A frothy classical wonder, the French-themed La Source combines thrilling ensemble work with virtuoso pas de deux.

Balanchine’s high regard for Leo Delibes as a composer of music for ballet led him to choreograph a pas de deux from Delibes’ Sylvia in 1950, which Balanchine later expanded into a divertissement in 1965. Balanchine’s desire to use more of Delibes’ music prompted him to choreograph La Source incorporating music from two of Delibes’ ballets, Naila and Sylvia. The present La Source presents a showcase reminiscent of nineteenth century French ballet to 19th century French music.

A ballet with unceasing appeal, The Four Temperaments references the medieval concept of psychological humors through its classically grounded but definitively modern movement.

The score for this ballet was commissioned by George Balanchine from Paul Hindemith in 1940. The ballet, together with Ravel’s opera L’Enfant et les Sortilèges, constituted the opening program of Ballet Society (the direct predecessor of the New York City Ballet) on November 20, 1946. In Complete Stories of the Great Ballets, Balanchine wrote of the ballet that it “is an expression in dance and music of the ancient notion that the human organism is made up of four different humors, or temperaments. Each one of us possesses these four humors, but in different degrees, and it is from the dominance of one of them that the four physical and psychological types — melancholic, sanguinic, phlegmatic, and choleric — were derived …. Although the score is based on this idea of the four temperaments, neither the music nor the ballet itself makes specific or literal interpretation of the idea. An understanding of the Greek and medieval notion of the temperaments was merely the point of departure for both composer and choreographer.”

An accomplished pianist, Balanchine commissioned the score because he wanted a short work he could play at home with friends during his evening musicales. It was completed in 1940 and had its first public performance at a 1944 concert with Lukas Foss as the pianist.