Citizens Opera House tickets 29 March 2025 - Winter Experience 2025: Mozartiana. Slipstream. Vestris. Symphony in Three Movements | GoComGo.com

Winter Experience 2025: Mozartiana. Slipstream. Vestris. Symphony in Three Movements

Citizens Opera House, Boston, USA
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1:30 PM 7:30 PM
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US$ 99

E-tickets: Print at home or at the box office of the event if so specified. You will find more information in your booking confirmation email.

You can only select the category, and not the exact seats.
If you order 2 or 3 tickets: your seats will be next to each other.
If you order 4 or more tickets: your seats will be next to each other, or, if this is not possible, we will provide a combination of groups of seats (at least in pairs, for example 2+2 or 2+3).

Important Info
Type: Ballet
City: Boston, USA
Starts at: 19:30
Duration: 2h

E-tickets: Print at home or at the box office of the event if so specified. You will find more information in your booking confirmation email.

You can only select the category, and not the exact seats.
If you order 2 or 3 tickets: your seats will be next to each other.
If you order 4 or more tickets: your seats will be next to each other, or, if this is not possible, we will provide a combination of groups of seats (at least in pairs, for example 2+2 or 2+3).

Cast
Performers
Ballet company: Boston Ballet
Orchestra: Boston Ballet Orchestra
Creators
Composer: Igor Stravinsky
Composer: Pyotr Tchaikovsky
Composer: Gennady Banshchikov
Composer: Tanner Porter
Choreographer: Claudia Schreier
Choreographer: George Balanchine
Choreographer: Leonid Yakobson
Overview

A program filled with unforgettable dancing.

Please Note: The music in some ballets may be loud depending on where you are sitting and your own comfort level. Please plan accordingly.

The performances of Symphony in Three Movements and Mozartiana, Balanchine® Ballets, are presented by arrangement with The George Balanchine Trust and have been produced in accordance with the Balanchine Style® and Balanchine Technique® Service standards established and provided by the Trust

George Balachine’s Mozartiana is a wonderful example of neoclassical ballet with an enchanting romantic feel. The beautifully musical choreography is set to P.I. Tchaikovsky’s Suite No.4, Mozartiana, and Op.61. Opening at the 1981 Tchaikovsky Festival, it was Balanchine’s third ballet set to the composer’s homage to Mozart and is one of the last ballets the choreographer created before his death in April 1983.

“The ballet’s formal black costumes by Rouben Ter-Arutunian combine with the music and choreography to form a sense of joyful reverence and spiritual wonder.”
The George Balanchine Trust

Claudia Schreier’s Slipstream is an innovative, unusual, and captivating ballet commissioned in 2022 for the choreographer program. Claudia Schreier brings her distinctive choreographic voice to Boston audiences, fusing together neoclassical technique with a contemporary vocabulary. The movement in this ballet glides and leaps through the joining of dancers in and out of geometric shapes and lifts.

“The piece, which features 18 people, is about constant momentum and the assembling and breaking apart of shapes. Schreier was inspired by starlings, which have a unified identity within a group, but also find their own paths. It features partnering work and duets but is very much an ensemble work, she said.”
Shira Laucharoen, WBUR

Vestris is a solo ballet originally created for Mikhail Baryshnikov in 1969 by the brilliant choreographer Leonid Yakobson and is only performed by the best male dancers in history. Vestris is about embodying the flamboyant flavor of Auguste Vestris, a renowned Parisian dancer in the 1700s. He was supposed to have said that there were only three great men in all of Europe: the King of Prussia, Voltaire, and himself. Boston Ballet is the only American company trusted to present this work today.

Vestris is a technical and comedic tour de force reeling through a flurry of characters, from limping old man to imperious dandy to drunken buffoon, and Dunn’s brilliant turns, buoyant leaps, deep musicality, and fanciful comic flair brought each to life with masterful command.”
Karen Campbell, The Boston Globe

“Introduced on opening night of the 1972 Stravinsky Festival, Symphony in Three Movements, a large ensemble work, is startling in its breadth of energy, complexity, originality, and contrasts. Balanchine responded to the jazz flavor in Igor Stravinsky’s score by using angular, turned-in movements and brisk, athletic walking sequences. ‘Choreographers combine movements, and the ones I arranged for this music follow no story line or narrative,’ Balanchine said. ‘They try to catch the music and do not, I hope, lean on it, using it instead for support and time frame.'”
The George Balanchine Trust

“The imagery, patterning and structure of this piece make an extraordinary assortment.”
Alastair Macaulay, The New York Times

It was during his tenure at the legendary Ballets Russes, from 1924 until the death of Serge Diaghilev in 1929, that Balanchine met Igor Stravinsky, marking the start of a long-time artistic partnership between two kindred spirits. Balanchine's Symphony in Three Movements was created for the Stravinsky Festival in 1972. With sporty and athletic elements, this snappy, snazzy ballet is a testament to Balanchine’s pioneering spirit and exceptional musicality.

History
Premiere of this production: 04 June 1981, New York State Theater,New York City Ballet, Tschaikovsky Festival

Mozartiana is a ballet by balletmaster George Balanchine. It is the choreographer's third homage to Mozart and is set to Pyotr Ilyich Tchaikovsky's Suite No. 4, Mozartiana, Op. 61 (1887).

Premiere of this production: 18 June 1972, New York State Theater

Symphony in Three Movements is a neoclassical ballet choreographed by George Balanchine to the music of the same name by Stravinsky. The ballet was made for the New York City Ballet Stravinsky Festival in 1972, a tribute to the composer following his death. The ballet premiered on June 18, 1972, at the New York State Theater.

Venue Info

Citizens Opera House - Boston
Location   539 Washington Street, 02111

The Citizens Opera House ( Boston Opera House) is one of the finest examples of the vaudeville circuit palace at the pinnacle of its development.

Designed in a combination of French and Italian styles by Thomas White Lamb, one of the foremost theatre architects of his day, it was erected under the close personal supervision of Edward Franklin Albee to memorialize his late partner, Benjamin Franklin Keith. Because it was constructed as a memorial and tribute to vaudeville’s greatest impresario, it was built with a degree of luxury in its appointments that is almost unrivaled.

The Boston Opera House, also known as the Citizens Bank Opera House, is a performing arts and esports venue located at 539 Washington St. in Boston, Massachusetts. It was originally built as the B.F. Keith Memorial Theatre, a movie palace in the Keith-Albee chain. The chain became part of RKO when it was established just before the theater opened on October 29, 1928, and it was also known as the RKO Keith's Theater. After operating for more than 50 years as a movie theater, it was rededicated in 1980 as a home for the Opera Company of Boston, which performed there until the opera company closed down in 1990 due to financial problems. The theater was reopened in 2004 after a major restoration, and it currently serves as the home of the Boston Ballet and also hosts touring Broadway shows. The theater serves as the home arena of the Boston Uprising of the Overwatch League.

The Boston Opera House was originally designed as the B.F. Keith Memorial Theatre, a lavish movie theater in the Keith-Albee chain. The Keith's Memorial was one of his most elaborate designs of the prominent theater architect Thomas W. Lamb. It was dedicated to the vaudeville pioneer B.F. Keith. On October 23, 1928, just before the theater opened, the Radio-Keith-Orpheum (RKO) company was formed and became the owner of the theater. The theater opened on October 29, 1928, presenting first-run films along with live vaudeville. By 1929, the theater had converted to showing only films and remained a leading Boston movie showcase through the 1950s. It became known as RKO Keith's, and bore signage that said both "B.F. Keith's" and "RKO Keith's" (see the 1938 photo shown at right).

In 1965 the Sack Theaters company acquired the theater and renamed it the Savoy Theater. Sack later added a second smaller cinema in the theater's stage space, separated from the original auditorium by a masonry wall built across the proscenium.

In 1980, after closing as a movie house, the theater became the home of opera director Sarah Caldwell's Opera Company of Boston and was renamed the Boston Opera House. The theater was acquired and renovated by the opera company with the help of Boston arts patron Susan Timken. After a decade of opera productions at the house, Caldwell's company collapsed due to financial troubles in 1991. Having previously produced opera since 1958 in rented theaters, the company was not financially prepared to cope with the substantial costs of upkeep for the large theater which had previously been poorly maintained for decades. The company's failure left the theater dark and without funds to maintain it.

Unheated, the building fell prey to extensive water damage, severely damaging the electrical system and the decorative plaster interior of the auditorium. The company's costumes, collected for decades and stored under the damaged roof, were lost. In 1996, the former opera company relinquished ownership of the building.

Mayor Thomas Menino, with the aid of Senator Edward Kennedy (whose father, Joseph, was the first owner), helped to get the theater landmark status in 1999 through the Boston Landmarks Commission. After a series of failed or delayed development proposals, the Clear Channel Company agreed to renovate the theater. The need to enlarge the trapezoidal stage house into the street between buildings provoked a multi-year court fight with the neighboring Tremont on the Commons condominium building, whose concerns with fire safety were eventually overcome with the persuasion of Mayor Menino.

The Boston opera community welcomed the efforts of Mayor Menino and Clear Channel to refurbish the Opera House and the damaged interior was restored in a $38 million renovation. It reopened on July 16, 2004, with the Broadway production of The Lion King. Clear Channel kept the historic theater busy and active with long runs of touring Broadway musicals and pop concerts. While its agreement with city included a clause that opera be produced at least two weeks a year, no opera company has yet returned to make the Opera House its home.

The current owner of the theater is Boston Opera House Ventures, LLC, a partnership of local Boston businessmen Don Law and David Mugar. Its primary tenants are Broadway Across America, Boston Uprising and the Boston Ballet. Home to Boston Ballet's annual production of The Nutcracker since 2005, the theater became the company's permanent home in 2009.

Important Info
Type: Ballet
City: Boston, USA
Starts at: 19:30
Duration: 2h
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