Opera, cinema, and symphonic repertoire: this is the fulcrum around which the 2022 programme – which has been recently announced by the new Artistic Director Paolo Pinamonti and Superintendent Luciano Messi – turns. Macerata Opera Festival 2022 will run from 19 July to 21 August: twenty-two live performances at the Sferisterio Arena and two performances at Teatro Lauro Rossi will bring audiences back under the stars, with Beethoven’s three symphonies and five piano concertos, Puccini’s Tosca, Rossini’s Il barbiere di Siviglia, and three milestones of 20th century theatre and cinema (Pagliacci by Leoncavallo, Rapsodia Satanica by Mascagni, and The Circus by Chaplin).

In 2022 the schedule included:

Tosca
The red thread of Macerata Opera Festival 2022 is the world of cinema. Valentina Carrasco, director of Tosca, plays on the idea of a 1950s film set, designed by Samal Blak; costume design by Silvia Aymonino and lighting by Peter van Praet. Cast includes Carmen Giannattasio (Floria Tosca), Antonio Poli (Mario Cavaradossi), and Claudio Sgura (Scarpia). On the podium: Donato Renzetti.

Pagliacci
The second title is a new production of Ruggero Leoncavallo’s Pagliacci by Alessandro Talevi, which was first staged at the Sferisterio arena in 2015; set design by Madeleine Boy, costume design by Manuel Pedretti, and lighting by Marco Giusti. The opera was preceded by the screening of one of Chaplin’s finest works, The Circus, in its version restored by Cineteca di Bologna and with the first live performance of its soundtrack since 1928, thanks to the work of Timothy Brock, an international expert of score and film restorations. Brock conducted the orchestra and cast of Pagliacci, featuring Rebeka Lokar (Nedda), Fabio Sartori (Caino), and George Petean (Tonio)

Il barbiere di Siviglia
The third title is Il barbiere di Siviglia, a comic masterpiece by the most famous and celebrated composer from the Marche region, Gioachino Rossini. It was staged at the Sferisterio arena, after many years of absence. This new production, entrusted to Daniele Menghini (set design by Davide Signorini, costume design by Nika Campisi, and lighting by Simone de Angelis), was chosen through an international competition for direction, scenes and costumes reserved for artists who are under 35, in collaboration with Opera Europa and Rossini Opera Festival (participants presented their project in 2020). On the podium: the young and talented Alessandro Bonato. The cast of this new production of Barbiere di Siviglia set in a fictional world – a television studio or a production house for TV formats for the general public, ‘a factory of fiction’ – includes Ruzil Gatin (Count of Almaviva), Roberto De Candia (Bartolo), Serena Malfi (Rosina), Alessandro Luongo (Figaro), and Andrea Concetti (Basilio).

As always the FORM-Orchestra Filarmonica Marchigiana was the festival orchestra, and the Coro Lirico Marchigiano “Vincenzo Bellini”, directed by Martino Faggiani, was the official chorus while the Pueri Cantores “D. Zamberletti” chorus, directed by Gianluca Paolucci, was performed in Tosca and Pagliacci.

The concerts
A special addition to the festival was a series of symphonic concerts conducted by internationally renowned conductors. The festival was opened with the performance of Beethoven’s Symphony No 9, with the Maggio Musicale Fiorentino Orchestra and Chorus and conductor Zubin Mehta (19 July); then, the Orchestra of the Academy of Santa Cecilia conducted by Myung-Whun Chung was performed Beethoven’s Symphony No 6 (“Pastoral”) and No 9 (21 July); Beethoven’s piano concertos was performed by award winning pianist Jan Lisiecki, whose brilliant career has taken him to concert halls and festivals all over the world (4 and 6 August); finally, Antonio Florio conducted the Cappella Neapolitana in a new realisation of Mozart and Giuseppe Giordani’s Litaniae Lauretanae, dedicated to the Marche region (18 August, Teatro Lauro Rossi).

The new Musical Director Donato Renzetti conducted the Filarmonica Gioachino Rossini in a concert celebrating John Williams, the film composer known especially for his Star Wars soundtrack, and lead an international course for young conductors and young singers to be held in Macerata from 4 to 11 August. These opera productions was complemented by a concert celebrating Mascagni (Saturday 23 July), who composed the soundtrack for the film Rapsodia satanica (1971), a masterpiece of silent Italian cinema based on Goethe’s Faust, directed by Nino Oxilia. The film is also a prime example of the diva genre, featuring Lyda Borelli as Alba d’Oltrevita. On the podium: director and composer Marcello Panni – who worked on Mascagni’s score – conducted the FORM – Orchestra Filarmonica Marchigiana. This concert was also featured three interludes from Mascagni’s Guglielmo Ratcliff, Cavalleria rusticana, and Amica.

Arena Sferisterio also hosted a concert celebrating Brazilian music with one of Brazil’s most iconic guitarists, Toquinho, who performed with his band over 50 years of hits on Saturday, 13 August.