Beijing National Grand Theater (NCPA) 5 September 2024 - Chen Sa Piano Recital | GoComGo.com

Chen Sa Piano Recital

Beijing National Grand Theater (NCPA), Concert Hall, Beijing, China
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Select date and time
7:30 PM

E-tickets: Print at home or at the box office of the event if so specified. You will find more information in your booking confirmation email.

You can only select the category, and not the exact seats.
If you order 2 or 3 tickets: your seats will be next to each other.
If you order 4 or more tickets: your seats will be next to each other, or, if this is not possible, we will provide a combination of groups of seats (at least in pairs, for example 2+2 or 2+3).

Important Info
Type: Classical Concert
City: Beijing, China
Starts at: 19:30

E-tickets: Print at home or at the box office of the event if so specified. You will find more information in your booking confirmation email.

You can only select the category, and not the exact seats.
If you order 2 or 3 tickets: your seats will be next to each other.
If you order 4 or more tickets: your seats will be next to each other, or, if this is not possible, we will provide a combination of groups of seats (at least in pairs, for example 2+2 or 2+3).

Programme
Robert Schumann: Arabeske in C major, Op.18
Robert Schumann: Kreisleriana, Op.16
Franz Liszt: Piano Sonata in B minor, S 178
Overview

Chinese pianist CHEN Sa has established herself as one of the most charismatic pianists of her generation. She has started with earning critical acclaims at Leeds, Chopin and Van Cliburn since her early teens then began her professional performing career worldwide with her evocative playing.

Sa was invited to perform with many prestigious orchestras, to name a few, the Israel Philharmonic Orchestra, NHK Symphony Orchestra, San Francisco Symphony Orchestra, Los Angeles Philharmonic, London Philharmonic Orchestra, Orchestre Philharmonique de Radio France, WDR Symphony Orchestra, Orchestra dell’ Accademia Nazionale di Santa Cecilia, Royal Stockholm Symphony Orchestra, Moscow Philharmonic and so on. The enthusiasm of chamber music has brought her to appear in some historical music festivals such as Lockenhaus Festival, Salzburg Festival, Dusznicki Festival, Ruhr Piano Festival, and St. Petersburg Piano Festival.

Highlights of CHEN Sa’s recent seasons included the debut in Marinskii Theatre in St. Petersburg, Champs Elysees Theatre in Paris,the 26th Singapore International Piano Festival in Victoria Concert Hall, and Pyeong-Chang Winter Olympic Game 1st Anniversary Gala Concert.

Sa was nominated for the esteemed Tokyo series "The 100 Greatest Pianists" and as the cover artist of the launching issue of Gramophone magazine Chinese edition. She was also named by the French magazine L’OFFICIEL as one of the "Top ten Chinese Artists" and the Polish Government honoured the Chopin Art Passport to CHEN Sa in 2010, for her unique interpretation and achievement in Chopin’s music.

Up till now Sa has 10 audio albums. Three solo albums with JVC and IMC label in Japan, two live recordings from both Chopin and Cliburn competition were published by the Chopin Competition Warsaw and Harmonia Mundi, then three albums with Pentatone in Neatherland, of which two featured Chopin Piano Concerto and one was Russian Solo Works. Classical FM selected her Chopin Album as the "Best CD of the Month" for her "soulful performance". She has then recorded a Chinese Compositions album for BIS which she had experienced piano concerti with Chinese instruments instead, and it was described as "the most interesting and successful recording of new Chinese music so far" by BBC Music Magazine. In pursuance of wider comprehensive creativity freedom, Sa and her office ATELIERSA China came together with recording producer Johannes Mueller and Neri & Hu Design and Research Office, for her latest solo album featuring the complete Preludes by Claude Debussy with a special graphic design. This and other albums are all published also on Apple Music Global.

CHEN Sa continuously supports Chinese modern compositions and gave the premiere performances of piano concertos Xinqiban (2016) by Australian based Chinese composer Julian Yu, and Piano Concerto (2006) by WANG Xilin, premiered it with Basel Chamber Orchestra in 2013.

Aside from her regular performance schedule, Sa engages herself in charity work as well. She was invited as Classical Artist to be part of project that World Bank and the Norwegian government premiered the multimedia piano concerto Green Call and performed it through out China. She also appeared at the "Global Citizen 2015 Earth Day" event in Washington D.C. performed to over few thousands of audiences, as ambassador of promoting environmental protection programme. In 2020, CHEN Sa attended the world's first offline forum of the UNESCO "ResiliArt".

Since 2016 CHEN Sa receives invitations as jury in some prestigious competitions, Busoni Concourse Bolzano Italy, Sydney International Competition, Leeds International Piano Competition UK, and the 18th International Chopin Piano Competition in Warsaw.

Venue Info

Beijing National Grand Theater (NCPA) - Beijing
Location   2 W Chang'an Ave

The National Centre for the Performing Arts (NCPA) is an arts centre containing an opera house in Beijing, People's Republic of China. The Centre, an ellipsoid dome of titanium and glass surrounded by an artificial lake, seats 5,452 people in three halls and is almost 12,000 m² in size. It was designed by French architect Paul Andreu. Construction started in December 2001 and the inaugural concert was held in December 2007.

The exterior of the theater is a titanium-accented glass dome that is completely surrounded by a man-made lake. It is said to look like an egg floating on water, or a water drop. It was designed as an iconic feature, something that would be immediately recognizable.

The dome measures 212 meters in east–west direction, 144 meters in north–south direction, and is 46 meters high. The main entrance is at the north side. Guests arrive in the building after walking through a hallway that goes underneath the lake. The titanium shell is broken by a glass curtain in north–south direction that gradually widens from top to bottom.

The location, immediately to the west of Tiananmen Square and the Great Hall of the People, and near the Forbidden City, combined with the theatre's futuristic design, created considerable controversy. Paul Andreu countered that although there is indeed value in ancient traditional Chinese architecture, Beijing must also include modern architecture, as the capital of the country and an international city of great importance. His design, with large open space, water, trees, was specially designed to complement the red walls of ancient buildings and the Great Hall of the People, in order to melt into the surroundings as opposed to standing out against them.

Internally, there are three major performance halls:

The Opera Hall is used for operas, ballet, and dances and seats 2,416 people.
The Music Hall is used for concerts and recitals and seats 2,017 people.
The Theatre Hall is used for plays and the Beijing opera. It has 1,040 seats.
The NCPA also distributes filmed and recorded performances of its concerts, plays and operas through the in-house label NCPA Classics, established in 2016.

The initial planned cost of the theatre was 2.688 billion yuan. When the construction had completed, the total cost rose to more than CNY3.2 billion. The major cause of the cost increase was a delay for reevaluation and subsequent minor changes as a precaution after a Paris airport terminal building collapsed. The cost has been a major source of controversy because many believed that it is nearly impossible to recover the investment. When the cost is averaged out, each seat is worth about half a million CNY. The Chinese government answered that the theater is not a for profit venture.

The government sanctioned study completed in 2004 by the Research Academy of Economic & Social Development of the Dongbei University of Finance and Economics, of the upkeep costs of the building were publicized in domestic Chinese media:

The water and electricity bills and the cleaning cost for the external surface would be at least tens of millions CNY, and with another maintenance cost, the total could easily exceed one billion CNY. Therefore, at least 80 percent of the annual operational costs must be subsidized by the government for at least the first three years after the opening, and for the rest of its operational life, at least 60 percent of the annual operational cost must be subsidized by the government.

The director of the art committee of the National Centre for the Performing Arts and the standing committee member of the Standing Committee of the Chinese People's Political Consultative Conference, Mr Wu Zuqiang (吴祖强) and the publicist / deputy director of the National Centre for the Performing Arts Mr Deng (邓一江) have announced that 70 percent of the tickets would be sold at low price for ordinary citizens, while 10% of the tickets would be sold at relatively expensive prices for separate market segments, and the 60% of annual operating cost needed to be subsidized by the government would be divided between the central government and the Beijing municipal government.

Important Info
Type: Classical Concert
City: Beijing, China
Starts at: 19:30
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