GoComGo.com

Don Quixote

Opéra de Nice, Nice, France
All photos (8)
Select date and time
8 PM
Important Info
Type: Ballet
City: Nice, France
Starts at: 20:00
Duration: 2h

E-tickets: Print at home or at the box office of the event if so specified. You will find more information in your booking confirmation email.

You can only select the category, and not the exact seats.
If you order 2 or 3 tickets: your seats will be next to each other.
If you order 4 or more tickets: your seats will be next to each other, or, if this is not possible, we will provide a combination of groups of seats (at least in pairs, for example 2+2 or 2+3).

Overview

Don Quixote invites the viewer to immerse themselves in a festive and colorful Spain. A real treat… This large format ballet which lasts more than two hours, passes in the blink of an eye because it is so playful and captivating.

Éric Vu-An, offers us a choreography which pays homage to the great classical tradition and which perfectly highlights the talent of its performers. And talent, it takes to overcome this monument of the repertoire! Eric Vu-An knows it well, he who was hired at nineteen by Nureyev to play in 1983 the role of Basilio in Don Quixote. Looking closely at the career of the current Artistic Director of Ballet Nice Méditerranée, we understand his attachment to Cervantes' knight errant. He too chose, at one point, to travel the wide world, giving up a sedentary career, to participate in galas, tread the stages of mythical theaters and share his dreams with the great artists of the dance world. His version of Don Quixoteis also made of passions and twists and turns. She closely interweaves the fate of the famous windmill slayer with those of the charming Kitri and her young lover Basil. Unfortunately, the girl's father wants to marry her to a wealthy nobleman and throws our two lovers into a story rich in adventures and misunderstandings. The pantomime is delicious and the piece is all about academic dance.

History
Premiere of this production: 26 December 1869, Ballet of the Imperial Bolshoi Theatre of Moscow, Russia

Don Quixote is a ballet in four acts and eight scenes, based on episodes taken from the famous novel Don Quixote de la Mancha by Miguel de Cervantes. It was originally choreographed by Marius Petipa to the music of Ludwig Minkus and first presented by the Ballet of the Imperial Bolshoi Theatre of Moscow, Russia on 26 December [O.S. 14 December] 1869. Petipa and Minkus revised the ballet into a far more expanded and elaborated edition in five acts and eleven scenes for the Imperial Ballet, first presented on 21 November 1871 at the Imperial Bolshoi Kamenny Theatre of St. Petersburg.

Synopsis

Don Quixote's Study

Bachelor Sanson Carrasco is seen covering a bookcase with wallpaper, while Antonina is putting some rusty old armour and a helmet made of pasteboard into a cupboard. Don Quixote de la Mancha enters, reading a book. He goes to the bookcase and, not finding it, believes it has been stolen by evil magicians. Then he settles into an armchair and continues reading. He delights in stories of brave knights, fabulous giants and other fantastical creatures, but most of all Don Quixote dreams of his beloved Dulcinea, a woman that he believes to be so lovely and noble that she must be divinity. Gradually he nods and falls asleep to dream of their romantic adventures. Darkness falls.

Suddenly his servant, Sancho Panza, climbs hurriedly through the window. In pursuit are several angry women from the market from whom he has stolen bread and a chicken. Awakened by the commotion, Don Quixote sends the women away. Don Quixote tells Sancho that he is determined to seek adventures as a knight-errant, all the while searching for his beloved Dulcinea. He shows him the pasteboard helmet, which, with one sweep from his sword, becomes a shapeless mass on the floor. Antonina suggests that he should use a shaving basin instead, which would make a splendid helmet. Don Quixote enthusiastically agrees and, placing it on his head, orders Sancho to bring him his armour, sword and spear, and to make ready his horse, Rocinante.

Act I

A market-place in Barcelona

Kitri, an inn-keeper's daughter, steals out of her house to meet her beloved, the barber Basilio. Her father, Lorenzo, sees the lovers and sends Basilio away, bringing Kitri to tears. Now comes the rich nobleman Gamache, who, likewise in love with Kitri, goes to Lorenzo and asks for his daughter's hand. The innkeeper accepts with delight but Kitri, appalled at the thought of wedding the foppish nobleman, runs away.

Dancing begins in the square and some toreadors try to kidnap the girls they fancy, but their relatives and lovers hasten to their aid. At this moment Don Quixote arrives mounted on Rocinante, followed by Sancho, who is riding a donkey. At his master's command Sancho sounds his rusted horn, causing the townspeople to cover their ears. Lorenzo runs out of his inn, and Don Quixote, taking him for the lord of a famous castle, dismounts Rocinante and, falling to his knees, begs to be allowed to serve him. Charmed, Lorenzo invites the knight to sit on his balcony. Sancho remains in the square where he is surrounded by girls who induce him to take part in a game of blind man's bluff. Then some boys bring in a blanket on which they place Sancho and proceed to toss him into the air. Don Quixote hurries to his assistance and sets him free.

Peasants gather in the square and dancing resumes. Kitri returns and, noticing her, Don Quixote acclaims her as his Dulcinea, whom evil magicians have reduced to human form. Becoming jealous of her affection for Basilio, Don Quixote attempts to woo her by partnering her in a minuet. Lorenzo berates Kitri for carrying on with Basilio. Kitri and Basilio then run away, and Lorenzo and Gamache follow them. Don Quixote orders Sancho to bring Rocinante, so that he may also set out in pursuit.

Act II

Scene 1 – A camp of gypsies among the windmills outside the village

Kitri, disguised as a boy is seen walking with Harlequin from a troupe of travelling actors. They guess she is a girl and ask her to stay with them.

Scene 2 - The Puppet Theatre

A clown is seen walking with Graziosa, the gypsy chief's daughter. A gypsy tells the chief of the approach of Don Quixote. The chief plans a trick for his benefit and, putting on a mantle crown, sits down as though he were a king on a throne. Don Quixote is deceived and kneels to the chief in homage. The chief bids that he sit beside him and orders a festival to be given in his honor. This begins with Gypsy dances and is followed by a performance of the marionette theatre. Don Quixote is delighted with the entertainment but, mistaking the heroine for his Dulcinea and the marionettes for soldiers attacking her, he rises to assault them. The gypsies are terrified. At this moment the clown and Graziosa run away.

Scene 3 - The Windmills

Flushed with victory, the knight kneels and renders thanks to heaven. Seeing the moon, he takes it for his Dulcinea and tries to get to her. As he approaches the windmills he can see the moon no longer and thinks that evil magicians have hidden his beloved mistress. So, spear in hand, he tilts at the wings of the windmill, which he mistakes for a giant. Alas, the knight is caught by one of the wings and flung into the air. He falls unconscious at Sancho's feet.

Scene 4 – A forest

Through the trees appears Sancho leading Rocinante, upon which sits the wounded Don Quixote. The servant lifts his master down and places him on the grass, so that he may rest. Then, tying up the horse, he goes to sleep. Don Quixote also tries to sleep, but is troubled by fantastic dreams.

Scene 5 – The enchanted Garden of Dulcinea

Fairies appear surrounded by gnomes and Don Quixote finds himself dressed in shining armor. Then comes a succession of fearsome monsters, the last being a gigantic spider, who spins a web. The knight attacks the spider, which he slashes in half with his sword. At that same moment the spider's web vanishes to reveal a beautiful garden, filled with dryads and beautiful women, presided over by the Queen of the Dryads and Amor. Among them is Dulcinea and Don Quixote kneels before his beloved. At this moment everything vanishes.

Act III

The Square

Back at the square, Kitri and Basilio join those who are dancing. At the height of the merriment, Lorenzo and Gamache arrive, followed by Don Quixote and Sancho. Seeing his daughter, Lorenzo decides to give his blessing to her union with the nobleman Gamache. Basilio becomes annoyed and, reproaching Kitri for her unfaithfulness, draws a sword and stabs himself. As he lies dying he begs Lorenzo to unite him with Kitri, but Lorenzo and Gamache refuse. Don Quixote approaches Gamache and challenges him to a duel for having refused a dying man's wish. Gamache declines to fight and the merrymakers drive him out of the inn. Taking pity, Lorenzo agrees to unite Basilio and Kitri. At this moment, Basilio pulls out the sword and tells everyone it was a joke.

Act IV

The Tavern

A magnificent feast is held in honour of Don Quixote. Suddenly the Knight of the Silver Moon challenges him to a duel, which results in the latter being vanquished. The victorious knight proves to be none other than Bachelor Sanson Carrasco, who forces Don Quixote to vow that he will not unsheathe his sword for a whole year. The sorrowful knight, true to his vow, takes up his warlike gear and, followed by Sancho, sets out for home.

Venue Info

Opéra de Nice - Nice
Location   4-6 Rue Saint-François de Paule

The Opéra de Nice is the principal opera venue in Nice, which houses the Ballet Nice Méditerrannée and the Nice Philharmonic Orchestra. It offers three types of performances: operas, ballets and classical music concerts.

The “petit théâtre en bois” (wooden theatre) was first created in 1776 by Marquess Alli-Maccarani. Sold in 1787 to a group of gentry, it reopened in 1790 under the name “Théâtre Royal”.

In 1826, the city of Nice, encouraged by King Charles Félix, bought it from its owners and had it demolished and rebuilt. It was inaugurated in 1828 with Giovanni Pacini's Il Barone di Bolsheim.

In 1856, a great ball was organized in the honour of King Victor Emmanuel II.

In 1860, Napoleon III was invited to attend an evening at the Théâtre Royal. For this special occasion, Johann Strauss led the orchestra. The same year, the theatre became the “Théâtre Impérial”. In 1864, Napoleon III returned, accompanied by Tsar Alexander II of Russia. In 1868, Louis II, Duke of Bavaria attended a performance of Cendrillon. The Théâtre Royal was renamed “Théâtre Municipal” in 1870.

On Wednesday, March 23, 1881, as the opera Lucia di Lammermoor began, a gas leak started a huge fire. The fire was controlled the next day but there was nothing left of the theatre. Three siblings of Marjory Kennedy-Fraser died in the fire: Lizzie, Kate and James (soprano, contralto and baritone respectively). The city of Nice immediately decided to rebuild another theatre on the same site. It was designed by architect François Aune with the apparent approval of Charles Garnier, the architect of the Paris Opera. On February 7, 1885, the Théâtre Municipal re-opened with Verdi’s Aida. Over the following years it hosted the French stage premieres of operas such as A Life for the Tsar, Eugene Onegin, La Gioconda, Manon Lescaut, Marie-Magdeleine, Katerina Ismailova and Elegy for Young Lovers. Artistic directors included Edoardo Sonzogno (1887–88), Raoul Gunsbourg (1889-91) and Ferdinand Aymé (1950–82). Musical directors included Alexandre Luigini (1888–89 and 1897–98), Albert Wolff (1930–32 and 1934–37), Antonio de Almeida (1976–78) and Pierre Dervaux (1978-82).

In 1902, it was named Opéra de Nice and is today referred to as Opéra Nice Côte d’Azur.

With the support of the Médecin family of Nice, the house flourished, attracting major singers and directors in opera, but despite the efforts of Jean-Albert Cartier from 1994 to 1997, the importance of the house declined.

21st century
From 2001 to 2009 the director-general was the Belgian producer Paul-Émile Fourny. He was succeeded by Jacques Hédouin, with a policy of closer working with the Opéra de Monte-Carlo, as well as closer collaboration with the two regional orchestras, the Orchestre philharmonique de Nice and the Orchestre régional de Cannes-Provence-Alpes-Côte d'Azur.

In November 2012, Marc Adam became the new artistic director of the opera. The same month tenor Jonas Kaufmann performed there. Adam departed in 2015 to be replaced by Eric Chevalier.

The Diacosmie is the workshop of the Opéra de Nice, where everything from costumes to sets is created. The building also houses rehearsal rooms for the Nice Philharmonic Orchestra and the Ballet Nice Méditerranée.

Important Info
Type: Ballet
City: Nice, France
Starts at: 20:00
Duration: 2h
Top of page