Carnegie Hall 23 April 2022 - Joyce DiDonato: EDEN | GoComGo.com

Joyce DiDonato: EDEN

Carnegie Hall, Stern Auditorium / Perelman Stage, New York, USA
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8 PM

E-tickets: Print at home or at the box office of the event if so specified. You will find more information in your booking confirmation email.

You can only select the category, and not the exact seats.
If you order 2 or 3 tickets: your seats will be next to each other.
If you order 4 or more tickets: your seats will be next to each other, or, if this is not possible, we will provide a combination of groups of seats (at least in pairs, for example 2+2 or 2+3).

Important Info
Type: Classical Concert
City: New York, USA
Starts at: 20:00

E-tickets: Print at home or at the box office of the event if so specified. You will find more information in your booking confirmation email.

You can only select the category, and not the exact seats.
If you order 2 or 3 tickets: your seats will be next to each other.
If you order 4 or more tickets: your seats will be next to each other, or, if this is not possible, we will provide a combination of groups of seats (at least in pairs, for example 2+2 or 2+3).

Programme
Charles Ives: The Unanswered Question
Rachel Portman: The First Morning of the World
Gustav Mahler: "Ich atmet` einen linden Duft" from Rückert-Lieder
Biagio Marini: "Con le stelle in ciel che mai" from Scherzi e canzonette, Op. 5, No. 3
Josef Mysliveček: "Toglierò le sponde al mare" from Adamo ed Eva
Aaron Copland: "Nature, the gentlest mother" from 8 Poems of Emily Dickinson
Giovanni Valentini: Sonata in G Minor, "Enharmonic"
Francesco Cavalli: "Piante ombrose" from La Calisto
Christoph Willibald Gluck: "Danza degli spettri e delle furie" from Orfeo ed Euridice
Christoph Willibald Gluck: "Misera, dove son! ... Ah! non son io che parlo" from Ezio
George Frideric Handel: "As with rosy steps the morn" from Theodora
Gustav Mahler: Rückert-Lieder: Ich bin der Welt abhanden gekommen
Richard Wagner: "Schmerzen" from Wesendonck Lieder, Op. 91, No. 4
George Frideric Handel: "Frondi tenere e belle ... Ombra mai fù" from Serse
Overview

Mezzo-soprano Joyce DiDonato turns her creative vision and artistry to her next great passion: EDEN. Exploring the majesty, might, and mystery of Nature through both arresting and evocative music and theatrical effects, DiDonato takes audiences on an emotional journey to reconnect to the power and fragility of Nature, exploring our place within the kaleidoscopic, wondrous world around us. Joined by Il Pomo d’Oro and Maxim Emelyanychev, DiDonato performs a wide-ranging program, inviting the audience to consider their own place in the world and perhaps to even change it.

Venue Info

Carnegie Hall - New York
Location   57th Street and Seventh Avenue

Carnegie Hall is a concert venue in Midtown Manhattan in New York City, United States, located at 881 Seventh Avenue, occupying the east side of Seventh Avenue between West 56th Street and West 57th Street, two blocks south of Central Park.

Designed by architect William Burnet Tuthill and built by philanthropist Andrew Carnegie in 1891, it is one of the most prestigious venues in the world for both classical music and popular music. Carnegie Hall has its own artistic programming, development, and marketing departments, and presents about 250 performances each season. It is also rented out to performing groups. The hall has not had a resident company since 1962, when the New York Philharmonic moved to Lincoln Center's Philharmonic Hall (renamed Avery Fisher Hall in 1973 and David Geffen Hall in 2015).

Carnegie Hall has 3,671 seats, divided among its three auditoriums.

Carnegie Hall contains three distinct, separate performance spaces.

Carnegie Hall is one of the last large buildings in New York built entirely of masonry, without a steel frame; however, when several flights of studio spaces were added to the building near the turn of the 20th century, a steel framework was erected around segments of the building. The exterior is rendered in narrow Roman bricks of a mellow ochre hue, with details in terracotta and brownstone. The foyer avoids typical 19th century Baroque theatrical style with the Florentine Renaissance manner of Filippo Brunelleschi's Pazzi Chapel: white plaster and gray stone form a harmonious system of round-headed arched openings and Corinthian pilasters that support an unbroken cornice, with round-headed lunettes above it, under a vaulted ceiling. The famous white and gold auditorium interior is similarly restrained. The firm of Adler & Sullivan of Chicago, noted for the acoustics of their theaters, were hired as consultant architects though their contributions are not known.

Important Info
Type: Classical Concert
City: New York, USA
Starts at: 20:00
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