Mariinsky Theatre tickets 14 July 2025 - Lucia di Lammermoor (concert performance) | GoComGo.com

Lucia di Lammermoor (concert performance)

Mariinsky Theatre, Concert Hall, Saint Petersburg, Russia
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Monday 14 July 2025
7 PM
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Important Info
Type: Opera in Concert
City: Saint Petersburg, Russia
Starts at: 19:00
Acts: 3
Intervals: 1
Duration: 2h 50min
Sung in: Italian
Titles in: English,Russian

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Cast
Performers
Chorus: Mariinsky Chorus
Creators
Composer: Gaetano Donizetti
Music Director: Valery Gergiev
Costume designer: Alessandro Lai
Directed: Andrea De Rosa
Principal Chorus Master: Andrei Petrenko
Musical Preparation: Ilona Yansons
Light: Pasquale Mari
Librettist: Salvadore Cammarano
Poet: Walter Scott
Festival

Stars of the White Nights Festival

On 22 May, the Mariinsky Theatre opened the XXXIII Music Festival Stars of the White Nights with a grand celebration. Year after year the festival draws the attention of audiences from around the world who cherish musical and theatrical art. Stars of the White Nights remains one of the most prominent and anticipated cultural events of the Mariinsky Theatre – the culmination of its entire season. This year’s festival runs from 22 May to 3 August, with events scheduled across all of the theatre’s St Petersburg stages.

Overview

Lucia di Lammermoor is one of the greatest masterpieces of Romantic bel canto. It is an outcome of years of bitter rivalry between Donizetti and Bellini. The opera has never fallen into oblivion; it regularly appears on theatre playbills all over the world. The Mariinsky Theatre is no exception. The opera was performed by both Imperial companies – Russian and Italian – more than 200 times over several decades. The current production of the Mariinsky Theatre is the third production staged in the last 18 years. The romantic melodrama has it all: emotions fully taking over the characters, distinct personalities, unrelenting intrigue, unexpected plot twists, and, finally, Donizetti’s delightful music. The composer turned every music element into a veritable masterpiece. All that combined gave Lucia di Lammermoor such a long stage life and made it a huge success with various audiences.
The stage adaptation was prepared by an Italian team that has already staged such operas as Simon Boccanegra and Falstaff at the Mariinsky Theatre.

History
Premiere of this production: 26 September 1835, Teatro di San Carlo, Naples

Lucia di Lammermoor is a dramma tragico (tragic opera) in three acts by Gaetano Donizetti. Salvadore Cammarano wrote the Italian-language libretto loosely based upon Sir Walter Scott's historical novel The Bride of Lammermoor.

Synopsis

Part 1. The Departure
Act I
Scene one. An intruder has been spotted at night on the grounds of Ravenswood Castle. Norman, the captain of the guard, sends his men off in search of the stranger. Lord Henry tells Raymond Bidebent, his sister Lucia’s chaplain and tutor, that his family’s fortunes are in danger. Edgar Ravenswood, the son of the castle’s previous owner, can maneuver Henry out of his property and gain back his political influence. Only the arranged marriage of his sister, Lucia, can save them. However, Lucia does not want to accept the marriage. Raymond reminds Henry that the girl is still mourning the death of her mother. But Norman reveals that Lucia is concealing a great love for a mysterious stranger who saved her from the attack of a raging bull. She meets with him in secret. The returning men reveal the identity of the man whom Lucia is secretly meeting each day – it is Edgar Ravenswood. Henry is furious.

Scene two. Lucia is waiting by an old fountain with her maid Alice for a secret meeting with Edgar. Lucia is frightened by the legend of the fountain: a woman was murdered here by an insanely jealous member of the Ravenswood family. The ghost of the murdered woman has recently appeared to her, beckoning Lucia to follow her. When the ghost disappeared, the water in the fountain turned red with blood.

Edgar appears. He explains that he must leave Scotland and go to France on a political mission. Before he leaves, Edgar wants to ask Henry for Lucia's hand. Terrified of her brother’s reaction, Lucia asks Edgar to keep their love a secret. Edgar tells Lucia of his undying hatred of the Ashtons, how he swore a vow of vengeance upon her family. But now the vow is destroyed by love. The young lovers solemnly pledge their troth by exchanging rings.

Part 2. The Marriage Contract
Act II
Scene one. Guests are arriving at the wedding of Lucia and Lord Arthur Bucklaw. Henry is still worried that Lucia will not accept the groom. Norman reassures him: all the letters that Edgar has written during his long absence have been seized and replaced with artful forgeries in which Edgar confesses that he has fallen in love with another woman. As his sister enters, Henry chastises her for being so melancholy on the day of her wedding. She replies that his cruelty is the cause of her grief. Henry tries to persuade his sister to forget her illicit love and hands her a forged letter. Lucia is shattered: all her tears, her hopes, and her yearning have been wasted on an unfaithful man. At Raymondʼs fervent pleading, the exhausted Lucia finally gives in and agrees to marriage.

Scene two. The guests enthusiastically greet Lord Arthur Bucklaw. Arthur assures Henry of his friendship and promises his support. He asks, however, wherever the rumours about Edgar Ravenswood being in love with Lucia are true. Lucia appears.

Lucia is showed into the room with her marriage contract on the table. There is commotion outside: it is Edgar, who has now returned from France. The men draw their swords. Lucia falls unconscious. Raymond intercedes and shows Edgar the contract with Lucia’s signature. Lucia tearfully confesses that the signature is hers. Enraged, Edgar returns his ring and demands that she returns hers.

Act III
Scene one. A heavy thunderstorm rages outside. Henry visits Edgar at the Wolf's Crag. He challenges Edgar to a duel. They agree to fight in the morning by the graveyard of the Ravenswoods.

Scene two. The guests continue to celebrate the wedding. Raymond breaks up the festivities with terrible news: Lucia has gone mad and stabbed Arthur to death. The crazed Lucia, her nightgown stained with blood, appears in the hall. She thinks that she is once more in the garden, on the way to meet her beloved Edgar. However, her happiness quickly turns into horror as she sees the ghost. Lucia begs Edgar to hide and leads him to the altar decorated with roses. She sees a church, where she is married to Edgar, not Arthur. Lucia collapses.

Scene three. Edgar is at the graveyard of the Ravenswoods, where he is to duel Henry. He laments that he has to live without Lucia and hopes that his duel with Henry will end his own life. Guests coming from the Castle tell him that Lucia has gone mad and is dying. The bell tolls.

Time: Early 18th century
Place: Scotland

Act 1

Scene 1: The gardens of Ravenswood Castle

Normanno, captain of the castle guard, and other retainers are searching for an intruder. He tells Enrico that he believes that the man is Edgardo of Ravenswood, and that he comes to the castle to meet Enrico's sister, Lucia. It is confirmed that Edgardo is indeed the intruder. Enrico reaffirms his hatred for the Ravenswood family and his determination to end the relationship.

Scene 2: By a fountain at the entrance to the park, beside the castle

Lucia waits for Edgardo. In her famous aria "Regnava nel silenzio", Lucia tells her maid Alisa that she has seen the ghost of a girl killed on the very same spot by a jealous Ravenswood ancestor. Alisa tells Lucia that the apparition is a warning and that she must give up her love for Edgardo. Edgardo enters; for political reasons, he must leave immediately for France. He hopes to make his peace with Enrico and marry Lucia. Lucia tells him this is impossible, and instead they take a sworn vow of marriage and exchange rings. Edgardo leaves.

Act 2

Scene 1: Lord Ashton's apartments

Preparations have been made for the imminent wedding of Lucia to Arturo. Enrico worries about whether Lucia will really submit to the wedding. He shows his sister a forged letter seemingly proving that Edgardo has forgotten her and taken a new lover. Enrico leaves Lucia to further persuasion, this time by Raimondo, Lucia's chaplain and tutor, that she should renounce her vow to Edgardo, for the good of the family, and marry Arturo.

Scene 2: A hall in the castle

Arturo arrives for the marriage. Lucia acts strangely, but Enrico explains that this is due to the death of her mother. Arturo signs the marriage contract, followed reluctantly by Lucia. At that point Edgardo suddenly appears in the hall. Raimondo prevents a fight, but he shows Edgardo Lucia's signature on the marriage contract. Edgardo curses her, demanding that they return their rings to each other. He tramples his ring on the ground, before being forced out of the castle.

Act 3

Scene 1: Wolfcrag

Enrico visits Edgardo to challenge him to a duel. He tells him that Lucia is already enjoying her bridal bed. Edgardo agrees to fight him. They will meet later by the graveyard of the Ravenswoods, near the Wolf's Crag.

Scene 2: A Hall

Raimondo interrupts the marriage celebrations to tell the guests that Lucia has gone mad and killed her bridegroom Arturo. Lucia enters. In the aria "Il dolce suono" she imagines being with Edgardo, soon to be happily married. Enrico enters and at first threatens Lucia but later softens when he realizes her condition. Lucia collapses. Raimondo blames Normanno for precipitating the whole tragedy.

Scene 3: The graveyard of the Ravenswood family

Edgardo is resolved to kill himself on Enrico's sword. He learns that Lucia is dying and then Raimondo comes to tell him that she has already died. Edgardo stabs himself with a dagger, hoping to be reunited with Lucia in heaven.

Venue Info

Mariinsky Theatre - Saint Petersburg
Location   1 Theatre Square

The Mariinsky Theatre is a historic theatre of opera and ballet in Saint Petersburg, Russia. Opened in 1860, it became the preeminent music theatre of late 19th-century Russia, where many of the stage masterpieces of Tchaikovsky, Mussorgsky, and Rimsky-Korsakov received their premieres. Through most of the Soviet era, it was known as the Kirov Theatre. Today, the Mariinsky Theatre is home to the Mariinsky Ballet, Mariinsky Opera and Mariinsky Orchestra. Since Yuri Temirkanov's retirement in 1988, the conductor Valery Gergiev has served as the theatre's general director.

The theatre is named after Empress Maria Alexandrovna, wife of Tsar Alexander II. There is a bust of the Empress in the main entrance foyer. The theatre's name has changed throughout its history, reflecting the political climate of the time.

The theatre building is commonly called the Mariinsky Theatre. The companies that operate within it have for brand recognition purposes retained the Kirov name, acquired during the Soviet era to commemorate the assassinated Leningrad Communist Party leader Sergey Kirov (1886–1934).

The Imperial drama, opera and ballet troupe in Saint Petersburg was established in 1783, at the behest of Catherine the Great, although an Italian ballet troupe had performed at the Russian court since the early 18th century. Originally, the ballet and opera performances were given in the wooden Karl Knipper Theatre on Tsaritsa Meadow, near the present-day Tripartite Bridge (also known as the Little Theatre or the Maly Theatre). The Hermitage Theatre, next door to the Winter Palace, was used to host performances for an elite audience of aristocratic guests invited by the Empress.

A permanent theatre building for the new company of opera and ballet artists was designed by Antonio Rinaldi and opened in 1783. Known as the Imperial Bolshoi Kamenny Theatre the structure was situated on Carousel Square, which was renamed Theatre Square in honour of the building. Both names – "Kamenny" (Russian word for "stone") and "Bolshoi" (Russian word for "big") – were coined to distinguish it from the wooden Little Theatre. In 1836, the Bolshoi Kamenny Theatre was renovated to a design by Albert Cavos (son of Catterino Cavos, an opera composer), and served as the principal theatre of the Imperial Ballet and opera.

On 29 January 1849, the Equestrian circus (Конный цирк) opened on Theatre Square. This was also the work of the architect Cavos. The building was designed to double as a theatre. It was a wooden structure in the then-fashionable neo-Byzantine style. Ten years later, when this circus burnt down, Albert Cavos rebuilt it as an opera and ballet house with the largest stage in the world. With a seating capacity of 1,625 and a U-shaped Italian-style auditorium, the theatre opened on 2 October 1860, with a performance of A Life for the Tsar. The new theatre was named Mariinsky after its imperial patroness, Empress Maria Alexandrovna.

Under Yuri Temirkanov, Principal Conductor from 1976 to 1988, the Opera Company continued to stage innovative productions of both modern and classic Russian operas. Although functioning separately from the Theatre’s Ballet Company, since 1988 both companies have been under the artistic leadership of Valery Gergiev as Artistic Director of the entire Theatre.

The Opera Company has entered a new era of artistic excellence and creativity. Since 1993, Gergiev’s impact on opera there has been enormous. Firstly, he reorganized the company’s operations and established links with many of the world's great opera houses, including the Royal Opera House, Covent Garden, the Metropolitan Opera, the Opéra Bastille, La Scala, La Fenice, the Israeli Opera, the Washington National Opera and the San Francisco Opera. Today, the Opera Company regularly tours to most of these cities.

Gergiev has also been innovative as far as Russian opera is concerned: in 1989, there was an all-Mussorgsky festival featuring the composer’s entire operatic output. Similarly, many of Prokofiev’s operas were presented from the late 1990s. Operas by non-Russian composers began to be performed in their original languages, which helped the Opera Company to incorporate world trends. The annual international "Stars of the White Nights Festival" in Saint Petersburg, started by Gergiev in 1993, has also put the Mariinsky on the world’s cultural map. That year, as a salute to the imperial origins of the Mariinsky, Verdi's La forza del destino, which received its premiere in Saint Petersburg in 1862, was produced with its original sets, costumes and scenery. Since then, it has become a characteristic of the "White Nights Festival" to present the premieres from the company’s upcoming season during this magical period, when the hours of darkness practically disappear as the summer solstice approaches.

Presently, the Company lists on its roster 22 sopranos (of whom Anna Netrebko may be the best known); 13 mezzo-sopranos (with Olga Borodina familiar to US and European audiences); 23 tenors; eight baritones; and 14 basses. With Gergiev in charge overall, there is a Head of Stage Administration, a Stage Director, Stage Managers and Assistants, along with 14 accompanists.

Important Info
Type: Opera in Concert
City: Saint Petersburg, Russia
Starts at: 19:00
Acts: 3
Intervals: 1
Duration: 2h 50min
Sung in: Italian
Titles in: English,Russian
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