Citizens Opera House tickets 25 February 2027 - Winter Experience 2027 | GoComGo.com

Winter Experience 2027

Citizens Opera House, Boston, USA
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Select date and time
7:30 PM
From
US$ 144

E-tickets: Print at home or at the box office of the event if so specified. You will find more information in your booking confirmation email.

You can only select the category, and not the exact seats.
If you order 2 or 3 tickets: your seats will be next to each other.
If you order 4 or more tickets: your seats will be next to each other, or, if this is not possible, we will provide a combination of groups of seats (at least in pairs, for example 2+2 or 2+3).

Important Info
Type: Modern Ballet
City: Boston, USA
Starts at: 19:30
Intervals: 1
Duration: 1h 30min

E-tickets: Print at home or at the box office of the event if so specified. You will find more information in your booking confirmation email.

You can only select the category, and not the exact seats.
If you order 2 or 3 tickets: your seats will be next to each other.
If you order 4 or more tickets: your seats will be next to each other, or, if this is not possible, we will provide a combination of groups of seats (at least in pairs, for example 2+2 or 2+3).

Cast
Performers
Ballet company: Boston Ballet
Orchestra: Boston Ballet Orchestra
Creators
Choreographer: William Forsythe
Composer: Thom Willems
Choreographer: Crystal Pite
Choreographer: Jorma Elo
Overview

Crystal Pite’s Emergence is a mesmerizing exploration of how individuals come together to form something greater than themselves. Inspired by patterns found in nature, the 30-minute ballet unfolds as a powerful ensemble work, with dancers moving in precise, rhythmic formations that ripple, swarm, and transform across the stage.

Driven by Belton’s pulsing score and a striking visual design, the choreography builds intensity through repetition, unison, and sudden shifts, creating a sense of momentum that is both hypnotic and energizing. Experiencing Emergence live allows audiences to feel the collective energy of the dancers as it evolves in real time—a shared moment of connection that highlights the beauty of collaboration, community, and the innate instinct to move together.

William Forsythe, known for his revolutionary and influential approach to choreography, redefined classical ballet and expanded its boundaries, earning him recognition as one of the most visionary choreographers of his time. Herman Schmerman is a bold, high-energy ballet that turns classical technique on its head. Audiences can expect lightning-fast footwork, daring extensions, and unexpected twists as dancers push their bodies to thrilling extremes with wit and confidence.

Set to an eclectic Willems score and infused with playful attitude, the ballet is both technically jaw-dropping and irresistibly fun to watch. Herman Schmerman showcases dancers at their most fearless and inventive, offering audiences an exhilarating live experience that feels spontaneous, contemporary, and full of surprises.

Jorma Elo’s Brake the Eyes is a thrilling, fast-paced ballet that showcases the razor-sharp musicality and daring athleticism of Boston Ballet’s dancers. Set to a Mozart score infused with soundscapes, the choreography moves at exhilarating speed—full of sudden shifts, intricate footwork, and playful surprises that keep audiences leaning forward in their seats.

Created by longtime Boston Ballet Resident Choreographer Jorma Elo, the ballet reflects his deep creative partnership with the Company and his talent for crafting works that feel both cutting-edge and tailor-made for these dancers. Brake the Eyes offers an electrifying live experience—bold, virtuosic, and unmistakably Boston Ballet.

“It was dance on two levels: the slightly scary subconscious, and the more extroverted presentation to the world.”
–The New York Times

Venue Info

Citizens Opera House - Boston
Location   539 Washington Street, 02111

The Citizens Opera House ( Boston Opera House) is one of the finest examples of the vaudeville circuit palace at the pinnacle of its development.

Designed in a combination of French and Italian styles by Thomas White Lamb, one of the foremost theatre architects of his day, it was erected under the close personal supervision of Edward Franklin Albee to memorialize his late partner, Benjamin Franklin Keith. Because it was constructed as a memorial and tribute to vaudeville’s greatest impresario, it was built with a degree of luxury in its appointments that is almost unrivaled.

The Boston Opera House, also known as the Citizens Bank Opera House, is a performing arts and esports venue located at 539 Washington St. in Boston, Massachusetts. It was originally built as the B.F. Keith Memorial Theatre, a movie palace in the Keith-Albee chain. The chain became part of RKO when it was established just before the theater opened on October 29, 1928, and it was also known as the RKO Keith's Theater. After operating for more than 50 years as a movie theater, it was rededicated in 1980 as a home for the Opera Company of Boston, which performed there until the opera company closed down in 1990 due to financial problems. The theater was reopened in 2004 after a major restoration, and it currently serves as the home of the Boston Ballet and also hosts touring Broadway shows. The theater serves as the home arena of the Boston Uprising of the Overwatch League.

The Boston Opera House was originally designed as the B.F. Keith Memorial Theatre, a lavish movie theater in the Keith-Albee chain. The Keith's Memorial was one of his most elaborate designs of the prominent theater architect Thomas W. Lamb. It was dedicated to the vaudeville pioneer B.F. Keith. On October 23, 1928, just before the theater opened, the Radio-Keith-Orpheum (RKO) company was formed and became the owner of the theater. The theater opened on October 29, 1928, presenting first-run films along with live vaudeville. By 1929, the theater had converted to showing only films and remained a leading Boston movie showcase through the 1950s. It became known as RKO Keith's, and bore signage that said both "B.F. Keith's" and "RKO Keith's" (see the 1938 photo shown at right).

In 1965 the Sack Theaters company acquired the theater and renamed it the Savoy Theater. Sack later added a second smaller cinema in the theater's stage space, separated from the original auditorium by a masonry wall built across the proscenium.

In 1980, after closing as a movie house, the theater became the home of opera director Sarah Caldwell's Opera Company of Boston and was renamed the Boston Opera House. The theater was acquired and renovated by the opera company with the help of Boston arts patron Susan Timken. After a decade of opera productions at the house, Caldwell's company collapsed due to financial troubles in 1991. Having previously produced opera since 1958 in rented theaters, the company was not financially prepared to cope with the substantial costs of upkeep for the large theater which had previously been poorly maintained for decades. The company's failure left the theater dark and without funds to maintain it.

Unheated, the building fell prey to extensive water damage, severely damaging the electrical system and the decorative plaster interior of the auditorium. The company's costumes, collected for decades and stored under the damaged roof, were lost. In 1996, the former opera company relinquished ownership of the building.

Mayor Thomas Menino, with the aid of Senator Edward Kennedy (whose father, Joseph, was the first owner), helped to get the theater landmark status in 1999 through the Boston Landmarks Commission. After a series of failed or delayed development proposals, the Clear Channel Company agreed to renovate the theater. The need to enlarge the trapezoidal stage house into the street between buildings provoked a multi-year court fight with the neighboring Tremont on the Commons condominium building, whose concerns with fire safety were eventually overcome with the persuasion of Mayor Menino.

The Boston opera community welcomed the efforts of Mayor Menino and Clear Channel to refurbish the Opera House and the damaged interior was restored in a $38 million renovation. It reopened on July 16, 2004, with the Broadway production of The Lion King. Clear Channel kept the historic theater busy and active with long runs of touring Broadway musicals and pop concerts. While its agreement with city included a clause that opera be produced at least two weeks a year, no opera company has yet returned to make the Opera House its home.

The current owner of the theater is Boston Opera House Ventures, LLC, a partnership of local Boston businessmen Don Law and David Mugar. Its primary tenants are Broadway Across America, Boston Uprising and the Boston Ballet. Home to Boston Ballet's annual production of The Nutcracker since 2005, the theater became the company's permanent home in 2009.

Important Info
Type: Modern Ballet
City: Boston, USA
Starts at: 19:30
Intervals: 1
Duration: 1h 30min
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