Grand Theatre de Provence tickets 11 July 2026 - Bluebeard`s Castle (Concert version) | GoComGo.com

Bluebeard`s Castle (Concert version)

Grand Theatre de Provence, Aix-en-Provence, France
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7 PM
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US$ 94

E-tickets: Print at home or at the box office of the event if so specified. You will find more information in your booking confirmation email.

You can only select the category, and not the exact seats.
If you order 2 or 3 tickets: your seats will be next to each other.
If you order 4 or more tickets: your seats will be next to each other, or, if this is not possible, we will provide a combination of groups of seats (at least in pairs, for example 2+2 or 2+3).

Important Info
Type: Opera in Concert
City: Aix-en-Provence, France
Starts at: 19:00
Acts: 1
Duration: 1h
Sung in: Hungarian
Titles in: French,English

E-tickets: Print at home or at the box office of the event if so specified. You will find more information in your booking confirmation email.

You can only select the category, and not the exact seats.
If you order 2 or 3 tickets: your seats will be next to each other.
If you order 4 or more tickets: your seats will be next to each other, or, if this is not possible, we will provide a combination of groups of seats (at least in pairs, for example 2+2 or 2+3).

Cast
Performers
Conductor: Klaus Mäkelä
Orchestra: Orchestre de Paris
Baritone: Gerald Finley (Bluebeard)
Mezzo-Soprano: Irene Roberts (Judith)
Creators
Composer: Béla Bartók
Librettist: Béla Balázs
Author: Charles Perrault
Festival

Festival d`Aix-en-Provence 2026

The Festival d’Aix-en-Provence 2026 invites you into a world where opera becomes a living art — intimate, daring, and profoundly human. From July 2 to July 21, 2026, the sunlit city of Aix-en-Provence transforms into one of Europe’s most refined cultural stages, where historic courtyards, modern theatres, and open-air venues resonate with music of exceptional depth and imagination.

Overview

The great hall of a Gothic castle surrounded by seven closed doors. Drawn away from her family by Bluebeard, Judith vows to bring light and joy into the world of this husband whom she loves, a world in which there seems to be nothing but darkness and misery.

Despite all the warnings and increasingly disturbing revelations – which give beauty the colour of blood – she demands that the mysterious doors be opened one by one. But is Bluebeard really the monster we imagine him to be? What has become of his previous wives, and what fate awaits Judith behind the final door? Alongside The Woman without a Shadow, its contemporary – which also depicts a journey of initiation in chiaroscuro – Klaus Mäkelä and the Orchestre de Paris will be presenting one of the greatest operatic masterpieces of the 20th century, with its constant dramatic tension and unparalleled musical expressiveness. Performing this timeless fable set in the theatre of the soul are Gerald Finley, making his grand return, and Irene Roberts, making her debut in a new role that promises great things to come.

History
Premiere of this production: 24 May 1918, Royal Hungarian Opera House, Budapest

Bluebeard's Castle is a one-act expressionist opera by Hungarian composer Béla Bartók. The libretto was written by Béla Balázs, a poet and friend of the composer, and is written in Hungarian, based on the French literary tale La Barbe bleue by Charles Perrault. The opera lasts only a little over an hour and there are only two singing characters onstage: Bluebeard (Kékszakállú), and his new wife Judith (Judit); the two have just eloped and Judith is coming home to Bluebeard's castle for the first time.

Synopsis

Place: A huge, dark hall in a castle, with seven locked doors.
Time: Not defined.

Judith and Bluebeard arrive at his castle, which is all dark. Bluebeard asks Judith if she wants to stay and even offers her an opportunity to leave, but she decides to stay. Judith insists that all the doors be opened, to allow light to enter into the forbidding interior, insisting further that her demands are based on her love for Bluebeard. Bluebeard refuses, saying that there are private places not to be explored by others, and asking Judith to love him but ask no questions. Judith persists, and eventually prevails over his resistance.

The first door opens to reveal a torture chamber, stained with blood. Repelled, but then intrigued, Judith pushes on. Behind the second door is a storehouse of weapons, and behind the third a storehouse of riches. Bluebeard urges her on. Behind the fourth door is a secret garden of great beauty; behind the fifth, a window onto Bluebeard's vast kingdom. All is now sunlit, but blood has stained the riches, watered the garden, and grim clouds throw blood-red shadows over Bluebeard's kingdom.

Bluebeard pleads with her to stop: the castle is as bright as it can get, and will not get any brighter, but Judith refuses to be stopped after coming this far, and opens the penultimate sixth door, as a shadow passes over the castle. This is the first room that has not been somehow stained with blood; a silent silvery lake is all that lies within, "a lake of tears". Bluebeard begs Judith to simply love him, and ask no more questions. The last door must be shut forever. But she persists, asking him about his former wives, and then accusing him of having murdered them, suggesting that their blood was the blood everywhere, that their tears were those that filled the lake, and that their bodies lie behind the last door. At this, Bluebeard hands over the last key.

Behind the door are Bluebeard's three former wives, but still alive, dressed in crowns and jewellery. They emerge silently, and Bluebeard, overcome with emotion, prostrates himself before them and praises each in turn (as his wives of dawn, midday and dusk), finally turning to Judith and beginning to praise her as his fourth wife (of the night). She is horrified and begs him to stop, but it is too late. He dresses her in the jewellery they wear, which she finds exceedingly heavy. Her head drooping under the weight, she follows the other wives along a beam of moonlight through the seventh door. It closes behind her, and Bluebeard is left alone as all fades to total darkness.

Venue Info

Grand Theatre de Provence - Aix-en-Provence
Location   380 Avenue Max Juvénal

The Grand Théâtre de Provence (GTP) is a performance hall located in Aix-en-Provence in the new "Sextius Mirabeau" district. A symbol of the Aix region was used for the design of the volumes of this room: the Sainte-Victoire mountain, recalled in particular by the stones of different colors on the outside.

Inaugurated on June 29, 2007 with the opera La Valkyrie by Richard Wagner, it was designed by the Italian architects Vittorio Gregotti and Paolo Colao to host operas and concerts of the Festival international d'art lyrique d'Aix-en-Provence and funded by the Pays d'Aix community.

It has 1,370 seats, including 950 on the floor.

Directed since its opening by Dominique Bluzet, as part of a public service delegation, it hosts dance performances and symphonic or chamber music concerts. Since 2013, it has served as a setting for the Aix-en-Provence Easter Festival, created by violinist Renaud Capuçon and Dominique Bluzet with the support of the CIC.

This theater is mounted on a spring, in order to effectively eliminate parasitic vibrations from the nearby railway track.

The Grand Théâtre de Provence has been the residence of the French Youth Orchestra since December 2007, of the Café Zimmermann ensemble since 2011, and of the Philharmonic Chamber since 2015/2016.

Important Info
Type: Opera in Concert
City: Aix-en-Provence, France
Starts at: 19:00
Acts: 1
Duration: 1h
Sung in: Hungarian
Titles in: French,English
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