Leonid Yakobson, a luminary of 20^th-century choreography, has often been heralded in the same breath as esteemed figures such as George Balanchine, Roland Petit, and Maurice Béjart. A distinguished alumnus of the Leningrad Choreographic School – now known as the Vaganova Academy of Russian Ballet – he impeccably mastered the classics. Yet, driven by a fervent desire for artistic liberation, Yakobson ventured beyond the constraints of academia. Thus, the distinct Yakobsonian theatre was born – a daring, vivid tapestry of imagination, resplendent in its whimsy and originality.

Following the tour of "Choreographic Miniatures" (today known as the Leonid Yakobson Ballet Theatre) in Paris, the local press acclaimed, "The troupe's modernity shines not only in its mood but also in its choice of music – Honegger, Debussy, and its affinity for visual arts: Chagall, Rodin. It's evident that Leonid Yakobson was not bereft of imagination or audacity. To transcend the orthodoxy of the academic style, he embraced the singular path of character dance, replete with evocative gestures and creative flourishes. The Leningrad modern ballet suggests that when Soviet performers immerse themselves in contemporary dance, the world ought to take earnest heed."

Yakobson's genius most resplendently manifested in his smaller-scale works. His series of miniatures, Classicism-Romanticism have achieved iconic status, along with the one-act ballets: Wedding Procession to the music of Shostakovich, Brilliant Divertissement set to Glinka's compositions.