The Église de Verbier hosts morning, afternoon and evening concerts. It is the Verbier Festival’s primary venue for solo, chamber music and vocal recitals.
Tom Borrow, piano
Select date and time
E-tickets: Print at home or at the box office of the event if so specified. You will find more information in your booking confirmation email.
You can only select the category, and not the exact seats.
If you order 2 or 3 tickets: your seats will be next to each other.
If you order 4 or more tickets: your seats will be next to each other, or, if this is not possible, we will provide a combination of groups of seats (at least in pairs, for example 2+2 or 2+3).
Talented Israeli Pianist and 2019 Verbier Festival Academy alumnus, Tom Borrow, makes his debut at the Verbier Festival, showcasing his artistic flair in a captivating recital of Chopin, Shostakovich and Prokofiev.
Chopin’s 1841 Fantaisie in F minor contains echoes of a Polish revolution song from the November Uprising of 1830 that led to his lifelong exile in Paris. Dignified and contemplative, it combines clearly-structured sections with more improvisatory-feeling ones. His Polonaise-fantaisie of 1846 equally blends dance and improvisatory elements. Shostakovich’s No. 15 Prélude of his Bach-inspired 24 Préludes and Fugues (1950-1951) is unusually tonal for him and the set, but the ensuing fugue is highly atonal, its difficulty heightened by its subject switching metre four times; yet it ends on surprise tonal chords. Prokofiev’s Sixth Piano Sonata opens full of his characteristic strong rhythms, which take on a mechanised tone for the following Scherzo. Next comes a lyrical waltz, before the final movement sits an Andante between two urgent Vivaces.