Fondation Dosne-Thiers 26 November 2022 - Opera a Palazzo - La Traviata | GoComGo.com

Opera a Palazzo - La Traviata

Fondation Dosne-Thiers, Paris, France
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8 PM
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Important Info
Type: Opera
City: Paris, France
Starts at: 20:00
Acts: 3
Duration: 3h

E-tickets: Print at home or at the box office of the event if so specified. You will find more information in your booking confirmation email.

You can only select the category, and not the exact seats.
If you order 2 or 3 tickets: your seats will be next to each other.
If you order 4 or more tickets: your seats will be next to each other, or, if this is not possible, we will provide a combination of groups of seats (at least in pairs, for example 2+2 or 2+3).

Overview

Where does the worldwide popularity of the masterpiece La Traviata come from? From this poignant story of an unseemly love with its incredibly forceful scenes, the complex yet sublime vocal part of the title role, the arias everyone hums or simply the genius of its composer? A little of all of this at the same time ... A true romantic drama that strikes the audience in the heart, La Traviata is today one of the most performed opera in the world.

Adolphe Thiers' home opens its doors to 30 guests for a unique experience in France, celebrating the tradition of 19th-century art salons

As if you were the guests of the master of the house holding a lounge, let yourself be guided through the mansion, then be swept away by the power of the opera.  You are dazzled by the artists a few meters from your eyes who, erasing the distances, make you experience the opera "from the inside".

Enter the secret of the historian collector's cabinet, admire the treasures of the Thiers library and the collection of works of art during a private visit.

Enjoy the privilege of a completely confidential reception. The art and history of this heritage become the immersive setting of the opera.

Discover an adaptation of Verdi's La Traviata centered on the three main roles accompanied by a piano, a violin, and a cello.

So,  opera libretto in hand, follow Violetta from one salon to another and share a glass of champagne with her in a reduced committee, from her social reception at her country house, until her tragic end.

Extend this precious moment by meeting the artists in the softness of the garden or in a lounge for an informal exchange around a cocktail.

Opera a Palazzo initiates the French version of Musica a Palazzo, creator of immersive operas for more than ten years in Venice, whose founders have transmitted to the artistic team the soul of this unique experience. This 1.5-hour version won The Argus Angel Award.

The costumes come from the famous Atelier Nicolao, a Venetian artisan company which, since 1980, has created historical costumes and dresses for important film productions but also operas like the Lyric Opera in Chicago, the New National Theater in Tokyo, the Teatro La Fenice in Venice.

The cast features remarkable artists performing in major lyrical productions.

Whether you are a music lover or a fan of new experiences, you will be enthusiastic about Opera a Palazzo.

History
Premiere of this production: 06 March 1853, Teatro La Fenice, Venice

La traviata is an opera in three acts by Giuseppe Verdi set to an Italian libretto by Francesco Maria Piave. It is based on La Dame aux camélias (1852), a play adapted from the novel by Alexandre Dumas fils. The opera was originally titled Violetta, after the main character. It was first performed on 6 March 1853 at the La Fenice opera house in Venice.

Synopsis

Act 1

It all started in a Parisian salon where Violetta, a prominent young courtesan, gave a sumptuous party, in the company of her friends. We find among them his protector and lover, Baron Douphol. During the evening Gastone, a friend of Violetta, introduces him to Alfredo, a young man who recently arrived from the provinces and in love with beauty. After declaring her love for him, she gives in to the idea that true love would be possible with him.

 Act 2

Alfredo and Violetta settle together near Paris and live a perfect love. One day, Violetta receives a visit from Alfredo's father. The latter, very conservative, accuses him of an immoral union and confesses that his relationship with Alfredo discredits his entire family. Affirming vehemently that the two will never be able to marry, Mr. Germont implores Violetta to renounce Alfredo for the good of all. The young courtesan decides to comply with the will of Alfredo's father and writes a letter of rupture to her lover.
Violetta then resumes her life as a courtesan and appears again in Paris, on the arm of her protector. Alfredo, blinded by rage and jealousy, also went to the party. After winning at the games, he humiliates Traviata by throwing his money in his face, "to pay him all he owed him", causing the guests' amazement.

Act 3

Long-suffering from tuberculosis, Violetta sees her illness worsen over time. When she receives a letter from Alfredo's father, in which he confesses to having confessed everything to his son, she finds herself hoping for a new life with Alfredo. The young lover is announced but he barely has time to find his beloved when she expires in his arms, exhausted by the disease.

Set in and around Paris in about 1850.

Act I

Violetta Valéry, a Parisian courtesan, greets the guests at her salon. Among them are Flora Bervoix, the Marchese D’Obigny, Baron Douphol and Gastone, who introduces Violetta to a new admirer of hers, Alfredo Germont. The young Germont, who has been admiring her from afar, joins her in a drinking song. An orchestra strikes up in an adjacent room, inviting the guests to dance. As the guests make their way to the ballroom, Violetta, who is suffering from consumption, feels faint; she therefore sends the guests on ahead and retires to her boudoir to recover. Alfredo enters and, realising that they are alone, admits his love for her. She replies that love means nothing to her. She
is, however, touched by the young man’s sincerity and promises to meet him the following day.
When the guests have departed, she asks herself whether Alfredo is the man she could love. Despite
the strains of Alfredo’s love song drifting in from outside, she decides she prefers her freedom.

Act II

scene 1
A few months later: Alfredo and Violetta have set up house together in the country, outside Paris. Alfredo says how happy they are, but when Violetta’s maid Annina lets on that Violetta has been selling her belongings to pay for the house, he hastens into town to raise the money himself. Violetta comes in search of him and discovers an invitation from her friend Flora to a soirée that very night. Violetta has no intention of returning to her former life, but she is forced to reconsider
on encountering Alfredo’s father. He is very taken with Violetta and her civilised manners but orders her to renounce Alfredo: his son’s scandalous liaison with Violetta is threatening his daughter’s forthcoming marriage. Violetta considers his demand unreasonable, but before long Germont succeeds in persuading her. Alone and desolate, Violetta sends a reply to Flora accepting her invitation and sits down to write a farewell letter to Alfredo. His return takes her by surprise, and she can barely restrain herself as she passionately reminds him how much she loves him before
rushing out. As the maid brings him Violetta’s farewell letter, Germont returns to console his son and reminds him of life in their family home in Provence. Alfredo spots Flora’s invitation and suspects that Violetta has left him for another man. In a rage, he decides to confront her at the soirée.

scene 2
At the soirée, Flora hears from the Marchese that Violetta and Alfredo have parted. Flora asks the guests to make way for a visiting troupe of performing gypsies. They are followed by matadors and a song about Piquillo and his sweetheart. Alfredo rushes in and delivers some bitter comments about love and gambling. Violetta appears on the arm of Baron Douphol, who challenges Alfredo to a game of cards and loses a small fortune to him. As the guests go in to supper, Violetta asks to have a word with Alfredo in private. She is afraid the Baron will be enraged by his loss and urges Alfredo to leave. Alfredo misunderstands her and orders her to admit she loves the Baron. Disappointed by Alfredo’s reaction, Violetta lies and confesses that yes, she does. Alfredo calls the other guests to gather round in order to denounce his former beloved in public and throws the money he has won at her feet. Germont, arriving at that very moment, expresses his disapproval of his son’s behaviour. The guests likewise rebuke Alfredo and Douphol challenges him to a duel.

Act III

Violetta’s bedroom, six months later. Dr Grenvil tells Annina that her mistress has not long to live –
the consumption has taken its toll. Alone, Violetta rereads a letter from Germont saying that the Baron was only slightly wounded in his duel with Alfredo, that Alfredo has heard the truth and is
coming to beg her pardon. But Violetta realises it is too late. It is carnival time in Paris and, the sounds of the revellers having passed, Annina rushes in to announce Alfredo. The lovers ecstatically plan to leave Paris. Germont enters with the doctor just as Violetta rises from her bed with the last of her strength. Feeling a sudden rush of life, she sways and falls dead at her lover’s feet.

Venue Info

Fondation Dosne-Thiers - Paris
Location   27 place Saint-Georges

The Fondation Dosne-Thiers is a history library located in the 9th arrondissement of Paris at 27, place St-Georges, Paris, France. It is open to researchers who obtain recommendations from a member of the Institut de France.

On the ground floor and on the first floor of the Fondation Dosne-Thiers, large elegant lounges are available to individuals, associations, and companies for the holding of various events: study days, exhibitions, conferences, concerts, etc. It is also used as assets for film shoots, photoshoots or television shows.

Important Info
Type: Opera
City: Paris, France
Starts at: 20:00
Acts: 3
Duration: 3h
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