Ancient Theater of Orange 10 July 2021 - Samson et Dalila | GoComGo.com

Samson et Dalila

Ancient Theater of Orange, Orange, France
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Saturday 10 July 2021
9:30 PM
Important Info
Type: Opera
City: Orange, France
Starts at: 21:30
Acts: 3
Duration:

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Festival

Chorégies d'Orange 2021

The Chorégies d'Orange lift the veil on the 2021 edition with La Scala in Milan as the highlight.

Overview

On a biblical theme yet with barely hidden eroticism, Samson et Dalila allows Camille Saint-Saëns to offer audiences a grand opera that is spectacular while also intimate when it comes to seduction or remorse. Add to this the choir, mighty and generous, which is a character of its own. And on top of that the ballet, whose music no doubt is one of the most successful in the history of opera! Roberto Alagna, Marie-Nicole Lemieux and Ludovic Tézier will be the heroes of a performance that no one will want to miss!

co-produced with the Monte-Carlo Opera

History
Premiere of this production: 02 December 1877, Ducal Theatre, Weimar

Samson and Delilah (French: Samson et Dalila) is a grand opera in three acts and four scenes by Camille Saint-Saëns to a French libretto by Ferdinand Lemaire. It was first performed in Weimar at the Grossherzogliches (Grand Ducal) Theater (now the Staatskapelle Weimar) on 2 December 1877 in a German translation.

Synopsis

Place: Gaza
Time: c. 1150 BC

Act 1
A square in Gaza at night

In a square outside the temple of Dagon, a group of Hebrews beg Jehovah for relief from their bondage to the Philistines in a melancholy chorus ("Dieu d'Israël – God of Israel"), which leads into a fugue ("Nous avons vu nos cités renversées – We have seen our cities overturned"). Samson tries to revive the Israelites' morale and faith in God ("Arrêtez, ô mes frères – Stop, O my brothers") in a rousing aria set against the chorus's continuous prayer. Abimelech, the Philistine governor, appears and taunts the Israelites, saying that they are helpless because their god has abandoned them. He further states that his god, Dagon, is far superior ("Ce Dieu que votre voix implore – This God that your voice implores"). The Hebrews cower in fear before Abimelech until Samson incites them into defiant action. Enraged, Abimelech attacks an unarmed Samson with his sword. Samson manages to wrest the sword from Abimelech and kills him.

Afraid of what might now happen, the Hebrews flee, abandoning Samson. The High Priest of Dagon comes from the Philistine temple and curses the Hebrews and Samson's prodigious strength. A messenger arrives and informs the High Priest that the Hebrews are destroying the harvest. He responds with a further curse that alludes to his plot to utilize Dalila's beauty to outwit Samson's strength ("Qu'enfin une compagne infâme trahisse son amour! – Finally an infamous companion betray his love!").

As dawn breaks the Hebrews lift up a humble prayer to God in a style reminiscent of plainchant. Out of the temple emerges Dalila along with several priestesses of Dagon. As they walk down the temple steps, they sing of the pleasures of spring. Dalila engages seductively with Samson proclaiming that he has won her heart and bids him to come with her to her home in the valley of Sorek. As she tries to charm him, a trio forms as an old Hebrew warns of the danger this woman presents and Samson prays for God's protection from Dalila's charms. In an attempt to seduce Samson away from his leadership of the Israelite uprising, Dalila and the priestesses begin a sexually charged dance for him accompanied by a tambourine. After the dance, Dalila sings how spring is blossoming all around her yet, in her heart, she feels like it is still winter ("Printemps qui commence – Spring begins"). As Samson struggles with his desire for Dalila, the old Hebrew repeats his cautionary plea. His warning, however, is made in vain and the curtain closes as Samson meets Delilah's gaze with every intention of going to her nearby dwelling.

Act 2
Delilah's retreat in the Valley of Sorek

Dalila knows that Samson is entranced with her and will come to her instead of leading the revolution against the Philistines. Sitting on a rock outside the entrance to her retreat, she sings triumphantly about her power to ensnare Samson. She says that all of his strength is hopeless to withstand love's onslaught ("Amour! viens aider ma faiblesse – Love! come help my weakness").

Distant lightning is seen as the High Priest arrives to report that Samson and the Hebrews have conquered the Philistines. He attempts to achieve Samson's capture by offering Dalila gold, but she refuses saying she cares not for money but only for revenge. Her desire to hurt Samson is motivated solely by her loyalty to her gods and her hatred for the Hebrews. Dalila and the High Priest sing a duet expressing their mutual abhorrence for Samson and the Hebrews. Dalila vows to discover the secret of Samson's strength.

Now alone, Dalila contemplates her chances of success. Samson, intent on taking his place as the leader of the Hebrew revolt, emerges to say his last farewell as distant lightning is once again seen. In an attempt to close the trap which she has set for Samson, Dalila tells Samson seductively that she is completely his if he wants her. She begs him to respond to her caresses, hoping that he will finally let go of all other things and concentrate completely on her. His admission Je t'aime! introduces her main aria "Mon cœur s'ouvre à ta voix – My heart opens to your voice", which becomes a duet on the second verse when Samson joins her in song. Now that Dalila has him in her power, she feigns disbelief in his constancy and demands that he show his love by confiding in her the secret of his strength. Samson hears rolling thunder again which now seems like a warning from God and refuses. Dalila weeps and scorns Samson and runs into her dwelling. Samson is momentarily torn but then follows Dalila inside. Not long afterward, having finally learned that the secret of Samson's strength is his long hair, she calls to hidden Philistine soldiers, who rush in to capture and blind Samson.

Act 3

The city of Gaza

Scene 1: In a dungeon at Gaza

His hair shorn and now blind and shackled, Samson is turning a mill-wheel and praying for his people, who will suffer for his sin. He hears their voices, echoing the Hebrews' lament from act 1. Overcome with remorse, Samson offers his life in sacrifice, while the Hebrews are heard in the distance lamenting his fate.

Scene 2: In the Temple of Dagon

A musical interlude is played as the scene changes to the temple of Dagon, where the Philistines are preparing a sacrifice to commemorate their victory. The priests and priestesses of Dagon sing softly, reprising the song to spring from act 1. The music turns savage as the priests dance a wild Bacchanale. Following the dance, Samson enters led by a boy. He is ridiculed by the High Priest and the crowd. Dalila taunts Samson further by recounting to him the details of her devious plot in a variant of her love song. When the priests try to force him to kneel before Dagon, he asks the boy to lead him to the two main pillars of the temple, then telling the child to flee. Samson prays to God to restore his strength, and pushes down the pillars and the temple with them, crushing himself and his enemies. The curtain falls.

Venue Info

Ancient Theater of Orange - Orange
Location   Rue Madeleine Roch

The Roman Theatre of Orange (Théâtre antique d'Orange) is a Roman theatre in Orange, Vaucluse, France. It was built early in the 1st century AD. The structure is owned by the municipality of Orange and is the home of the summer opera festival, the Chorégies d'Orange.

It is one of the best preserved of all Roman theatres, and served the Roman colony of Arausio (or, more specifically, Colonia Julia Firma Secundanorum Arausio: "the Julian colony of Arausio established by the soldiers of the second legion") which was founded in 40 BC. Playing a major role in the life of the citizens, who spent a large part of their free time there, the theatre was seen by the Roman authorities not only as a means of spreading Roman culture to the colonies, but also as a way of distracting them from all political activities.

Mime, pantomime, poetry readings and the "attelana" (a kind of farce rather like the commedia dell'arte) were the dominant forms of entertainment, much of which lasted all day. For the common people, who were fond of spectacular effects, magnificent stage sets became very important, as was the use of stage machinery. The entertainment offered was open to all and free of charge.

As the Western Roman Empire declined during the 4th century, by which time Christianity had become the official religion, the theatre was closed by official edict in AD 391, since the Church opposed what it regarded at the time as uncivilized spectacles. It was probably pillaged by the Visigoths in 412, and like most Roman buildings was certainly stripped of its better stone over the centuries for reuse. It was used as a defensive post in the early Middle Ages, and by the 12th century began to be used by the Church for religious plays. During the 16th-century religious wars, it became a refuge for the townspeople. It has since been restored to its former function, primarily for opera, along side its use as a tourist spot.

Important Info
Type: Opera
City: Orange, France
Starts at: 21:30
Acts: 3
Duration:
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