Dutch National Opera 14 September 2023 - Rise and Fall of the City of Mahagonny | GoComGo.com

Rise and Fall of the City of Mahagonny

Dutch National Opera, Main Stage, Amsterdam, Netherlands
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7:30 PM

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If you order 4 or more tickets: your seats will be next to each other, or, if this is not possible, we will provide a combination of groups of seats (at least in pairs, for example 2+2 or 2+3).

Important Info
Type: Opera
City: Amsterdam, Netherlands
Starts at: 19:30
Acts: 3
Intervals: 1
Duration: 2h 45min
Sung in: German
Titles in: Dutch,English

E-tickets: Print at home or at the box office of the event if so specified. You will find more information in your booking confirmation email.

You can only select the category, and not the exact seats.
If you order 2 or 3 tickets: your seats will be next to each other.
If you order 4 or more tickets: your seats will be next to each other, or, if this is not possible, we will provide a combination of groups of seats (at least in pairs, for example 2+2 or 2+3).

Overview

A place where anything goes – as long as you pay. That is the new city of Mahagonny, founded by three criminals on the run. Together, they fleece its new citizens by making them pay through the nose for a real consumer paradise. But this world of cravings, sex and alcohol soon turns into a veritable hell.

Aufstieg und Fall der Stadt Mahagonny, with its story of people driven by crisis to search for better alternatives, seems more relevant than ever in a time of high inflation and democracies under pressure. With his libretto, the dramatist Bertolt Brecht did what he was good at: producing socially relevant theatre that criticised the capitalist consumer society of the 1930s. With Kurt Weill’s sparkling music, which combines a classical style of composition with jazzy tunes, and Brecht’s pioneering theatrical techniques, the renowned duo broke new ground in the opera genre.

After his riveting Salome, leading stage director Ivo van Hove returns to Dutch National Opera with this masterpiece. Using techniques from the world of film such as green screens and live camera images, he has turned this famous opera about the deceptive city of gold into a highly topical story, one that leaves a lasting impression. With celebrated soprano Evelyn Herlitzius making her debut in the role of fraudster Leokadja Begbick, rising star Lauren Michelle as the prostitute Jenny and the Netherlands Philharmonic Orchestra led by conductor Markus Stenz, Aufstieg und Fall der Stadt Mahagonny is set to be an impressive opener to the season.

Coproduction  with Festival d’Aix-en-Provence, The Metropolitan Opera, Opera Ballet Vlaanderen and Grand Théâtre de Luxembourg

History
Premiere of this production: 09 March 1930, Neues Theater, Leipzig

Rise and Fall of the City of Mahagonny (German: Aufstieg und Fall der Stadt Mahagonny) is a political-satirical opera composed by Kurt Weill to a German libretto by Bertolt Brecht. It was first performed on 9 March 1930 at the Neues Theater in Leipzig.

Synopsis

Act 1

Scene 1: A desolate no-man's land

A truck breaks down. Three fugitives from justice get out and find themselves in the city of Mahagonny: Fatty the Bookkeeper, Trinity Moses, and Leocadia Begbick. Because the federal agents pursuing them will not search this far north, and they are in a good location to attract ships coming south from the Alaskan gold fields, Begbick decides that they can profit by staying where they are and founding a pleasure city, where men can have fun, because there is nothing else in the world to rely on.

Scene 2

The news of Mahagonny spreads quickly, and sharks from all over flock to the bait, including the whore Jenny Smith, who is seen, with six other girls, singing the "Alabama Song", in which she waves goodbye to her home and sets out in pursuit of whiskey, dollars and pretty boys.

Scene 3

In the big cities, where men lead boring, purposeless lives, Fatty and Moses spread the gospel of Mahagonny, city of gold, among the disillusioned.

Scene 4

Four Alaskan Lumberjacks who have shared hard times together in the timberlands and made their fortunes set off together for Mahagonny. Jimmy Mahoney and his three friends – Jacob Schmidt, Bank Account Billy, and Alaska Wolf Joe – sing of the pleasures awaiting them in "Off to Mahagonny", and look forward to the peace and pleasure they will find there.

Scene 5

The four friends arrive in Mahagonny, only to find other disappointed travelers already leaving. Begbick, well-informed about their personal tastes, marks down her prices, but for the penurious Billy they still seem too high. Jimmy impatiently calls for the girls of Mahagonny to show themselves, so he can make a choice. Begbick suggests Jenny as the right girl for Jack, who finds her rates too high. She pleads with Jack to reconsider ("Havana Song"), which arouses Jim's interest, and he chooses her. Jenny and the girls sing a tribute to "the Jimmys from Alaska."

Scene 6

Jimmy and Jenny get to know one another as she asks him to define the terms of their contact: Does he wish her to wear her hair up or down, to wear fancy underwear or none at all? "What is your wish?" asks Jim, but Jenny evades answering.

Scene 7

Begbick, Fatty and Moses meet to discuss the pleasure city's financial crisis: People are leaving in droves, and the price of whiskey is sinking rapidly. Begbick suggests going back to civilization, but Fatty reminds her that the federal agents have been inquiring for her in nearby Pensacola. Money would solve everything, declares Begbick, and she decides to soak the four new arrivals for all they've got.

Scene 8

Jimmy, restless, attempts to leave Mahagonny, because he misses the wife he left in Alaska.

Scene 9

In front of the Rich Man's Hotel, Jimmy and the others sit lazily as a pianist plays Tekla Bądarzewska's "A Maiden's Prayer". With growing anger, Jimmy sings of how his hard work and suffering in Alaska have led only to this. Drawing a knife, he shouts for Begbick, while his friends try to disarm him and the other men call to have him thrown out. Calm again, he tells Begbick that Mahagonny can never make people happy: it has too much peace and quiet.

Scene 10

As if in answer to Jimmy's complaint, the city is threatened by a typhoon. Everyone sings in horror of the destruction awaiting them.

Scene 11

Tensely, people watch for the hurricane's arrival. The men sing a hymn-like admonition not to be afraid. Jim meditatively compares Nature's savagery to the far greater destructiveness of Man. Why do we build, he asks, if not for the pleasure of destroying? Since Man can outdo any hurricane, fear makes no sense. For the sake of human satisfaction, nothing should be forbidden: If you want another man's money, his house or his wife, knock him down and take it; do what you please. As Begbick and the men ponder Jimmy's philosophy, Fatty and Moses rush in with news: The hurricane has unexpectedly struck Pensacola, destroying Begbick’s enemies, the federal agents. Begbick and her cohorts take it as a sign that Jimmy is right; they join him, Jenny, and his three friends in singing a new, defiant song: If someone walks over someone else, then it's me, and if someone gets walked on, then it's you. In the background, the men continue to chant their hymn as the hurricane draws nearer.

Act 2

Scene 12

Magically, the hurricane bypasses Mahagonny, and the people sing in awe of their miraculous rescue. This confirms Begbick's belief in the philosophy of "Do what you want," and she proceeds to put it into effect.

Scene 13 At the renovated "Do It" tavern.

The men sing of the four pleasures of life: Eating, Lovemaking, Fighting and Drinking. First comes eating: To kitschy cafe music, Jimmy's friend Jacob gorges until he keels over and dies. The men sing a chorale over his body, saluting "a man without fear".

Scene 14: Loving.

While Begbick collects money and issues tips on behavior, Moses placates the impatient men queuing to make love to Jenny and the other whores. The men sing the "Mandalay Song", warning that love does not last forever, and urging those ahead of them to make it snappy.

Scene 15: Fighting.

The men flock to see a boxing match between Trinity Moses and Jim's friend Alaska Wolf Joe. While most of the men, including the ever-cautious Billy, bet on the burly Moses, Jim, out of friendship, bets heavily on Joe. The match is manifestly unfair; Moses not only wins but kills Joe in knocking him out.

Scene 16: Drinking.

In an effort to shake off the gloom of Joe's death, Jimmy invites everyone to have a drink on him. The men sing "Life in Mahagonny", describing how one could live in the city for only five dollars a day, but those who wanted to have fun always needed more. Jim, increasingly drunk, dreams of sailing back to Alaska. He takes down a curtain rod for a mast and climbs on the pool table, pretending it is a ship; Jenny and Billy play along. Jimmy is abruptly sobered up when Begbick demands payment for the whiskey as well as for the damage to her property. Totally broke, he turns in a panic to Jenny, who explains her refusal to help him out in the song "Make your own bed" – an adaptation of the ideas he proclaimed at the end of act 1. Jim is led off in chains as the chorus, singing another stanza of "Life in Mahagonny", returns to its pastimes. Trinity Moses assures the crowd that Jimmy will pay for his crimes with his life.

Scene 17

At night, Jim alone and chained to a lamppost, sings a plea for the sun not to rise on the day of his impending trial.

Act 3

Scene 18: In the courtroom

Moses, like a carnival barker, sells tickets to the trials. He serves as prosecutor, Fatty as defense attorney, Begbick as judge. First comes the case of Toby Higgins, accused of premeditated murder for the purpose of testing an old revolver. Fatty invites the injured party to rise, but no one does so, since the dead do not speak. Toby bribes all three, and as a result, Begbick dismisses the case. Next Jimmy's case is called. Chained, he is led in by Billy, from whom he tries to borrow money; Billy of course refuses, despite Jim's plea to remember their time together in Alaska. In virtually the same speech he used to attack Higgins, Moses excoriates him for not paying his bills, for seducing Jenny (who presents herself as a plaintiff) to commit a "carnal act" with him for money, and for inciting the crowd with "an illegal joyous song" on the night of the typhoon. Billy, with the chorus's support, counters that, in committing the latter act, Jimmy discovered the laws by which Mahagonny lives. Moses argues that Jim hastened his friend Joe's death in a prizefight by betting on him, and Billy counters by asking who actually killed Joe. Moses does not reply. But there is no answer for the main count against him. Jim gets short sentences for his lesser crimes, but for having no money, he is sentenced to death. Begbick, Fatty and Moses, rising to identify themselves as the injured parties, proclaim "in the whole human race / there is no greater criminal / than a man without money". As Jim is led off to await execution, everyone sings the "Benares Song", in which they long for that exotic city "where the sun is shining." But Benares has been destroyed by an earthquake. "Where shall we go?" they ask.

Scene 19: At the gallows

Jim says a tender goodbye to Jenny, who, dressed in white, declares herself his widow. He surrenders her to Billy, his last remaining companion from Alaska. When he tries to delay the execution by reminding the people of Mahagonny that God exists, they play out for him, under Moses' direction, the story of "God in Mahagonny", in which the Almighty condemns the town and is overthrown by its citizens, who declare that they can not be sent to Hell because they are already in Hell. Jim, chastened, asks only for a glass of water, but is refused even this as Moses gives the signal for the trap to be sprung.

Scene 20

A caption advises that, after Jim's death, increasing hostility among the city's various factions has caused the destruction of Mahagonny. To a potpourri of themes from earlier in the opera, groups of protesters are seen on the march, in conflict with one another, while the city burns in the background. Jenny and the whores carry Jim's clothing and accessories like sacred relics; Billy and several men carry his coffin. In a new theme, they and the others declare, "Nothing you can do will help a dead man". Begbick, Fatty and Moses appear with placards of their own, joining the entire company in its march and declaring "Nothing will help him or us or you now," as the opera ends in chaos.

Venue Info

Dutch National Opera - Amsterdam
Location   Amstel 3

The Dutch National Opera is the largest theatre production house in the Netherlands. Situated in the heart of Amsterdam, the iconic theatre of Dutch National Opera & Ballet offers a magnificent view of the River Amstel and the famous Magere Brug (Skinny Bridge). The various spaces form an inspiring backdrop for a whole range of special events.

Dutch National Opera & Ballet is a young theatre with a long history. The plans for building a new theatre ran parallel to the plans for a new city hall. The first discussions held by the Amsterdam city council about building a new city hall and opera house go back to 1915. At that time, the plans were specifically for an opera house, since ballet was a relatively unknown art form back then.

Ideas for the site of the new city hall and opera house were continually changing, and the idea that both buildings could form a single complex only emerged much later. Sites considered for the new city hall were initially the Dam, followed by the Frederiksplein, and finally the Waterlooplein.

In 1955, the city council commissioned the firm of architects Berghoef and Vegter to draft a design for a city hall on the Waterlooplein. The draft was approved, but in 1964 the council ended the association with the architects, as the final design was nothing like the original plans they had been shown. In 1967, a competition was held for a new design, with the Viennese architect Wilhelm Holzbauer emerging as the winner. Amsterdam's financial problems, however, meant that the plans for the new city hall were put on hold for several years.

DNO has its own choir of sixty singers and technical staff of 260. DNO historically has not had its own resident orchestra, and so various orchestras of the Netherlands, including the Netherlands Philharmonic Orchestra (NPO), the Netherlands Chamber Orchestra (NKO), the Royal Concertgebouw Orchestra, the Rotterdam Philharmonic Orchestra, the Radio Filharmonisch Orkest and the Asko/Schönberg ensemble have provided the orchestral forces for DNO productions.

DNO produces on average eleven productions per year. While most performances are in the Dutch National Opera & Ballet building, the company has also performed in the Stadsschouwburg, at the Carré Theatre, and on the Westergasfabriek industrial site in Amsterdam. For many years, the June production has been organized as part of the Holland Festival and includes the participation of the Royal Concertgebouw Orchestra. DNO has lent its productions to foreign companies, such as the Metropolitan Opera, the Brooklyn Academy of Music, the Lincoln Center Festival in New York, as well as the Adelaide Festival in Australia.

Since 1988, the French-Lebanese theatre director Pierre Audi has been the artistic director of DNO. Audi is scheduled to conclude his DNO tenure in 2018. In April 2017, DNO announced the appointment of Sophie de Lint as the company's next artistic director, effective 1 September 2018.

Hartmut Haenchen was chief conductor from 1986 to 1999, in parallel with holding the title of chief conductor of the NPO. He subsequently held the title of principal guest conductor with DNO. Subsequent chief conductors have been Edo de Waart (1999-2004) and Ingo Metzmacher (2005-2008). In March 2009, DNO announced the appointment of Marc Albrecht as the orchestra's next chief conductor, with the 2011-2012 season, for an initial contract of four years. This return to a single chief conductor at both DNO and the NPO/NKO allows for the NPO to become the principal opera orchestra for DNO. Albrecht is scheduled to stand down as chief conductor of DNO at the end of the 2019-2020 season.

Important Info
Type: Opera
City: Amsterdam, Netherlands
Starts at: 19:30
Acts: 3
Intervals: 1
Duration: 2h 45min
Sung in: German
Titles in: Dutch,English
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