The Enchantress

Oper Frankfurt, Opera House, Frankfurt am Main, Germany

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6 PM

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Important Info

Type: Opera

City: Frankfurt am Main, Germany

Starts at: 18:00

Acts: 4

Intervals: 1

Duration: 3h 30min

Sung in: Russian

Titles in: German,English

Ticket delivery: E-Tickets

E-tickets: Print at home or at the box office of the event if so specified. You will find more information in your booking confirmation email.

Can I choose my seats?

Overview

Tchaikovsky’s seventh opera unravels like a four-part thriller, combining love and jealousy, drama, political intrigue and religious machinations which expose the impotency of the powerful and the opportunism of people.

The power of love vanquishes the love of power: a dream, that goes wrong

The plot revolves around the widow Nastasja, nicknamed Kuma, who runs an inn on the outskirts of Nischni Nowgorod, where people of all kinds converge. She fascinates her guests with her open-mindedness and dreams of freedom. Mamyrow, a duplicitous clergyman and advisor to the prince, accuses her of witchcraft and immorality. He persuades the prince to have Kuma’s guests checked out, but she manages to get the prince on her side and make a fool of his adviser. While Mamyrow fans the flames of the princess’ jealousy, the prince tries to win Kuma's love, but she’s in love with Juri, the royal couple‘s son. Kuma turns into a dysfunctional ruling family’s plaything. The story ends with the hysterical princess poisoning Kuma, the jealous prince killing his son and then going mad.

Tscharodejka – "The Enchantress" – was written between Eugene Onegin and Pique Dame but is rarely performed today, even though Tchaikovsky thought it his best work. The score glitters, revealing a multi-facetted progressive operatic dramatist: he deals with the exciting story by using different musical ideas for each act. Passionate characters, sensitive melodies, sparkling orchestration and dramatic ensemble scenes declare his unconditional love for "his" enchantress.

History

Premiere of this production: 20 October 1887, Mariinsky Theatre, St Petersburg

The Enchantress (or The Sorceress) is an opera in four acts by Pyotr Ilyich Tchaikovsky based on the libretto by Ippolit Shpazhinsky, using his drama with the same title. The opera was composed between September 1885 and May 1887 in Maidanovo, Russia, and was first performed in St Petersburg in 1887.

Synopsis

Time: The last quarter of the 15th century

Place: Nizhny Novgorod and its vicinity

The action takes place at the last quarter of the 15th century at a tavern and brothel near Nizhny Novgorod. Nastasya (Kuma), the charming owner of the inn, has made herself an enemy in rejecting the devious Mamïrov, the right-hand man of the local governor Nikita Danilovich Kurlyatev. He spreads the gossip that Nastasya is an enchantress, and every man whom she meets falls for her. Yuriy, Nikita's son, begins to frequent the inn, as does his father, who falls madly in love with Nastasya (without any success), who threatens her that he will reach his goal by whatever means. Mamïrov confronts Nikita's wife, Yevpraksiya, with the truth, while her son – not yet personally involved with Nastasya – swears to avenge his mother. While confronting Nastasya he learns that it is he whom she loves. They both plan to flee during the night not knowing that, by now, Mamïrov has worked out an elaborate plot to wreak his revenge on Nastasya as well as on Nikita and his family with devastating effect.

Venue Info

Oper Frankfurt - Frankfurt am Main
Untermainanlage 11

The Oper Frankfurt (Frankfurt Opera) is one of the leading opera companies in Europe, and voted best "Opera house of the year" several times since 1996.

Opera in Frankfurt am Main has a long tradition, with many world premieres such as Franz Schreker's Der ferne Klang in 1912, Fennimore und Gerda by Frederick Delius in 1919, and Carl Orff's Carmina Burana in 1937. Frankfurt's international recognition began in the Gielen Era, 1977 to 1987, when Michael Gielen and stage directors such as Ruth Berghaus collaborated.

A historic opera house from 1880 was destroyed in World War II, and reconstructed as a concert hall, Alte Oper. The present opera house, built in 1963, is under one roof with the stage for drama. The opera orchestra is called Frankfurter Opern- und Museumsorchester. Today's venue for Baroque and contemporary opera is the Bockenheimer Depot, a former tram depot.

Oper Frankfurt is part of the Städtische Bühnen Frankfurt.

Frankfurt's first opera was Johann Theile's Adam und Eva, performed in 1698 by Johann Velten's touring company. The young Goethe's first operas in his home town of Frankfurt were productions by Theobald Marchand's company.

1782 – 1880
Opened in 1782, the Comoedienhaus was the first permanent venue of the Frankfurt Theater (drama and opera). In 1878 German violinist Willy Hess took up the leadership of the Oper Frankfurt. He resigned from that post in 1886 to take up a professorship in the Rotterdam Conservatorium voor Muziek.

1880 – 1944
The first representative opera house of the city was inaugurated in Frankfurt in 1880 at Opernplatz. Under the direction of the first Intendant Emil Claar and the first Kapellmeister Felix Otto Dessoff, the house was opened with Mozart's opera Don Giovanni.

During the 1920s, the opera in Frankfurt had more prominent Jewish singers than any other company in Germany, including the tenor Hermann Schramm, bass Hans Erl (the first King in Schreker's Der Schatzgräber), baritone Richard Breitenfeld and contralto Magda Spiegel, who also toured with Frankfurt Opera performing Wagner in the Netherlands. These singers were forced to leave the opera in June 1933. Orff's Carmina Burana was premiered at Oper Frankfurt in 1937. Jewish members of the opera company among those rounded up at 9 November 1938 at the Festhalle Frankfurt, where Erl sang In diesen Heilgen Hallen, from the Magic Flute for the deportees. Members of Frankfurt Opera were sent to Auschwitz and other camps where they perished.

1945 – 1970s
The opera house was damaged in an air raid in January 1944, and then almost completely destroyed in March. A new house for opera and play was built, completed in 1963 at the Theaterplatz (now Willy-Brandt-Platz). In 1952, Georg Solti became Generalmusikdirektor (GMD) and Intendant of the Oper Frankfurt, where he remained in charge for nine years.

The Gielen Era
From 1977 to 1987, Frankfurt Opera was led by Michael Gielen. This decade became known as the "Gielen Era", notable for the music of a conductor who was also a composer, and directors including Ruth Berghaus and Hans Neuenfels, whose productions of standard works such as Verdi's Aida and Wagner's Ring Cycle were thought-provoking. Operas which received their world premieres at the house were also performed again, including Franz Schreker's Die Gezeichneten.

1987 – present
The stage of the opera house was destroyed by a fire in November 1987. The opera house was rebuilt and opened in April 1991. Many famous singers started their career with the company, including Franz Völker, Edda Moser, Cheryl Studer and Diana Damrau, and many established artists have been engaged there in recent seasons including Christian Gerhaher, whose roles here have included Monteverdi's L'Orfeo and his first Wolfram in Wagner's Tannhäuser, Piotr Beczała in Massenet's Werther and Jan-Hendrik Rootering in Wagner's Parsifal.

Since 2002, Bernd Loebe has served as Intendant of the company. The company's current GMD is Sebastian Weigle, since 2008. Weigle has made commercial recordings of opera with the company for the OEHMS Classics label. He is scheduled to stand down as GMD of Oper Frankfurt at the close of the 2022–2023 season. In October 2021, the company announced the appointment of Thomas Guggeis as the next GMD of the company, effective with the 2023–2024 season, with an initial contract of 5 years.

Oper Frankfurt was voted 1996, 2003, 2015, 2018 and 2020 "Opera House of the Year" by the magazine Opernwelt.