Arcimboldi Theatre 30 April 2022 - Sleeping Beauty | GoComGo.com

Sleeping Beauty

Arcimboldi Theatre, Milan, Italy
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9 PM
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Important Info
Type: Ballet
City: Milan, Italy
Starts at: 21:00
Acts: 3

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Overview

The famous ballet on the most beautiful fairy tale returns to the TAM in its most famous version.

The three acts, challenging due to the virtuosity of the soloists and the ensemble of the corps de ballet, will transport audiences into the enchanted world of a fairy tale we all grew up with.

High-quality sets, rich costumes, and technical prowess will be at the heart of a meticulously crafted performance, both in execution and expression.

At King Floristan's court, a baptismal feast is being held for Princess Aurora. Knights, ladies, and the kingdom's good fairies are invited, bringing gifts for the princess.
Among the guests, the witch Carabosse is absent. To take revenge, the sorceress casts a curse on the little girl: at her sixteenth birthday, the princess will die by pricking herself with a spindle. The Lilac Fairy, however, having not yet given her gift, decides to change the curse: the princess will not die, but will instead sink into a long, eternal sleep, which will involve the entire court and will only end with the kiss of a young prince. Despite the precautions taken in the kingdom, on Princess Aurora's sixteenth birthday, the sorceress Carabosse, disguised as an old beggar woman, offers the princess a spindle. Aurora touches the spindle's tip and faints: the Lilac Fairy, as promised, transforms death into sleep with her gift. The guests fall asleep, and the castle is enveloped in brambles and surrounded by a dense forest. A hundred years pass, and in a clearing near the castle, a company of nobles is hunting, enjoying a picnic and dancing in the thick forest. Among them is Prince Desiré. At a certain point, the atmosphere changes, and the Lilac Fairy appears and leads the prince to Aurora in a dream, warning him of what has happened. The vision of this beautiful princess makes the young prince fall in love, and waking from his dream, he heads to the enchanted castle. Finding the princess, he kisses her, breaking the spell; the court then awakens, and the dancing begins again; the prince can now marry Princess Aurora.

History
Premiere of this production: 03 January 1890, Mariinsky Theatre in St. Petersburg

The Sleeping Beauty is a ballet in a prologue and three acts, first performed in 1890. The music was composed by Pyotr Ilyich Tchaikovsky (his opus 66). The score was completed in 1889, and is the second of his three ballets. The original scenario was conceived by Ivan Vsevolozhsky, and is based on Charles Perrault's La Belle au bois dormant. The choreographer of the original production was Marius Petipa.

Synopsis

Time: Baroque
Place: Europe

Prologue (The Christening)

King Florestan XXIV and his Queen have welcomed their first child, Princess Aurora, and declare a grand christening ceremony to honor her. Six fairies are invited to the ceremony to bestow gifts on the child. Each fairy brings a gift of a virtue or positive trait, such as beauty, courage, sweetness, musical talent, and mischief. The most powerful fairy, the Lilac Fairy, arrives with her entourage, but before she can bestow her gift, the evil fairy Carabosse arrives with her minions. Carabosse furiously asks the King and Queen why she had not received an invitation to the christening. The blame falls on Catalabutte, the Master of Ceremonies who was in charge of the guest list. Carabosse gleefully tears his wig off and beats him with her staff, before placing a curse upon the baby princess as revenge: Aurora will indeed grow up to be a beautiful, healthy, delightful young lady, but on her sixteenth birthday she will prick her finger on a Spindle and die. The King and Queen are horrified and beg Carabosse for mercy, but she shows none. However, the Lilac Fairy intervenes. Though she does not have enough power to completely undo the curse, she alters it, allowing the spindle to cause a peaceful 100-year sleep for the princess, rather than death. At the end of those 100 years, she will be woken by the kiss of a handsome prince. Relieved that Aurora's life will ultimately be spared, the court is set at ease.

Act I (The Spell)

It is the day of Princess Aurora's sixteenth birthday. Celebrations are underway, though the King is still unsettled by Carabosse's omen. The master of ceremonies discovers several peasant ladies frolicking about with knitting needles and alerts the King, who initially sentences the women to a harsh punishment. The Queen gently persuades him to spare the innocent citizens, and he agrees. An elaborate waltz is performed and Princess Aurora arrives. She is introduced to four suitors by her doting parents. Aurora and the suitors perform the famous Rose Adagio. Presently, a cloaked stranger appears and offers a gift to the princess: a spindle. Having never seen one before, Aurora curiously examines the strange object as her parents desperately try to intervene. As predicted, she pricks her finger. While initially appearing to recover quickly, she falls into a swoon and collapses. The cloaked stranger reveals herself to be Carabosse, who believes that her curse still stands and that the princess is dead. Once again, the Lilac Fairy quells the hubbub and reminds the King and Queen that Aurora is merely asleep. The princess is carried off to bed, and the Lilac Fairy casts a spell of slumber over the entire kingdom, which will only be broken when Aurora awakens. A thick layer of thorny plants grows over the palace, hiding it from view.

Act II (The Vision)

One hundred years later, Prince Désiré is attending a hunting party. Though his companions are lighthearted, the prince is unhappy and eventually asks to be left alone. On his own in the forest, he is met by the Lilac Fairy, who has chosen him to awaken Aurora. She shows him a vision of the beautiful princess, and the prince is immediately smitten. The Lilac Fairy explains the situation, and Désiré begs to be taken to the princess. The Lilac Fairy takes him to the hidden castle. Carabosse makes one last attempt to cement her vengeful curse, but the Lilac Fairy and the prince manage to defeat her together at last. Once inside the castle, Désiré awakens Aurora with a kiss. The rest of the court wakes as well, and the King and Queen heartily approve when the prince proposes marriage and the princess accepts.

Act III (The Wedding)

The royal wedding is underway. Guests include the Jewel Fairies: Diamond, Gold, Silver and Sapphire, and of course the Lilac Fairy. Fairytale characters are in attendance, including Puss in Boots and The White Cat, Princess Florine and the Bluebird, and others. Aurora and Désiré perform a grand Pas de Deux, and the entire ensemble dances. The prince and princess are married, with the Lilac Fairy blessing the union.

Structure

Titles of all of the numbers listed here come from Marius Petipa's original scenario, as well as the original libretto and programs of the first production of 1890. Major changes which were made to the score for Petipa's original production are mentioned, and help explain why the score is often heard in different versions in theatres today.

All libretti and programs of works performed on the stages of the Imperial Theatres were titled in French, which was the official language of the Emperor's Court, as well as the language in which balletic terminology is derived.

Prologue — Le baptême de la Princesse Aurore

Venue Info

Arcimboldi Theatre - Milan
Location   Viale dell'Innovazione, 20

Created to welcome the seasons of the Teatro alla Scala, the Teatro degli Arcimboldi is today the place of excellence for live entertainment, thanks to the hospitality of the greatest Italian and international artists who, by choosing it, have consolidated its prestige and made it an acclaimed brand. 

Today, TAM Teatro Arcimboldi Milano is reborn with Show Bees and with the artistic direction of Gianmario Longoni and Marzia Ginocchio, which enhances and renews its functionality with an artistic and management project of innovation, which also looks at social changes and the future.

Theater, Art, Music thus become the pillars of a cultural hub capable of new theatrical but also artistic expressions, which contribute to the development of a constantly evolving programming, and in which to benefit from mutual challenges.

An important challenge that will allow renewing the prestige of the theater, today a true icon of Milanese culture.

Theater as the best connection between men and the arts: effective for knowing ourselves, being aware of our present, and quickly building the future.

Important Info
Type: Ballet
City: Milan, Italy
Starts at: 21:00
Acts: 3
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