Four Seasons Centre for the Performing Arts 18 April 2020 - Aida | GoComGo.com

Aida

Four Seasons Centre for the Performing Arts, Toronto, Canada
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7:30 PM
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Important Info
Type: Opera
City: Toronto, Canada
Starts at: 19:30
Acts: 4
Intervals: 1
Duration:
Sung in: Italian
Titles in: English

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Overview

What makes Aida so special?

Giuseppe Verdi is a giant in the world of opera; Aida is one of his most famous works, with a plot reminiscent of Romeo and Juliet.

As a war rages on, Princess Aida has fallen in love with Radames — but he’s a general for the enemy’s army, poised to lead an attack against Aida’s father. She has to make an impossible choice: should she embrace her new, young love or defend her father and homeland? While Aida is often portrayed with opulent gold-draped dancers, pyramids, and elephants, the opera is at its core an intimate story.

When this Tim Albery-directed production premiered in 2010, it raised a few eyebrows precisely because it stripped down Aida’s typical pageantry to focus on the tale’s emotional heart. Almost ten years later, Albery’s ahead-of-its time vision is due for a revisit.

“This is definitely not your pharaoh’s Aida.”
Associated Press

History
Premiere of this production: 24 December 1871, Khedivial Opera House in Cairo

Aida is an opera in four acts by Giuseppe Verdi to an Italian libretto by Antonio Ghislanzoni. Set in the Old Kingdom of Egypt, it was commissioned by Cairo's Khedivial Opera House and had its première there on 24 December 1871, in a performance conducted by Giovanni Bottesini. Today the work holds a central place in the operatic canon, receiving performances every year around the world; at New York's Metropolitan Opera alone, Aida has been sung more than 1,100 times since 1886. Ghislanzoni's scheme follows a scenario often attributed to the French Egyptologist Auguste Mariette, but Verdi biographer Mary Jane Phillips-Matz argues that the source is actually Temistocle Solera.

Synopsis

THE STORY

Aida is a captive slave princess in the Egyptian court. She shares a secret love with the warrior Radames, who in turn is desired by the Egyptian princess Amneris. When Aida’s father, King Amonasro, is captured as well, he asks Aida to help him find out Radames’ battle plans. Aida is successful and Radames is accused of treason and sentenced to be buried alive in a tomb. Aida joins her lover in death, leaving Amneris haunted and heartbroken.
 

SYNOPSIS

ACT I

A conference room

Egypt is at war with Ethiopia. Ramfis tells Radames that an invasion has begun.

Radames hopes that he is named to lead the Egyptian army into battle, despite the fact that he is in love with the Ethiopian slave Aida.

Amneris, the daughter of the King, who herself loves Radames, begins to suspect that he may love Aida.

Once news of the full scale of the Ethiopian invasion arrives, Radames is appointed commander of the army. Aida is left appalled by her conflicting emotions: her longing that Radames should return victorious and her desire that her father Amonasro, the Ethiopian king, and his army should reach Thebes to set her free.

The Temple of Vulcan

The men ready themselves to go into battle.

ACT II

Amneris’ private rooms

Amneris extracts from Aida the truth of her feelings for Radames, by observing Aida’s grief as she tells her that Radames has died on the battlefield, and her joy when she hears that this was a lie and that he is alive and victorious. Amneris orders Aida to follow her to the celebrations.

The victory celebration

Radames is welcomed home as a hero. The King offers him anything he wants. Radames asks that the Ethiopian prisoners be admitted.

Among them is Amonasro. Aida rushes to her father, but he warns her not to reveal who he is. Pretending to be only an officer, he tells the King that Amonasro died in battle and begs him to show mercy by releasing all the captured Ethiopians. Radames asks the King to agree to this. Ramfis persuades the King that, if he must free the prisoners, he should at least keep Amonasro and his daughter Aida captive as a surety of peace.

The King agrees and then, to Radames’ and Aida’s horror, offers Radames his daughter’s hand in marriage.

INTERMISSION

ACT III

Outside the Temple of Isis

Ramfis leads Amneris to a night of prayer before the day of her wedding. She longs to believe that Radames truly loves her.

Aida has agreed to meet Radames in secret. Amonasro has followed her and forces her to accept that she should help save her country from the Egyptian army by extracting their invasion plans from Radames. He hides as Radames arrives.

Despite his impending marriage to Amneris, Radames tries to persuade Aida that once he has conquered Ethiopia he will be able to persuade the King to allow him to marry her. Aida dismisses this fantasy, and eventually persuades him they have no choice but to escape to Ethiopia. So they can avoid the invading forces, he tells her the route they will travel. A

delighted Amonasro appears, and Radames realizes that he has been deceived. Amneris and Ramfis return to discover Radames’ treachery. He allows Amonasro and Aida to escape, and is arrested.

ACT IV

Outside Radames’ cell

Amneris pleads with Radames to defend himself at his trial. She says she will ask the King for clemency, if he renounces Aida. Radames refuses. He is taken to his trial. Amneris, left alone, hears him refusing to defend himself. He is sentenced to a traitor’s death: he is to be entombed alive.

An underground chamber

Radames is left in the darkness to die. He discovers that Aida has hidden herself in the chamber.

She persuades him to accept the inevitability of their death, to welcome their release from the sorrow of life.

Alone, Amneris prays that she will find peace.

Backstory: The Egyptians have captured and enslaved Aida, an Ethiopian princess. An Egyptian military commander, Radamès, struggles to choose between his love for her and his loyalty to the King of Egypt. To complicate the story further, the King's daughter Amneris is in love with Radamès, although he does not return her feelings.

Act 1

Scene 1: A hall in the King's palace; through the rear gate the pyramids and temples of Memphis are visible

Ramfis, the high priest of Egypt, tells Radamès, the young warrior, that war with the Ethiopians seems inevitable, and Radamès hopes that he will be chosen as the Egyptian commander (Ramfis, Radamès: "Sì, corre voce l'Etiope ardisca" / Yes, it is rumored that Ethiopia dares once again to threaten our power).

Radamès dreams both of gaining victory on the battlefield and of Aida, an Ethiopian slave, with whom he is secretly in love (Radamès: "Se quel guerrier io fossi! ... Celeste Aida" / Heavenly Aida). Aida, who is also secretly in love with Radamès, is the captured daughter of the Ethiopian King Amonasro, but her Egyptian captors are unaware of her true identity. Her father has invaded Egypt to deliver her from servitude.

Amneris, the daughter of the Egyptian King, enters the hall. She too loves Radamès, but fears that his heart belongs to someone else (Radamès, Amneris: "Quale insolita gioia nel tuo sguardo" / In your looks I trace a joy unwonted).

Aida appears and, when Radamès sees her, Amneris notices that he looks disturbed. She suspects that Aida could be her rival, but is able to hide her jealousy and approach Aida (Amneris, Aida, Radamès: "Vieni, o diletta, appressati" / Come, O delight, come closer).

The King enters, along with the High Priest, Ramfis, and the whole palace court. A messenger announces that the Ethiopians, led by King Amonasro, are marching towards Thebes. The King declares war and proclaims that Radamès is the man chosen by the goddess Isis to be the leader of the army (The King, Messenger, Radamès, Aida, Amneris, Ramfis, chorus: "Alta cagion v'aduna .. Guerra, guerra, guerra!" / Oh fate o'er Egypt looming .. War, war, war!). Upon receiving this mandate from the King, Radamès proceeds to the temple of Vulcan to take up the sacred arms (The King, Radamès, Aida, Amneris, chorus: "Su! del Nilo al sacro lido" .. (reprise) "Guerra, guerra guerra!" / On! Of Nilus' sacred river, guard the shores .. (reprise) War, war, war!).

Alone in the hall, Aida feels torn between her love for her father, her country, and Radamès (Aida: "Ritorna vincitor" / Return a conqueror).

Scene 2: Inside the Temple of Vulcan

Solemn ceremonies and dances by the priestesses take place (High Priestess, chorus, Radamès: "Possente Ftha ... Tu che dal nulla" / O mighty Ptah). This is followed by the installation of Radamès to the office of commander-in-chief (High Priestess, chorus, Ramfis, Radamès: "Immenso Ftha .. Mortal, diletto ai Numi" / O mighty one, guard and protect!). All present in the temple pray fervently for the victory of Egypt and protection for their warriors ("Nume, custode e vindice"/ Hear us, O guardian deity).

Act 2

Scene 1: The chamber of Amneris

Dances and music to celebrate Radamès' victory take place (Chorus, Amneris: "Chi mai fra gli inni e i plausi" / Our songs his glory praising). However, Amneris is still in doubt about Radamès' love and wonders whether Aida is in love with him. She tries to forget her doubt, entertaining her worried heart with the dance of Moorish slaves (Chorus, Amneris: "Vieni: sul crin ti piovano" / Come bind your flowing tresses).

When Aida enters the chamber, Amneris asks everyone to leave. By falsely telling Aida that Radamès has died in the battle, she tricks her into professing her love for him. In grief, and shocked by the news, Aida confesses that her heart belongs to Radamès eternally (Amneris, Aida: "Fu la sorte dell'armi a' tuoi funesta" / The battle's outcome was cruel for your people).

This confession fires Amneris with rage, and she plans on taking revenge on Aida. Ignoring Aida's pleadings (Amneris, Aida, chorus: "Su! del Nilo al sacro lido" / Up! at the sacred shores of the Nile), Amneris leaves her alone in the chamber.

Scene 2: The grand gate of the city of Thebes

Radamès returns victorious and the troops march into the city (Chorus, Ramfis: "Gloria all'Egitto, ad Iside" / Glory to Egypt, to Isis!).

The Egyptian king decrees that on this day the triumphant Radamès may have anything he wishes. The Ethiopian captives are led onstage in chains, Amonasro among them. Aida immediately rushes to her father, who whispers to her to conceal his true identity as King of Ethiopia from the Egyptians. Amonasro deceptively proclaims to the Egyptians that the Ethiopian king (referring to himself) has been slain in battle. Aida, Amonasro, and the captured Ethiopians plead with the Egyptian King for mercy, but Ramfis and the Egyptian priests call for their death (Aida, Amneris, Radamès, The King, Amonasro, chorus: "Che veggo! .. Egli? .. Mio padre! .. Anch'io pugnai .. Struggi, o Re, queste ciurme feroci" / What do I see?.. Is it he? My father? .. Destroy, O King, these ferocious creatures).

Claiming the reward promised by the King of Egypt, Radamès pleads with him to spare the lives of the prisoners and to set them free. The King grants Radamès' wish, and declares that he (Radamès) will be his (the King's) successor and will marry the King's daughter (Amneris). (Aida, Amneris, Radamès, Ramfis, The King, Amonasro, chorus: "O Re: pei sacri Numi! .. Gloria all'Egitto" / O King, by the sacred gods ... Glory to Egypt!). At Ramfis' suggestion to the King, Aida and Amonasro remain as hostages to ensure that the Ethiopians do not avenge their defeat.

Act 3

On the banks of the Nile, near the Temple of Isis

Prayers are said (Chorus, High Priestess, Ramfis, Amneris: "O tu che sei d'Osiride" / O thou who to Osiris art) on the eve of Amneris and Radamès' wedding in the Temple of Isis. Outside, Aida waits to meet with Radamès as they had planned (Aida: "Qui Radamès verra .. O patria mia" / Oh, my dear country!).

Amonasro appears and orders Aida to find out the location of the Egyptian army from Radamès. Aida, torn between her love for Radamès and her loyalty to her native land and to her father, reluctantly agrees. (Aida, Amonasro: "Ciel, mio padre! .. Rivedrai le foreste imbalsamate" / Once again shalt thou gaze). When Radamès arrives, Amonasro hides behind a rock and listens to their conversation.

Radamès affirms that he will marry Aida ("Pur ti riveggo, mia dolce Aida .. Nel fiero anelito"; "Fuggiam gli ardori inospiti .. Là, tra foreste vergini" / I see you again, my sweet Aida!), and Aida convinces him to flee to the desert with her.

In order to make their escape easier, Radamès proposes that they use a safe route without any fear of discovery and reveals the location where his army has chosen to attack. Upon hearing this, Amonasro comes out of hiding and reveals his identity. Radamès realizes, to his extreme dismay, that he has unwittingly revealed a crucial military secret to the enemy. At the same time, Amneris and Ramfis leave the temple and, seeing Radamès in conference with the enemy, call for the imperial guards. Amonasro draws a dagger, intending to kill Amneris and Ramfis before the guards can hear them, but Radamès disarms him, quickly orders him to flee with Aida, and surrenders himself to the imperial guards as Aida and Amonasro run off. The guards arrest him as a traitor.

Act 4

Scene 1: A hall in the Temple of Justice. To one side is the door leading to Radamès' prison cell

Amneris desires to save Radamès ("L'aborrita rivale a me sfuggia" / My hated rival has escaped me). She calls for the guard to bring him to her.

She asks Radamès to deny the accusations, but Radamès, who does not wish to live without Aida, refuses. He is relieved to know Aida is still alive and hopes she has reached her own country (Amneris, Radamès: "Già i Sacerdoti adunansi" / Already the priests are assembling).

Offstage, Ramfis recites the charges against Radamès and calls on him to defend himself, but he stands mute, and is condemned to death as a traitor. Amneris, who remains onstage, protests that he Radamès is innocent, and pleads with the priests to show mercy. The priests sentence him to be buried alive; Amneris weeps and curses the priests as he is taken away (Judgment scene, Amneris, Ramfis, and chorus: "Ahimè! .. morir mi sento .. Radamès, e deciso il tuo fato" / Alas .. I feel death .. Radamès, your fate is decided).

Scene 2: The lower portion of the stage shows the vault in the Temple of Vulcan; the upper portion represents the temple itself

Radamès has been taken into the lower floor of the temple and sealed up in a dark vault, where he thinks that he is alone. As he hopes that Aida is in a safer place, he hears a sigh and then sees Aida. She has hidden herself in the vault in order to die with Radamès (Radamès and Aida: "La fatal pietra sovra me si chiuse." / The fatal stone now closes over me). They accept their terrible fate (Radamès: "Morir! Si pura e bella" / To die! So pure and lovely!) and bid farewell to Earth and its sorrows. Above the vault in the temple of Vulcan, Amneris weeps and prays to the goddess Isis. In the vault below, Aida dies in Radamès' arms as the priests, offstage, pray to the god Ftha. (Chorus, Aida, Radamès, Amneris: "Immenso Ftha" / Almighty Ptah).

Venue Info

Four Seasons Centre for the Performing Arts - Toronto
Location   145 Queen St W

The Four Seasons Centre for the Performing Arts is a 2,071-seat theatre in Toronto, Ontario, Canada, located at the southeast corner of University Avenue and Queen Street West, across from Osgoode Hall. The land on which it is located was a gift from the Government of Ontario. It is the home of the Canadian Opera Company (COC) and the National Ballet of Canada. The building's modernist design by was created by Canadian firm Diamond and Schmitt Architects, headed by Jack Diamond. It was completed in 2006, and the interior design includes an unusual glass staircase.

Based in Toronto, the Canadian Opera Company is the largest producer of opera in Canada and one of the largest in North America. The company enjoys an international reputation for artistic excellence and creative innovation.

The company presents six fully-staged productions at the Four Seasons Centre for the Performing Arts annually.

The COC’s repertoire spans the history of opera from the baroque to the 21st century and includes several commissioned works and Canadian premieres. Professional opera artists from all over the world are engaged for COC productions, including a significant number of Canadian singers, directors, conductors and designers.  The company performs with its own professional Chorus and Orchestra.  The company also fosters emerging Canadian talent through its Ensemble Studio, Orchestra Academy and Company-in-Residence programs.

Important Info
Type: Opera
City: Toronto, Canada
Starts at: 19:30
Acts: 4
Intervals: 1
Duration:
Sung in: Italian
Titles in: English
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