Oper Leipzig 9 May 2021 - The Twilight of the Gods | GoComGo.com

The Twilight of the Gods

Oper Leipzig, Opernhaus, Leipzig, Germany
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Important Info
Type: Opera
City: Leipzig, Germany
Starts at: 17:00
Intervals: 2
Duration: 5h 45min
Sung in: German
Titles in: German,English

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Overview

Third day of the scenic festival Der Ring des Nibelungen. The Twilight of the Gods is perhaps the most exciting story that Wagner ever wrote: A thrilling psychological tale of love, power, and betrayal, and performing the opera is a tour de force for soloists, choir and orchestra. Ulf Schirmer, managing director and general music director of the Oper Leipzig, leads the Gewandhausorchester.

“They are rushing toward their own ruin, they who are so confident of their own existence,” prophesies Loge at the end of Rheingold. And then, in Walküre, Wotan becomes painfully aware that he’s borrowed more than he can afford in order to build Valhalla, and confides in his daughter Brünnhilde that his plans have foundered – and that he wishes only for the end. Time and again, Alberich’s curse strikes, always demanding a new sacrifice: Love or power — but never both. Siegmund and Sieglinde, the twin lovers, tasted the power of the Ring, and fell victim to its curse. But one final hope remains, one final chance to win the Ring of the Nibelungs back from Fafner. Siegfried, a new hero, who never learned to be afraid. But this naive child of nature is bound to fall victim to the ice-cold machinations of an ever-coarsening society, in which love, friendship, truth, and loyalty are increasingly disregarded. In the end, a complete collapse of the existing world is the only way to guarantee a new beginning. Wagner’s The Twilight of the Gods describes the transition from nature to civilization, from the world of gods to the world of men, from legend to reality – until the apocalyptic moment when nature returns, with all of her force. The myriad musical motives coalesce in this, the final part of Wagner’s tetralogy. They culminate in Brünnhilde’s immolation scene, when once again the entire world of the Ring passes before our eyes.

History
Premiere of this production: 17 August 1876, Bayreuth Festspielhaus

Götterdämmerung (Twilight of the Gods) is the last in Richard Wagner's cycle of four music dramas titled Der Ring des Nibelungen (The Ring of the Nibelung, or The Ring for short).

Synopsis

Prologue

The three Norns, daughters of Erda, gather beside Brünnhilde's rock, weaving the rope of Destiny. They sing of the past and the present, and of the future when Wotan will set fire to Valhalla to signal the end of the gods. Without warning, their rope breaks. Lamenting the loss of their wisdom, the Norns disappear.

As day breaks, Siegfried and Brünnhilde emerge from their cave, high on a mountaintop surrounded by magic fire. Brünnhilde sends Siegfried off to new adventures, urging him to keep their love in mind. As a pledge of fidelity, Siegfried gives her the ring of power that he took from Fafner's hoard. Bearing Brünnhilde's shield and mounting her horse Grane, Siegfried rides away as an orchestral interlude (Siegfried's Journey to the Rhine) starts.

Act 1

The act begins in the Hall of the Gibichungs, a population dwelling by the Rhine. Gunther, lord of the Gibichungs, sits enthroned. His half-brother and chief minister, Hagen, advises him to find a wife for himself and a husband for their sister Gutrune. He suggests Brünnhilde for Gunther's wife, and Siegfried for Gutrune's husband. He reminds Gutrune that he has given her a potion that she can use to make Siegfried forget Brünnhilde and fall in love with Gutrune; under its influence, Siegfried will win Brünnhilde for Gunther. Gunther and Gutrune agree enthusiastically with this plan.

Siegfried appears at Gibichung Hall, seeking to meet Gunther. Gunther extends his hospitality to the hero, and Gutrune offers him the love potion. Unaware of the deception, Siegfried toasts Brünnhilde and their love. Drinking the potion, he loses his memory of Brünnhilde and falls in love with Gutrune instead. In his drugged state, Siegfried offers to win a wife for Gunther, who tells him about Brünnhilde and the magic fire which only a fearless person can cross. They swear blood-brotherhood (Hagen holds the drinking horn in which they mix their blood, but he does not join in the oath) and leave for Brünnhilde's rock. Hagen, left on guard duty, gloats that his so-called masters are unwittingly bringing the ring to him (Monologue: Hagen's watch).

Meanwhile, Brünnhilde is visited by her Valkyrie sister Waltraute, who tells her that Wotan returned from his wanderings with his spear shattered. Wotan is dismayed at losing his spear, as it has all the treaties and bargains he has made—everything that gives him power—carved into its shaft. Wotan ordered branches of the World tree, to be piled around Valhalla; sent his magic ravens to spy on the world and bring him news; and currently waits in Valhalla for the end. Waltraute begs Brünnhilde to return the ring to the Rhinemaidens, since the ring's curse is now affecting their father, Wotan. However, Brünnhilde refuses to relinquish Siegfried's token of love, and Waltraute rides away in despair.

Siegfried arrives, disguised as Gunther by using the Tarnhelm, and claims Brünnhilde as his wife. Though Brünnhilde resists violently, Siegfried overpowers her, snatching the ring from her hand and placing it on his own.

Act 2

Hagen, waiting by the bank of the Rhine, is visited in his semi-waking sleep (sitting up, eyes open, but motionless) by his father, Alberich. On Alberich's urging, he swears to kill Siegfried and acquire the ring. Alberich exits as dawn breaks. Siegfried arrives via Tarnhelm-magic, having resumed his natural form and left Brünnhilde on the boat with Gunther. Hagen summons the Gibichung vassals to welcome Gunther and his bride. He does this by sounding the war-alarm. The vassals are surprised to learn that the occasion is not battle, but their master's wedding and party.

Gunther leads in a downcast Brünnhilde, who is astonished to see Siegfried. Noticing the ring on Siegfried's hand, she realizes she has been betrayed—that the man who conquered her was not Gunther, but Siegfried in disguise. She denounces Siegfried in front of Gunther's vassals and accuses Siegfried of having seduced her himself. Siegfried, who does not remember ever having been Brünhilde's lover, places his hand on Hagen's spear and swears by it that her accusations are false. Brünnhilde seizes the tip of the spear and swears that they are true. Once again Hagen supervises silently as others take oaths to his advantage. But this time, since the oath is sworn on a weapon, the understanding is that if the oath is proven false, the weapon's owner should avenge it by killing the perjurer with that weapon. Siegfried then leads Gutrune and the bystanders off to the wedding feast, leaving Brünnhilde, Hagen, and Gunther alone by the shore. Deeply shamed by Brünnhilde's outburst, Gunther agrees to Hagen's suggestion that Siegfried must be killed in order for Gunther to regain his standing. Brünnhilde, seeking revenge for Siegfried's manifest treachery, joins the plot and tells Hagen that Siegfried would be vulnerable to a stab in the back. Hagen and Gunther decide to lure Siegfried on a hunting-trip and murder him. They sing a trio in which Brünnhilde and Gunther vow in the name of Wotan, "guardian of oaths", to kill Siegfried, while Hagen repeats his pledge to Alberich: to acquire the ring and rule the world through its power.

Act 3

In the woods by the bank of the Rhine, the Rhinemaidens mourn the lost Rhine gold. Siegfried happens by, separated from the hunting party. The Rhinemaidens urge him to return the ring and avoid its curse, but he laughs at them and says he prefers to die rather than bargain for his life. They swim away, predicting that Siegfried will die and that his heir, a lady, will treat them more fairly.

Siegfried rejoins the hunters, who include Gunther and Hagen. While resting, he tells them about the adventures of his youth. Hagen gives him another potion, which restores his memory, and he tells of discovering the sleeping Brünnhilde and awakening her with a kiss. Hagen stabs him in the back with his spear. The others look on in horror, and Hagen explains in three words ("Meineid rächt' ich!" – "I have avenged perjury!") that since Siegfried admitted loving Brünnhilde, the oath he swore on Hagen's spear was obviously false, therefore it was Hagen's duty to kill him with it. Hagen calmly walks away into the wood. Siegfried recollects his awakening of Brünnhilde and dies. His body is carried away in a solemn funeral procession (Siegfried's funeral march) that forms the interlude as the scene is changed and recapitulates many of the themes associated with Siegfried and the Wälsungs.

Back in the Gibichung Hall, Gutrune awaits Siegfried's return. Hagen arrives ahead of the funeral party. Gutrune is devastated when Siegfried's corpse is brought in. Gunther blames Siegfried's death on Hagen, who replies that Siegfried had incurred the penalty of his false oath, and further, claims the ring on Siegfried's finger by right of conquest. When Gunther objects, Hagen appeals to the vassals to support his claim. Gunther draws his sword but Hagen attacks and easily kills him. However, as Hagen moves to take the ring, Siegfried's hand rises threateningly. Hagen recoils in fear.

Brünnhilde makes her entrance and issues orders for a huge funeral pyre to be assembled by the river (the start of the Immolation Scene). She takes the ring and tells the Rhinemaidens to claim it from her ashes, once fire has cleansed it of its curse. Lighting the pyre with a firebrand, she sends Wotan's ravens home with "anxiously longed-for tidings", and to fly by the magic fire for Loge to fulfill his task. After an apostrophe to the dead hero, Brünnhilde mounts her horse Grane and rides into the flames.

A sequence of leitmotifs portray the fire flaring up, and the hall of the Gibichungs catching fire and collapsing. The Rhine overflows its banks, quenching the fire, and the Rhinemaidens swim in to claim the ring. Hagen tries to stop them but they drag him into the depths and drown him. As they celebrate the return of the ring and its gold to the river, a red glow is seen in the sky. As the Gibichungs watch, the interior of Valhalla is finally seen, with gods and heroes visible as described by Waltraute in Act 1. Flames flare up in the Hall of the Gods, hiding it and them from sight completely. As the gods are consumed in the flames, the curtain falls to the sound of the Erlösungsmotif—the redemption leitmotif.

Venue Info

Oper Leipzig - Leipzig
Location   Augustusplatz 12

Oper Leipzig is one of the most famous and oldest opera houses in Europe. Oper Leipzig stands for the highest musical and craft quality. It is based on active ensemble culture and the promotion of young singers. The program ranges from opera, opera, operetta, musical to classic and modern ballet. There are also numerous offers and in-house productions for children, young adults and families.

Oper Leipzig forms the roof for a three-division house consisting of an opera, Leipzig ballet and musical comedy. Located in the Opera House (Opera & Leipzig Ballet) in the center of Leipzig and in the Dreilinden House (Musical Comedy) in the Lindenau district, it has a tradition of more than 325 years of musical theater care in Leipzig. In 1693 the first opera house on Brühl was opened as the third bourgeois music theater in Europe after Venice and Hamburg. Since 1840, the world-famous Gewandhaus Orchestra has played on all performances of opera and ballet. Prof. Ulf Schirmer has been General Music Director of the Leipzig Opera since the 2009/10 season. Under his musical direction, Richard Wagner and Richard Strauss' works in particular become the focus of the repertoire.

Performances of opera in Leipzig trace back to Singspiel performances beginning in the year 1693. The director of many of those early operas at the original Opernhaus auf dem Brühl was Telemann.

The Leipzig Opera does not have its own opera orchestra – the Leipzig Gewandhaus Orchestra performs as its orchestra. This relationship began in 1766 with performances of the Singspiel Die verwandelten Weiber, oder Der Teufel ist los by Johann Adam Hiller.

The previous theater (the "Neues Theater") was inaugurated on 28 January 1868 with Jubilee Overture by Carl Maria von Weber and the overture for Iphigénie en Aulide by Gluck and Goethe's play Iphigenia in Tauris. From 1886 to 1888, Gustav Mahler was the second conductor; Arthur Nikisch was his superior. During an air raid in the night of 3 December 1943, part of the bombing of Leipzig in World War II, the theater was destroyed, as were all Leipzig's theatres.

Construction of the modern opera house began in 1956. The theater was inaugurated on 8 October 1960 with a performance of Wagner's Die Meistersinger von Nürnberg.

Since 2009, Ulf Schirmer is the Generalmusikdirektor (General Music Director, or GMD); he was elected artistic director in 2011 for a five-year term.

Important Info
Type: Opera
City: Leipzig, Germany
Starts at: 17:00
Intervals: 2
Duration: 5h 45min
Sung in: German
Titles in: German,English
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