Bolshoi Theatre tickets 30 July 2025 - Don Quixote. Performance by the Leonid Yakobson Ballet Theatre | GoComGo.com

Don Quixote. Performance by the Leonid Yakobson Ballet Theatre

Bolshoi Theatre, Historic Stage, Moscow, Russia
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Wednesday 30 July 2025
7 PM
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Important Info
Type: Ballet
City: Moscow, Russia
Starts at: 19:00
Acts: 3
Intervals: 2
Duration: 2h 30min

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Cast
Performers
Ballet company: Leonid Yakobson Ballet Theatre
Creators
Composer: Ludwig Minkus
Choreographer: Marius Petipa
Choreography: Alexander Gorsky
Artistic Director: Andrian Fadeyev
Librettist: Marius Petipa
Dramaturge: Miguel de Cervantes
Overview

Established in 1969 by Leonid Veniaminovich Yakobson, the St Petersburg State Academic Ballet Theatre rightly bears the name of its founder and carefully preserves the traditions he laid down. Today the company is developing several trends in its repertoire – the classics, Leonid Yakobson’s own works and productions by contemporary Russian choreographers. The theatre’s work has received a special prize from the Golden Mask festival jury (for the production The Wedding Cortege), St Petersburg’s highest theatre prize the Golden Sofit and the Taglioni Prize, established in 2014 by the Vladimir Malakhov Foundation (for the programme Classical Miniatures by Leonid Yakobson). The company performs at various theatres in St Petersburg, appears at major international festivals and performs in towns and cities throughout Russia, France, Italy, Spain, the USA, Canada, Japan, China, Mexico, Finland, Croatia, Switzerland, Belarus and Estonia.

The festive, hot-tempered and virtuoso ballet was staged in 1900 (and transferred from the Bolshoi Theatre in Moscow to the Mariinsky Theatre in 1902) by Alexander Gorsky after the eponymous ballet of Marius Petipa, which had graced the St Petersburg stage from 1871.

The young and passionate choreographer Gorsky was heavily influenced by Stanislavski (who had just opened the Moscow Art Theatre) at the beginning of the 20th century. To make the ballet more ‘lifelike and truthful’ he turned the symmetrical corps de ballets, so common in his renowned colleague Petipa’s works, into a playful, lively, and cheerful crowd. The first spectators recalled, "the lively and passionate crowd in the square makes you believe up to a point of delusion in the sun, which makes you fall in love so keenly, tease each other, chase after the running beauty, who hides behind her fan..."

History
Premiere of this production: 26 December 1869, Ballet of the Imperial Bolshoi Theatre of Moscow, Russia

Don Quixote is a ballet in four acts and eight scenes, based on episodes taken from the famous novel Don Quixote de la Mancha by Miguel de Cervantes. It was originally choreographed by Marius Petipa to the music of Ludwig Minkus and first presented by the Ballet of the Imperial Bolshoi Theatre of Moscow, Russia on 26 December [O.S. 14 December] 1869. Petipa and Minkus revised the ballet into a far more expanded and elaborated edition in five acts and eleven scenes for the Imperial Ballet, first presented on 21 November 1871 at the Imperial Bolshoi Kamenny Theatre of St. Petersburg.

Synopsis

PROLOGUE
Miguel de Cervantes' study
Woefully lacking inspiration, the great Spanish writer struggles with every word. Hardship has plagued Cervantes over the latter years, and now most of his property is being moved out and stored away.
His two loyal servants are overseeing the local labourers, who are packing up and carrying off the books from the writer's library. Albeit initially irritated by their presence. Cervantes starts to look closer at the  people around him, and takes an interest in the romantic interludes playing out in front of him. His inspiration sparks again, and ideas come to him in abundance. The writer gleefully begins to plot out his next book. His new characters and their personalities soon become clear, and, writing with renewed passion, Cervantes vividly dreams up scenarios and stories where the dramatis personae have an uncanny resemblance to some familiar faces.

ACT I
A Square in Barcelona
The carefree Kitri, daughter of the local innkeeper Lorenzo, is flirting with a young barber named Basilio. However, Basilio's intentions are far more serious than the coy maiden could have assumed. Upon learning that Gamache, the eccentric and wealthy owner of the local bull-fighting arena, has marriage interests in Kitri, he immediately starts making his own wedding plans. Meanwhile, the bull-fighters return from a successful performance, headed by their main talent, the legendary Espada. They immediately gain the full attention of a crowd of adoring women. Mercedes, a young and beautiful lady, is especially interested in Espada. Don Quixote, who has declared himself a wandering knight in constant search of adventure, enters the square with his loyal squire Sancho Panza. For a while, they become the centre of attention of the playful and exuberant crowd. Recognising in Kitri and Basilio the romantic passionate love that he himself has been chasing, Don Quixote takes an immediate liking to the young sweethearts. It is not long before Kitri, Basilio, and their new friends sneak off, while Lorenzo and Gamache are left behind.

ACT II
Scene 1. A Taverna
Barcelona's youth celebrate, joined by Don Quixote and Sancho Panza. Some tension is brought on by the dancing gypsy ladies, but it calms and settles with Basilio and Espada finding mutual respect.
Suddenly, Gamache and Lorenzo catch up with the festive crowd. Aided by the gypsy women, Kitri once again manages to escape her strict parent's grip. Basilio, Don Quixote, and Sancho Panza quickly follow suit.

Scene 2. A Gypsy Camp
Enjoying the welcoming hospitality and the exotic and vibrant atmosphere of the gypsy camp, the young lovers and Don Quixote and Sancho Panza are absorbed and captivated by the very different way of life. But this gathering, too, abruptly comes to an end. Lorenzo manages to catch his daughter and rush her away. Don Quixote is both confused and disappointed by the others' lack of desire to help the young lovers in need. All alone, the sad knight drifts away in visions and dreams.

Scene 3. Don Quixote's Vision
Don Quixote traverses the realm of dreams, guided by Cupid and surrounded by ethereal maidens. The knight realises that actions are needed to change fate for the better. As he awakens, Sancho hands him an invitation to Kitri and Gamache's wedding. Determined to help, Don Quixote sets off to do his duty, to speak up and save both the rightful love of Kitri and Basilio and his own honour.

ACT III
A Square in Barcelona
Kitri and Gamache's wedding ceremony is well under way when Basilio bursts in and interrupts it. Right in front of the wedding guests, the young man commits what looks like suicide. Weighed by little to no guilt, Lorenzo is forced to do the right thing by the hand of Don Quixote, and succumbs to the pressure. He blesses Kitri and her beloved, reasoning that Basilio is already dead anyway. Now blessed, Basilio jumps to his feet, alive and well. Lorenzo believes that he has performed a miracle. Utterly delighted by his new-found powers, the innkeeper permits his daughter to wed Basilio. Festivities resume, and a priest joins the young couple in marriage.

EPILOGUE
We are back in Cervantes' study. Inspired by his friends and new impressions, the writer has finished his book. He has written what is to become one of the most momentous pieces of world literature. His readers will embark on a beautiful journey, full of adventure, of search and discovery, but most importantly of all, of love.

Don Quixote's Study

Bachelor Sanson Carrasco is seen covering a bookcase with wallpaper, while Antonina is putting some rusty old armour and a helmet made of pasteboard into a cupboard. Don Quixote de la Mancha enters, reading a book. He goes to the bookcase and, not finding it, believes it has been stolen by evil magicians. Then he settles into an armchair and continues reading. He delights in stories of brave knights, fabulous giants and other fantastical creatures, but most of all Don Quixote dreams of his beloved Dulcinea, a woman that he believes to be so lovely and noble that she must be divinity. Gradually he nods and falls asleep to dream of their romantic adventures. Darkness falls.

Suddenly his servant, Sancho Panza, climbs hurriedly through the window. In pursuit are several angry women from the market from whom he has stolen bread and a chicken. Awakened by the commotion, Don Quixote sends the women away. Don Quixote tells Sancho that he is determined to seek adventures as a knight-errant, all the while searching for his beloved Dulcinea. He shows him the pasteboard helmet, which, with one sweep from his sword, becomes a shapeless mass on the floor. Antonina suggests that he should use a shaving basin instead, which would make a splendid helmet. Don Quixote enthusiastically agrees and, placing it on his head, orders Sancho to bring him his armour, sword and spear, and to make ready his horse, Rocinante.

Act I

A market-place in Barcelona

Kitri, an inn-keeper's daughter, steals out of her house to meet her beloved, the barber Basilio. Her father, Lorenzo, sees the lovers and sends Basilio away, bringing Kitri to tears. Now comes the rich nobleman Gamache, who, likewise in love with Kitri, goes to Lorenzo and asks for his daughter's hand. The innkeeper accepts with delight but Kitri, appalled at the thought of wedding the foppish nobleman, runs away.

Dancing begins in the square and some toreadors try to kidnap the girls they fancy, but their relatives and lovers hasten to their aid. At this moment Don Quixote arrives mounted on Rocinante, followed by Sancho, who is riding a donkey. At his master's command Sancho sounds his rusted horn, causing the townspeople to cover their ears. Lorenzo runs out of his inn, and Don Quixote, taking him for the lord of a famous castle, dismounts Rocinante and, falling to his knees, begs to be allowed to serve him. Charmed, Lorenzo invites the knight to sit on his balcony. Sancho remains in the square where he is surrounded by girls who induce him to take part in a game of blind man's bluff. Then some boys bring in a blanket on which they place Sancho and proceed to toss him into the air. Don Quixote hurries to his assistance and sets him free.

Peasants gather in the square and dancing resumes. Kitri returns and, noticing her, Don Quixote acclaims her as his Dulcinea, whom evil magicians have reduced to human form. Becoming jealous of her affection for Basilio, Don Quixote attempts to woo her by partnering her in a minuet. Lorenzo berates Kitri for carrying on with Basilio. Kitri and Basilio then run away, and Lorenzo and Gamache follow them. Don Quixote orders Sancho to bring Rocinante, so that he may also set out in pursuit.

Act II

Scene 1 – A camp of gypsies among the windmills outside the village

Kitri, disguised as a boy is seen walking with Harlequin from a troupe of travelling actors. They guess she is a girl and ask her to stay with them.

Scene 2 - The Puppet Theatre

A clown is seen walking with Graziosa, the gypsy chief's daughter. A gypsy tells the chief of the approach of Don Quixote. The chief plans a trick for his benefit and, putting on a mantle crown, sits down as though he were a king on a throne. Don Quixote is deceived and kneels to the chief in homage. The chief bids that he sit beside him and orders a festival to be given in his honor. This begins with Gypsy dances and is followed by a performance of the marionette theatre. Don Quixote is delighted with the entertainment but, mistaking the heroine for his Dulcinea and the marionettes for soldiers attacking her, he rises to assault them. The gypsies are terrified. At this moment the clown and Graziosa run away.

Scene 3 - The Windmills

Flushed with victory, the knight kneels and renders thanks to heaven. Seeing the moon, he takes it for his Dulcinea and tries to get to her. As he approaches the windmills he can see the moon no longer and thinks that evil magicians have hidden his beloved mistress. So, spear in hand, he tilts at the wings of the windmill, which he mistakes for a giant. Alas, the knight is caught by one of the wings and flung into the air. He falls unconscious at Sancho's feet.

Scene 4 – A forest

Through the trees appears Sancho leading Rocinante, upon which sits the wounded Don Quixote. The servant lifts his master down and places him on the grass, so that he may rest. Then, tying up the horse, he goes to sleep. Don Quixote also tries to sleep, but is troubled by fantastic dreams.

Scene 5 – The enchanted Garden of Dulcinea

Fairies appear surrounded by gnomes and Don Quixote finds himself dressed in shining armor. Then comes a succession of fearsome monsters, the last being a gigantic spider, who spins a web. The knight attacks the spider, which he slashes in half with his sword. At that same moment the spider's web vanishes to reveal a beautiful garden, filled with dryads and beautiful women, presided over by the Queen of the Dryads and Amor. Among them is Dulcinea and Don Quixote kneels before his beloved. At this moment everything vanishes.

Act III

The Square

Back at the square, Kitri and Basilio join those who are dancing. At the height of the merriment, Lorenzo and Gamache arrive, followed by Don Quixote and Sancho. Seeing his daughter, Lorenzo decides to give his blessing to her union with the nobleman Gamache. Basilio becomes annoyed and, reproaching Kitri for her unfaithfulness, draws a sword and stabs himself. As he lies dying he begs Lorenzo to unite him with Kitri, but Lorenzo and Gamache refuse. Don Quixote approaches Gamache and challenges him to a duel for having refused a dying man's wish. Gamache declines to fight and the merrymakers drive him out of the inn. Taking pity, Lorenzo agrees to unite Basilio and Kitri. At this moment, Basilio pulls out the sword and tells everyone it was a joke.

Act IV

The Tavern

A magnificent feast is held in honour of Don Quixote. Suddenly the Knight of the Silver Moon challenges him to a duel, which results in the latter being vanquished. The victorious knight proves to be none other than Bachelor Sanson Carrasco, who forces Don Quixote to vow that he will not unsheathe his sword for a whole year. The sorrowful knight, true to his vow, takes up his warlike gear and, followed by Sancho, sets out for home.

Venue Info

Bolshoi Theatre - Moscow
Location   Teatralnaya Square 1

The Bolshoi Theatre is a historic theatre in Moscow, Russia, originally designed by architect Joseph Bové, which holds ballet and opera performances. Before the October Revolution it was a part of the Imperial Theatres of the Russian Empire along with Maly Theatre (Small Theatre) in Moscow and a few theatres in Saint Petersburg (Hermitage Theatre, Bolshoi (Kamenny) Theatre, later Mariinsky Theatre and others).

The Bolshoi Ballet and Bolshoi Opera are amongst the oldest and most renowned ballet and opera companies in the world. It is by far the world's biggest ballet company, with more than 200 dancers. The theatre is the parent company of The Bolshoi Ballet Academy, a world-famous leading school of ballet. It has a branch at the Bolshoi Theater School in Joinville, Brazil.

The main building of the theatre, rebuilt and renovated several times during its history, is a landmark of Moscow and Russia (its iconic neoclassical façade is depicted on the Russian 100-ruble banknote). On 28 October 2011, the Bolshoi re-opened after an extensive six-year renovation. The official cost of the renovation is 21 billion rubles ($688 million). However, other Russian authorities and other people connected to it claimed much more public money was spent. The renovation included restoring acoustics to the original quality (which had been lost during the Soviet Era), as well as restoring the original Imperial decor of the Bolshoi.

The company was founded on 28 March [O.S. 17 March] 1776, when Catherine II granted Prince Peter Ouroussoff a licence to organise theatrical performances, balls and other forms of entertainment. Ouroussoff set up the theatre in collaboration with English tightrope walker Michael Maddox. Initially, it held performances in a private home, but it acquired the Petrovka Theatre and on 30 December 1780, it began producing plays and operas, thus establishing what would become the Bolshoi Theatre. Fire destroyed the Petrovka Theatre on 8 October 1805, and the New Arbat Imperial Theatre replaced it on 13 April 1808, however it also succumbed to fire during the French invasion of Moscow in 1812.

The first instance of the theatre was built between 1821 and 1824, designed and supervised to completion by architect Joseph Bové based upon an initial competition-winning design created by Petersburg-based Russian architect Andrei Mikhailov that was deemed too costly to complete. Bové also concurrently designed the nearby Maly Theatre and the surrounding Theater Square, The new building opened on 18 January 1825 as the Bolshoi Petrovsky Theatre with a performance of Fernando Sor's ballet, Cendrillon. Initially, it presented only Russian works, but foreign composers entered the repertoire around 1840.

Important Info
Type: Ballet
City: Moscow, Russia
Starts at: 19:00
Acts: 3
Intervals: 2
Duration: 2h 30min
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