New York City Ballet (David H. Koch Theater) 22 April 2022 - Visionary Voices | GoComGo.com

Visionary Voices

New York City Ballet (David H. Koch Theater), Main Stage, New York, USA
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8 PM

E-tickets: Print at home or at the box office of the event if so specified. You will find more information in your booking confirmation email.

You can only select the category, and not the exact seats.
If you order 2 or 3 tickets: your seats will be next to each other.
If you order 4 or more tickets: your seats will be next to each other, or, if this is not possible, we will provide a combination of groups of seats (at least in pairs, for example 2+2 or 2+3).

Important Info
Type: Modern Ballet
City: New York, USA
Starts at: 20:00

E-tickets: Print at home or at the box office of the event if so specified. You will find more information in your booking confirmation email.

You can only select the category, and not the exact seats.
If you order 2 or 3 tickets: your seats will be next to each other.
If you order 4 or more tickets: your seats will be next to each other, or, if this is not possible, we will provide a combination of groups of seats (at least in pairs, for example 2+2 or 2+3).

Overview

The state of the art from a broad spectrum of groundbreaking perspectives

Fresh approaches to contemporary dance share the stage here. Two winter premieres return: Justin Peck’s newest work for the Company and Jamar Roberts’ first main stage NYCB commission, which premiered in February. Pam Tanowitz’s Gustave le Gray No. 1, set to a piano score from Caroline Shaw and hailed for its “wit and whimsy,” joins the repertory for the first time, featuring guest artists from the Dance Theatre of Harlem reprising their original roles. Alongside this NYCB debut, Tanowitz introduces her second commissioned main stage work for the Company: a world premiere set to Ted Hearne’s string score Law of Mosaics.

Originally commissioned for NYCB’s Spring 2020 performances, Alvin Ailey American Dance Theater Resident Choreographer and dancer Jamar Roberts makes his highly anticipated choreographic debut on the New York City Ballet stage with a new work set to music by modern classical composer Kyle Preston.

Set to Caroline Shaw’s piano composition Gustave le Gray, four dancers in flowing, vibrant red costumes repeat sharp yet sweeping phrases and interact with the onstage pianist, who continues to play even as they move the grand piano and musician from one side of the stage to the other.

Pam Tanowitz originally choreographed Gustave le Gray No. 1 in 2019 for dancers from Dance Theatre of Harlem (DTH) and Miami City Ballet at the Kennedy Center’s “Ballet Across America.” At the New York City Ballet premiere, two NYCB dancers and two guest dancers from DTH performed alongside an onstage pianist. The ballet is set to Caroline Shaw’s Gustave le Gray and features costumes design by Reid Bartelme and Harriet Jung and lighting design by Davison Scandrett.

Adding to her growing presence in the Company’s repertory, NYC-based postmodern choreographer Pam Tanowitz follows her recent digital work Solo for Russell: Sites 1-5 with her second main stage commission, a new ballet set to Ted Hearne’s sonic patchwork for string ensemble, Law of Mosaics.

Venue Info

New York City Ballet (David H. Koch Theater) - New York
Location   20 Lincoln Center Plaza

The David H. Koch Theater is the major theater for ballet, modern, and other forms of dance, part of the Lincoln Center, at the intersection of Columbus Avenue and 63rd Street in the Lincoln Square neighborhood of Manhattan in New York City. Originally named the New York State Theater, the venue has been home to the New York City Ballet since its opening in 1964, the secondary venue for the American Ballet Theatre in the fall, and served as home to the New York City Opera from 1964 to 2011.

The New York State Theater was built with funds from the State of New York as part of New York State's cultural participation in the 1964–1965 World's Fair. The theater was designed by architects Philip Johnson and John Burgee, and opened on April 23, 1964. After the Fair, the State transferred ownership of the theater to the City of New York.

Along with the opera and ballet companies, another early tenant of the theater was the now defunct Music Theater of Lincoln Center whose president was composer Richard Rodgers. In the mid-1960s, the company produced fully staged revivals of classic Broadway musicals. These included The King and I; Carousel (with original star, John Raitt); Annie Get Your Gun (revised in 1966 by Irving Berlin for its original star, Ethel Merman); Show Boat; and South Pacific.

The theater seats 2,586 and features broad seating on the orchestra level, four main “Rings” (balconies), and a small Fifth Ring, faced with jewel-like lights and a large spherical chandelier in the center of the gold latticed ceiling.

The lobby areas of the theater feature many works of modern art, including pieces by Jasper Johns, Lee Bontecou, and Reuben Nakian.

Important Info
Type: Modern Ballet
City: New York, USA
Starts at: 20:00
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