New York City Ballet (David H. Koch Theater) 23 February 2024 - Innovators & Icons | GoComGo.com

Innovators & Icons

New York City Ballet (David H. Koch Theater), Main Stage, New York, USA
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8 PM

E-tickets: Print at home or at the box office of the event if so specified. You will find more information in your booking confirmation email.

You can only select the category, and not the exact seats.
If you order 2 or 3 tickets: your seats will be next to each other.
If you order 4 or more tickets: your seats will be next to each other, or, if this is not possible, we will provide a combination of groups of seats (at least in pairs, for example 2+2 or 2+3).

Important Info
Type: Modern Ballet
City: New York, USA
Starts at: 20:00
Duration: 21min

E-tickets: Print at home or at the box office of the event if so specified. You will find more information in your booking confirmation email.

You can only select the category, and not the exact seats.
If you order 2 or 3 tickets: your seats will be next to each other.
If you order 4 or more tickets: your seats will be next to each other, or, if this is not possible, we will provide a combination of groups of seats (at least in pairs, for example 2+2 or 2+3).

Overview

Dive into works from choreographers past and present.

A world premiere ballet by Alexei Ratmansky, who joins the Company as artist in residence this season, forms the centerpiece of this program. Jerome Robbins’s Opus 19/The Dreamer casts an elusive spell with its imagery of a nocturnal journey into the mysteries of the mind, with a muse-like figure haunting the imagination of the dreamer of the title. The program concludes with Balanchine’s iconic leotard ballet Symphony in Three Movements, a dance alive with electric energy.

Set to Prokofiev’s feverish concerto, Opus 19/The Dreamer follows a male protagonist on a journey to find his elusive and ethereal counterpart.

Originally choreographed in 1979 for Mikhail Baryshnikov and Patricia McBride, the ballet for 14 dancers is set to Prokofiev’s Violin Concerto No. 1 in D Major, which premiered in 1923 and has become one of the most beloved works for violin in the classical repertory.

Following his acclaimed Winter 2024 ballet Solitude, NYCB Artist in Residence Alexei Ratmansky choreographs his eighth ballet for the Company, set to music by Léon Minkus.

One of Balanchine’s most celebrated leotard ballets, Symphony in Three Movements is bold and breathtakingly jet-propelled, a kinetic achievement, striking for its confidence and power.

For New York City Ballet’s 1972 Stravinsky Festival, Balanchine choreographed several notable masterpieces, including the majestic Symphony in Three Movements.  Stravinsky had suggested the music as a ballet when the choreographer visited the composer in Hollywood during World War II. Despite its 21 minute length, the piece evokes a fuller symphonic breadth with two instruments, the harp and piano, providing the dominant contrasts. “Each instrument has a large obbligato role in a movement to itself, and only at the turning- point fugue…do the two play together and unaccompanied,” said Stravinsky. The signature Stravinsky propulsive rhythm is mirrored by the angular, athletic choreography for soloists and a large ensemble, although the second andante movement, originally composed for an apparition scene in the movie Song of Bernadette, is reserved for a meditative pas de deux. One of Balanchine’s “leotard” ballets, the work requires no scenic or narrative distractions from the complexity of the choreography.

It was during his tenure at the legendary Ballets Russes, from 1924 until the death of Serge Diaghilev in 1929, that Balanchine met Igor Stravinsky, marking the start of a long-time artistic partnership between two kindred spirits. Balanchine's Symphony in Three Movements was created for the Stravinsky Festival in 1972. With sporty and athletic elements, this snappy, snazzy ballet is a testament to Balanchine’s pioneering spirit and exceptional musicality.

History
Premiere of this production: 14 June 1979, New York State Theater at Lincoln Center, New York

Opus 19/The Dreamer is a ballet made by New York City Ballet balletmaster Jerome Robbins to Prokofiev's Violin Concerto No. 1, in D major (written in 1917, premiered 1923) with costumes by Ben Benson and lighting by Ronald Bates. The premiere took place on June 14, 1979, at the New York State Theater, Lincoln Center. Peter Boal danced it with Wendy Whelan as part of his June 2005 farewell performance at City Ballet.

Premiere of this production: 18 June 1972, New York State Theater

Symphony in Three Movements is a neoclassical ballet choreographed by George Balanchine to the music of the same name by Stravinsky. The ballet was made for the New York City Ballet Stravinsky Festival in 1972, a tribute to the composer following his death. The ballet premiered on June 18, 1972, at the New York State Theater.

Venue Info

New York City Ballet (David H. Koch Theater) - New York
Location   20 Lincoln Center Plaza

The David H. Koch Theater is the major theater for ballet, modern, and other forms of dance, part of the Lincoln Center, at the intersection of Columbus Avenue and 63rd Street in the Lincoln Square neighborhood of Manhattan in New York City. Originally named the New York State Theater, the venue has been home to the New York City Ballet since its opening in 1964, the secondary venue for the American Ballet Theatre in the fall, and served as home to the New York City Opera from 1964 to 2011.

The New York State Theater was built with funds from the State of New York as part of New York State's cultural participation in the 1964–1965 World's Fair. The theater was designed by architects Philip Johnson and John Burgee, and opened on April 23, 1964. After the Fair, the State transferred ownership of the theater to the City of New York.

Along with the opera and ballet companies, another early tenant of the theater was the now defunct Music Theater of Lincoln Center whose president was composer Richard Rodgers. In the mid-1960s, the company produced fully staged revivals of classic Broadway musicals. These included The King and I; Carousel (with original star, John Raitt); Annie Get Your Gun (revised in 1966 by Irving Berlin for its original star, Ethel Merman); Show Boat; and South Pacific.

The theater seats 2,586 and features broad seating on the orchestra level, four main “Rings” (balconies), and a small Fifth Ring, faced with jewel-like lights and a large spherical chandelier in the center of the gold latticed ceiling.

The lobby areas of the theater feature many works of modern art, including pieces by Jasper Johns, Lee Bontecou, and Reuben Nakian.

Important Info
Type: Modern Ballet
City: New York, USA
Starts at: 20:00
Duration: 21min
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