Citizens Opera House tickets 22 May 2027 - Spring Experience 2027 | GoComGo.com

Spring Experience 2027

Citizens Opera House, Boston, USA
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1:30 PM 7:30 PM
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US$ 144

E-tickets: Print at home or at the box office of the event if so specified. You will find more information in your booking confirmation email.

You can only select the category, and not the exact seats.
If you order 2 or 3 tickets: your seats will be next to each other.
If you order 4 or more tickets: your seats will be next to each other, or, if this is not possible, we will provide a combination of groups of seats (at least in pairs, for example 2+2 or 2+3).

Important Info
Type: Modern Ballet
City: Boston, USA
Starts at: 13:30

E-tickets: Print at home or at the box office of the event if so specified. You will find more information in your booking confirmation email.

You can only select the category, and not the exact seats.
If you order 2 or 3 tickets: your seats will be next to each other.
If you order 4 or more tickets: your seats will be next to each other, or, if this is not possible, we will provide a combination of groups of seats (at least in pairs, for example 2+2 or 2+3).

Cast
Performers
Ballet company: Boston Ballet
Orchestra: Boston Ballet Orchestra
Creators
Composer: Pyotr Tchaikovsky
Composer: Paul Hindemith
Choreographer: George Balanchine
Overview

A rarely performed gem, Gounod Symphony is a grand tribute to the power and beauty of the corps de ballet. Set to Charles Gounod’s Symphony No. 1, the work features expansive ensemble choreography for large groups of dancers, organized into intricate geometric patterns that continuously evolve across the stage.

Rather than focusing on narrative or emotional drama, the ballet delights in structure, symmetry, and motion, transforming musical phrases into sweeping visual designs. With its formal elegance and unmistakably French musical sensibility, Gounod Symphony showcases Balanchine’s mastery of large-scale choreography and his belief that dance, at its core, can be a pure expression of music made visible to the audience.

George Balachine’s Mozartiana is a wonderful example of neoclassical ballet with an enchanting romantic feel. The beautifully musical choreography is set to P.I. Tchaikovsky’s Suite No.4, Mozartiana, and Op.61. Opening at the 1981 Tchaikovsky Festival, it was Balanchine’s third ballet set to the composer’s homage to Mozart and is one of the last ballets the choreographer created before his death in April 1983.

“The ballet’s formal black costumes by Rouben Ter-Arutunian combine with the music and choreography to form a sense of joyful reverence and spiritual wonder.”
The George Balanchine Trust

One of George Balanchine’s earliest and most groundbreaking abstract ballets, The Four Temperaments explores the expressive potential of classical dance stripped of narrative. Inspired by the medieval theory of the four humors—Melancholic, Sanguinic, Phlegmatic, and Choleric—the ballet does not tell a literal story, but instead translates musical structure into movement with striking clarity and invention.

Set to Paul Hindemith’s incisive score, the choreography is bold, angular, and emotionally charged, blending classical technique with unexpected off-balance shapes, sharp transitions, and sculptural groupings. Dancers move as if the music itself were shaping their bodies, creating a work that feels both intellectually rigorous and viscerally human. Widely regarded as a turning point in 20th-century ballet, The Four Temperaments remains a powerful meditation on individuality, energy, and the complexity of human nature.

History
Premiere of this production: 04 June 1981, New York State Theater,New York City Ballet, Tschaikovsky Festival

Mozartiana is a ballet by balletmaster George Balanchine. It is the choreographer's third homage to Mozart and is set to Pyotr Ilyich Tchaikovsky's Suite No. 4, Mozartiana, Op. 61 (1887).

Premiere of this production: 20 November 1946, Central High School of Needle Trades, New York

The Four Temperaments is a ballet made by New York City Ballet co-founder and ballet master George Balanchine to music he commissioned from Paul Hindemith (the latter's eponymous 1940 music for string orchestra and piano) for the opening program of Ballet Society, immediate forerunner of City Ballet.

Venue Info

Citizens Opera House - Boston
Location   539 Washington Street, 02111

The Citizens Opera House ( Boston Opera House) is one of the finest examples of the vaudeville circuit palace at the pinnacle of its development.

Designed in a combination of French and Italian styles by Thomas White Lamb, one of the foremost theatre architects of his day, it was erected under the close personal supervision of Edward Franklin Albee to memorialize his late partner, Benjamin Franklin Keith. Because it was constructed as a memorial and tribute to vaudeville’s greatest impresario, it was built with a degree of luxury in its appointments that is almost unrivaled.

The Boston Opera House, also known as the Citizens Bank Opera House, is a performing arts and esports venue located at 539 Washington St. in Boston, Massachusetts. It was originally built as the B.F. Keith Memorial Theatre, a movie palace in the Keith-Albee chain. The chain became part of RKO when it was established just before the theater opened on October 29, 1928, and it was also known as the RKO Keith's Theater. After operating for more than 50 years as a movie theater, it was rededicated in 1980 as a home for the Opera Company of Boston, which performed there until the opera company closed down in 1990 due to financial problems. The theater was reopened in 2004 after a major restoration, and it currently serves as the home of the Boston Ballet and also hosts touring Broadway shows. The theater serves as the home arena of the Boston Uprising of the Overwatch League.

The Boston Opera House was originally designed as the B.F. Keith Memorial Theatre, a lavish movie theater in the Keith-Albee chain. The Keith's Memorial was one of his most elaborate designs of the prominent theater architect Thomas W. Lamb. It was dedicated to the vaudeville pioneer B.F. Keith. On October 23, 1928, just before the theater opened, the Radio-Keith-Orpheum (RKO) company was formed and became the owner of the theater. The theater opened on October 29, 1928, presenting first-run films along with live vaudeville. By 1929, the theater had converted to showing only films and remained a leading Boston movie showcase through the 1950s. It became known as RKO Keith's, and bore signage that said both "B.F. Keith's" and "RKO Keith's" (see the 1938 photo shown at right).

In 1965 the Sack Theaters company acquired the theater and renamed it the Savoy Theater. Sack later added a second smaller cinema in the theater's stage space, separated from the original auditorium by a masonry wall built across the proscenium.

In 1980, after closing as a movie house, the theater became the home of opera director Sarah Caldwell's Opera Company of Boston and was renamed the Boston Opera House. The theater was acquired and renovated by the opera company with the help of Boston arts patron Susan Timken. After a decade of opera productions at the house, Caldwell's company collapsed due to financial troubles in 1991. Having previously produced opera since 1958 in rented theaters, the company was not financially prepared to cope with the substantial costs of upkeep for the large theater which had previously been poorly maintained for decades. The company's failure left the theater dark and without funds to maintain it.

Unheated, the building fell prey to extensive water damage, severely damaging the electrical system and the decorative plaster interior of the auditorium. The company's costumes, collected for decades and stored under the damaged roof, were lost. In 1996, the former opera company relinquished ownership of the building.

Mayor Thomas Menino, with the aid of Senator Edward Kennedy (whose father, Joseph, was the first owner), helped to get the theater landmark status in 1999 through the Boston Landmarks Commission. After a series of failed or delayed development proposals, the Clear Channel Company agreed to renovate the theater. The need to enlarge the trapezoidal stage house into the street between buildings provoked a multi-year court fight with the neighboring Tremont on the Commons condominium building, whose concerns with fire safety were eventually overcome with the persuasion of Mayor Menino.

The Boston opera community welcomed the efforts of Mayor Menino and Clear Channel to refurbish the Opera House and the damaged interior was restored in a $38 million renovation. It reopened on July 16, 2004, with the Broadway production of The Lion King. Clear Channel kept the historic theater busy and active with long runs of touring Broadway musicals and pop concerts. While its agreement with city included a clause that opera be produced at least two weeks a year, no opera company has yet returned to make the Opera House its home.

The current owner of the theater is Boston Opera House Ventures, LLC, a partnership of local Boston businessmen Don Law and David Mugar. Its primary tenants are Broadway Across America, Boston Uprising and the Boston Ballet. Home to Boston Ballet's annual production of The Nutcracker since 2005, the theater became the company's permanent home in 2009.

Important Info
Type: Modern Ballet
City: Boston, USA
Starts at: 13:30
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