New York City Ballet (David H. Koch Theater) 8 February 2020 - New combinations | GoComGo.com

New combinations

New York City Ballet (David H. Koch Theater), New York, USA
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2 PM
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Important Info
Type: Ballet
City: New York, USA
Starts at: 14:00
Duration: 27min

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If you order 4 or more tickets: your seats will be next to each other, or, if this is not possible, we will provide a combination of groups of seats (at least in pairs, for example 2+2 or 2+3).

Overview

Even as the Company draws deeply on its repertory, it has continually commissioned new works to create a living canon of contemporary ballets. “There are no new steps, only new combinations,” Balanchine once said. This annual program invokes that precept: Christopher Wheeldon’s Polyphonia has, since its 2001 premiere, become a classic of contemporary ballet. It is presented here alongside Justin Peck’s Spring 2019 premiere Bright, set to a score by the American composer Mark Dancigers, and a premiere from Alexei Ratmansky, bringing together on one program three of today’s most acclaimed dance-makers.

Regarded as one of Wheeldon’s breakthrough contemporary works, Polyphonia’s four couples wind their way through ten eerily melodious Ligeti selections, including music made famous by Stanley Kubrick’s Eyes Wide Shut.

Polyphonia was the fourth work Christopher Wheeldon created for New York City Ballet, and his first after retiring from dancing with the Company and being named NYCB’s first-ever Artist in Residence in 2000. A work for eight dancers, Polyphonia is set to ten piano pieces by the composer György Ligeti, who developed micropolyphony, a type of musical texture involving the use of sustained dissonant chords that shift slowly over time.

Music:

Désordre from Études pour piano, premier livre (1985), Arc-en-ciel from Études pour piano, premier livre (1985), No. 4 Tempo di Valse from Musica Ricercata (1951-53), Invention (1948), No. 8 Vivace energico from Musica Ricercata (1951-53), No. 2 Hopp ide tisztán from Three Wedding Dances (1950), No. 7 Cantabile molto legatoNo. 3 Allegro con spirito from Musica Ricercata (1951-53), No. 2 Mesto, rigido e cerimoniale from Musica Ricercata (1951-53), Capriccio No. 2 – Allegro robusto (1947)

Justin Peck's Bright, his 18th ballet for NYCB, is set to Mark Dancigers' The Bright Motion: II as orchestrated by the composer. The ballet for six dancers features costumes by Reid Bartelme and Harriet Jung, and lighting by Brandon Stirling Baker.

Set to Prokofiev’s feverish concerto, Opus 19/The Dreamer follows a male protagonist on a journey to find his elusive and ethereal counterpart.

Originally choreographed in 1979 for Mikhail Baryshnikov and Patricia McBride, the ballet for 14 dancers is set to Prokofiev’s Violin Concerto No. 1 in D Major, which premiered in 1923 and has become one of the most beloved works for violin in the classical repertory.

His first piece for NYCB since 2017’s Odessa, American Ballet Theatre Artist in Residence Alexei Ratmansky will contribute a new work to winter’s New Combinations program.

Selections from Voices and Piano, featuring the voices of Bonnie Barnett, Forough Farrokhzad, Setsuko Hara, Agnes Martin, Nina Simone, and Gjendine Slålien

History
Premiere of this production: 14 June 1979, New York State Theater at Lincoln Center, New York

Opus 19/The Dreamer is a ballet made by New York City Ballet balletmaster Jerome Robbins to Prokofiev's Violin Concerto No. 1, in D major (written in 1917, premiered 1923) with costumes by Ben Benson and lighting by Ronald Bates. The premiere took place on June 14, 1979, at the New York State Theater, Lincoln Center. Peter Boal danced it with Wendy Whelan as part of his June 2005 farewell performance at City Ballet.

Venue Info

New York City Ballet (David H. Koch Theater) - New York
Location   20 Lincoln Center Plaza

The David H. Koch Theater is the major theater for ballet, modern, and other forms of dance, part of the Lincoln Center, at the intersection of Columbus Avenue and 63rd Street in the Lincoln Square neighborhood of Manhattan in New York City. Originally named the New York State Theater, the venue has been home to the New York City Ballet since its opening in 1964, the secondary venue for the American Ballet Theatre in the fall, and served as home to the New York City Opera from 1964 to 2011.

The New York State Theater was built with funds from the State of New York as part of New York State's cultural participation in the 1964–1965 World's Fair. The theater was designed by architects Philip Johnson and John Burgee, and opened on April 23, 1964. After the Fair, the State transferred ownership of the theater to the City of New York.

Along with the opera and ballet companies, another early tenant of the theater was the now defunct Music Theater of Lincoln Center whose president was composer Richard Rodgers. In the mid-1960s, the company produced fully staged revivals of classic Broadway musicals. These included The King and I; Carousel (with original star, John Raitt); Annie Get Your Gun (revised in 1966 by Irving Berlin for its original star, Ethel Merman); Show Boat; and South Pacific.

The theater seats 2,586 and features broad seating on the orchestra level, four main “Rings” (balconies), and a small Fifth Ring, faced with jewel-like lights and a large spherical chandelier in the center of the gold latticed ceiling.

The lobby areas of the theater feature many works of modern art, including pieces by Jasper Johns, Lee Bontecou, and Reuben Nakian.

Important Info
Type: Ballet
City: New York, USA
Starts at: 14:00
Duration: 27min
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