New York City Ballet (David H. Koch Theater) 1 February 2022 - New combinations | GoComGo.com

New combinations

New York City Ballet (David H. Koch Theater), Main Stage, New York, USA
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7:30 PM

E-tickets: Print at home or at the box office of the event if so specified. You will find more information in your booking confirmation email.

You can only select the category, and not the exact seats.
If you order 2 or 3 tickets: your seats will be next to each other.
If you order 4 or more tickets: your seats will be next to each other, or, if this is not possible, we will provide a combination of groups of seats (at least in pairs, for example 2+2 or 2+3).

Important Info
Type: Modern Ballet
City: New York, USA
Starts at: 19:30

E-tickets: Print at home or at the box office of the event if so specified. You will find more information in your booking confirmation email.

You can only select the category, and not the exact seats.
If you order 2 or 3 tickets: your seats will be next to each other.
If you order 4 or more tickets: your seats will be next to each other, or, if this is not possible, we will provide a combination of groups of seats (at least in pairs, for example 2+2 or 2+3).

Overview

A celebration of innovative voices with a world premiere and two convention-challenging works

NYCB Resident Choreographer Justin Peck’s first main stage world premiere since February 2020’s Rotunda is followed by the pointillistic Summerspace, returning from its 2019 revival for the Merce Cunningham centennial, complete with Morton Feldman’s experimental score and the Robert Rauschenberg-designed décor and painted leotards. Christopher Wheeldon’s charging DGV: Danse à Grande Vitesse, a fleet and intricate dance for a cast of more than 25 performed to a minimalist score by Michael Nyman, closes the program.

Imbued with fluid angularity, Merce Cunningham’s Summerspace presents contemporary whimsy underscored by a suspenseful, chirping score.

Summerspace was first performed by the Merce Cunningham Dance Company on August 17, 1958 at the American Dance Festival at Connecticut College in New London, Connecticut, and entered New York City Ballet’s repertory on April 14, 1966.

This piece is indicative of Cunningham’s unique collaborative method, in which Morton Feldman composed the score, Robert Rauschenberg designed the décor, and Cunningham choreographed independently from each other. Together, the movement, music, and décor give the effect of a balmy, summer day.

Dressed in painted leotards, the dancers move about the stage in sudden bursts of speed and suspensions, zigzagging every which way, like flying creatures. The delicate music at times sounds like bubbles of water rising to the surface, at others, with a muffled rumble in the bass, like distant thunder.

Set to a supercharged, minimalist score, DGV: Danse à Grande Vitesse propels 26 dancers in sleek costumes through surging, relentless movement in front of a structural metallic background.

Created in 2006 for The Royal Ballet, Christopher Wheeldon's DGV: Danse à Grande Vitesse is set to Michael Nyman's score, MGV (Musique à Grande Vitesse). The score was composed to commemorate the 1993 inauguration of the north European line of the French train à grande vitesse, more commonly known as the TGV.

A tour de force for 26 dancers, with four couples at its core and featuring costumes and scenery by Jean-Marc Puissant and lighting by Jennifer Tipton, the work propels the dancers through shifting physical and emotional landscapes, paralleling Nyman's division of the score into five "regions." While a travel motif is never literal, a sensation of momentum and surging progression infuses the ballet.

Venue Info

New York City Ballet (David H. Koch Theater) - New York
Location   20 Lincoln Center Plaza

The David H. Koch Theater is the major theater for ballet, modern, and other forms of dance, part of the Lincoln Center, at the intersection of Columbus Avenue and 63rd Street in the Lincoln Square neighborhood of Manhattan in New York City. Originally named the New York State Theater, the venue has been home to the New York City Ballet since its opening in 1964, the secondary venue for the American Ballet Theatre in the fall, and served as home to the New York City Opera from 1964 to 2011.

The New York State Theater was built with funds from the State of New York as part of New York State's cultural participation in the 1964–1965 World's Fair. The theater was designed by architects Philip Johnson and John Burgee, and opened on April 23, 1964. After the Fair, the State transferred ownership of the theater to the City of New York.

Along with the opera and ballet companies, another early tenant of the theater was the now defunct Music Theater of Lincoln Center whose president was composer Richard Rodgers. In the mid-1960s, the company produced fully staged revivals of classic Broadway musicals. These included The King and I; Carousel (with original star, John Raitt); Annie Get Your Gun (revised in 1966 by Irving Berlin for its original star, Ethel Merman); Show Boat; and South Pacific.

The theater seats 2,586 and features broad seating on the orchestra level, four main “Rings” (balconies), and a small Fifth Ring, faced with jewel-like lights and a large spherical chandelier in the center of the gold latticed ceiling.

The lobby areas of the theater feature many works of modern art, including pieces by Jasper Johns, Lee Bontecou, and Reuben Nakian.

Important Info
Type: Modern Ballet
City: New York, USA
Starts at: 19:30
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